What Happens At The Ending Of 'In The Cart'?

I was slowly dying from Silverthorn Wolfsbane, and there was only one cure—the Miracle Elixir. But my mate, Leo Ashford, bought it and gave it to my adoptive sister, Jane Smith. He did it because he thought I was faking my illness. I gave up on the treatment and swallowed a potent painkiller instead. It would kill me in three days by shutting down my organs. In those three days, I gave up everything. I handed over the fur manufacturing business I built from the ground up to Jane, and my parents praised me for caring about my sister. I offered to sever our mate bond, and Leo praised me for finally being sensible. When I told my son he could call Jane "mommy", he happily said that his new mommy was the best! I transferred all my savings to Jane, and no one seemed to notice anything out of the ordinary. They were just pleased with my "better behavior". "Viola is finally not so bad." I wondered—would they regret it after I was gone?

My husband's first love had been trapped in a car for an hour. After they pulled her out, his rage shifted onto me. “It’s your fault she got hurt,” he spat, his eyes blazing as he grabbed me. Before I could make sense of what was happening, he forced me into a wooden box, slamming the lid down with a deafening crack. “You’re going to feel every ounce of the pain she went through,” he hissed, nailing it shut. I pounded on the walls, my screams tearing through the air. “Please, I didn’t do anything! Let me out!” My throat burned with the effort, my fists aching, but nothing stopped him. “Stay in there until you’ve figured out how to act like a decent human being,” he said, his voice cold, dripping with contempt. Hours passed. My body twisted unnaturally in the tight space, bones throbbing as blood smeared the wood beneath me. I whispered into the dark, the pain unbearable. "Please… just let me out…" But he didn’t care. A week later, he returned, his laughter echoing with hers as they entered the house, carefree from their trip. He finally opened the box. But by then, I was already gone. The woman he locked away was no longer breathing, no longer pleading. Just a cold, silent corpse.

In Hollow Creek, there was an old custom: if you turned thirty and still were not married, the community chair would arrange for you to come home and meet potential matches. When I told Marcus about it, he laughed coldly. “What kind of backwoods tradition is that supposed to be? “Constance, I said I would marry you, and I will. But pressuring me is something else.” Then he took out the ring and casually handed it to Hannah. She accepted it with a blush. “I was going to propose,” he said. “But since you want to act like this, maybe we should cool off for a while.” The ring I had waited years for was handed to someone else like it meant nothing. For a moment, I just stood there, stunned. Marcus walked out of my office with an easy confidence, the corner of his mouth lifted in a victorious smile. Hannah held the ring out to me. I did not take it. “Keep it,” I said. “Wasn’t it meant for you anyway? “You wear it. It suits you.” Her face went pale. I showed her to the door. Before closing it, I said, “Tell Mr. Vale that he and I are done.”

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.

Everyone in this town knows that when a family gives a daughter away in marriage, the parents always have a grand bridal carriage custom-built for her, adorned with thousands of pearls. Every single pearl on that carriage must be personally harvested by her mother and father—the more pearls, the more cherished the daughter is, and the more her future husband will value her. My own bridal carriage was finished six years ago. But nineteen times now, my wedding date has been set, and each time, my younger foster sister, Lena Bennett, has found some excuse to stop it. This time, on the very morning of my wedding, she locked me in my room again. By the time I smashed through the window and stumbled into the banquet hall, bruised and bleeding, the ceremony was already underway. Lena was sitting in my carriage, led by my brother, Ryan Bennett, toward my fiancé, Nathan Sinclair. My parents stood by the side with tears in their eyes, pleading with Nathan to treat their daughter well. The moment my best friend, Megan Hayes, saw me, she blocked the entrance and pinned me down. "Yes," she confessed, "this whole bride-swap plan—we all came up with it together. Lena is seriously ill. Everyone just wants to grant her dying wish. Try to be understanding." Ryan hurried over and warned me, "Mom and Dad said that if you just behave this one time, not only will they give you ten times more wedding gifts later, but they'll also finally treat you and Lena exactly the same from now on. If not, don't expect to stay in our family estate." I clenched my fists and refused to let a single tear fall in front of them. What they don't know was that over the years, my adoptive parents, Daniel and Susan Ward, had already quietly prepared wedding gifts worth hundreds of thousands for me. So, whatever love and belonging my biological family promised? I don't want it anymore.

Struggling college student Lena Carter works late-night deliveries to keep herself afloat, surviving on tips, exhaustion, and determination. Every night she delivered to his door. Every night he gave her another reason to stay. Lena thought Adrian Cole was just a customer. She was wrong. He was temptation in a tailored suit. And once he decided he wanted her— walking away was never part of the story. What begins with after-hours orders soon spirals into a passionate connection neither of them can control. The deeper she falls, the harder it becomes to tell where attraction ends… and obsession begins. Because Adrian doesn’t pursue halfway. And Lena may be the one thing he refuses to let go. Late Night Deliveries: The After Hours is a story filled with longing, tension and the kind of chemistry that burns hottest after dark. Some deliveries arrive late. Some change everything.