What Happens At The End Of Ziggy, Stardust And Me?

I gave Julian Marchetti thirty years of my life after the war ended. I built his empire, raised his children, and held the family together behind the scenes. But when he died, his will didn’t even mention my name. Half his fortune went to our children. The other half went to Lydia Carter, the daughter of the man who’d saved his life in Normandy. The same Lydia who’d stolen my identity.The same Lydia who’d built her entire life on the ruins of mine. All he left me was a single note, scrawled in his familiar handwriting. I loved you. We had thirty good years. But I owe Lydia. This is the least I can do. I dropped dead of a heart attack right there in his study, clutching that pathetic piece of paper. When I opened my eyes again, I was reborn in 1945, when the war had just ended This time I will not swallow my anger and suffer in silence; I will fight back. And I will take back every single thing that is rightfully mine.

On the day my father died, his seven most trusted men all met violent deaths within the same twenty-four hours. Hugh Castillo sacrificed his legs to butcher the gang and put me in power. “Taz, don’t be scared. Those monsters are gone. You’re finally free.” In the years he lay paralyzed, I tried over a thousand experimental drugs and prayed at every church across the country. I hunted down every possible remedy, praying for just one that would bring him back to his feet. When Hugh learned of this, he swallowed a bottle of pills one night to end his life. After he was revived, he smiled and wiped the tears from my face. “Taz, I don’t want to be a dead weight. You deserve a better life than this.” That night, we held each other and wept. We swore that from then on, no matter what, we would never leave each other behind. But seven years later, a sweet-looking girl showed up at my door with a thousand photos I was never meant to see. “Every month, while you were praying to God in churches, Huey was busy trying out new positions with me. “Ms. Sheargold, don’t you know that used goods like you kill a man’s desire? It was no wonder he’d rather play the cripple than touch you.” I looked through every single photo, then put them up for auction underground.

At the label showcase, Lily Monroe pointed at the second microphone beside Adrian Vale and asked, "Is this where Mira usually sings with you?" The room went quiet. That mic had been mine for seven years. From dive bars with sticky floors to sold-out theaters, I had stood to Adrian's left for every acoustic closer. I wrote the lyrics, arranged the harmonies, booked the early gigs, and talked club owners into paying us when Adrian was too proud to ask. Everyone in the band knew that final song was ours. Adrian had once promised me that when we sold out our first arena, we would sing it together before he announced our engagement. But Lily only tilted her head and smiled, all nervous charm and pretty innocence. "Can I try her part?" Adrian looked at me for half a second. Then he handed her the spare in-ear monitor. "Go ahead." The rehearsal room went silent in the way people go silent when they know they have just watched someone get replaced. Lily stepped up to my microphone. Adrian leaned close to adjust the stand for her height, his hand lingering at her waist as he showed her where to come in on the chorus. The band looked anywhere but at me. That was the moment I realized Adrian Vale and I were over.

On the first night of our graduation trip, Richard Clark, the class representative, suggests that we find our match via room numbers. "Let your luck decide your fate! You'll get to stay in the same room with your partner regardless of gender! How exciting is this?" Throughout my four-year college life, I've been in an underground relationship with Faye Lister for three years. No one knows about our relationship at all. I dig out a ball from the box and wait for my turn to get matched. When it's Faye's turn, she claims that her number is seven. That's when Richard raises his voice. "The other person who gets Room 7 is… Xavier Jensen!" Xavier, the guy whom Faye had once pursued in a grand fashion, shoots her a smile immediately. Everyone cheers on them, claiming that even God wants them to be together. I'm the only one who doesn't say anything. No one knows that I've heard Richard and Faye having a secretive conversation before the start of the game. "Find the ball with a circular bump. That's the mark I've specifically left for you and Xavier." As I watch Faye approach Xavier and arrange his collar with scarlet cheeks, I find myself smiling as well. It turns out that I've wasted three years waiting for Faye to announce our relationship. This time, I decide to be the one leaving this relationship.

On the first night of our graduation trip, the class representative, Gordon Perkins, suggests that we draw lots in order to get our rooms assigned to us. "Let fate decide the pairs who get to stay in the same room as long as they have the same number, regardless of their gender! Imagine how exciting this is!" Throughout my four-year college life, Ivan Decker and I have been in a relationship for three of those years. No one knows about our relationship, though. I pull out a ball from the box and await my partner. When it's Ivan's turn, he draws out a ball with the number seven. Gordon raises his voice immediately. "The other lucky person who gets to stay in room seven is… Rebecca Benson!" Rebecca, the young woman whom Ivan has pursued in a high-profile manner in the past, goes bright red. Everyone cheers on them right away, claiming that Lady Fate really wants them to be together. But I'm the only one who stays silent. No one knows that I've heard Gordon secretly tell Ivan something before it's time to draw lots. "Look for the ball with the raised dot. I specially saved those ones for you and Rebecca." As I look at Ivan, who walks over to Rebecca and picks up her suitcase for her with a soft smile, I find myself smiling as well. It turns out that Ivan never plans on making our relationship official despite having waited for him for three years. This time, I decide to be the one who leaves first.

My mother fell critically ill and was rushed to the hospital. Desperate, I knelt before my fiancé—the department's chief surgeon—and begged him to take charge of her operation. But outside the ICU, he was carefully tending to a scraped knee. Lucy Wendell's scraped knee, to be exact. Just as I was drowning in hopelessness, Cameron Mitchell—the hospital director and my childhood friend—pushed open the operating room doors and handed me a marriage proposal. "Marry me, and I'll personally perform your mother's surgery." With trembling hands, I signed my name, clinging to the last shred of hope that she could be saved. But she never made it through that stormy night. Cameron handled all the funeral arrangements himself, and our wedding proceeded as scheduled. Seven years later, in the hushed silence of the hospital archives, I overheard Cameron speaking with the deputy director. "Cameron, why did you transfer your mother-in-law's organ to Lucy's mother during that surgery? Weren't you afraid of getting caught?" "I owed Lucy," he replied. "If I hadn't hesitated back then, Lucy never would've chosen medical aid work in Africa… and her mother wouldn't have fallen ill from the grief."