A fantastic graphic novel example is 'Through the Woods' by Emily Carroll. The story 'His Face All Red' features a brother who may or may not have killed his sibling and may or may not be dealing with something impersonating him. The haunting is in the woods and the cabin, and the narrator's guilt and paranoia make his account deeply suspect. The artwork masterfully shows the gaps in his story.
I'd add 'White is for Witching' by Helen Oyeyemi. The house, 29 Barton Road, has a voice of its own and a hold on the women of the family. The narration shifts between characters, including the house, and Miranda's sections are heavily influenced by her pica eating disorder and the house's possessive love. Reality is fragmented and contested from the first page.
A classic anime that explores this is 'Perfect Blue' (the manga/source material too). While not a house, the idol Mima's apartment and life become a haunted space stalked by a fan and her own dissolving identity. Her point of view becomes completely untrustworthy as she can no longer distinguish reality from performance, fantasy, and psychosis. The horror is in the loss of a stable self.
2026-07-20 21:52:51
7
ดูคำตอบทั้งหมด
สแกนรหัสเพื่อดาวน์โหลดแอป
หนังสือที่เกี่ยวข้อง
Haunting Romantics
Lena Smith
0
761
Ben has just bought his first house. It's a bit of a fixer-upper. When strange things start happening, he assumes it's the quirkiness of an old house. Because ghosts don't exist, right?
After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma.
Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury.
As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be.
Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve.
The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go.
As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried.
Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.
What do you do when you discover that your house is being haunted by a ghost?
Not just any ghost, your Great grandmother’s ghost!
You are all scared to death and there’s no way out of the house...
You just have to do whatever you can to survive!
This is a story about a fun happy large family in a haunted mansion with dark secrets.
Joe is a Doctor who comes to stay with the Johnsons, but he soon realizes that he had been living with the Wrong family.
He comes to love the family and instead of leaving, he decides to stay but that was his greatest mistake.
His time in the Wrong Dark house becomes filled with horrors beyond his worst nightmares!
When Covid hits, the Thomas Family decided to pack up their lives in the city and move to Buttershire, to the family mansion on the hill. But there is a secret to the mansion, that no one told the family when they got the keys. Whilst the adults seem oblivious to what is happening around them, the teenage knows that the clock is ticking. What they discover is truly not for the faint of heart.
I was the sole front desk clerk at a haunted hotel.
Welcoming players, checking in on the bosses’ quarters, and slacking off a bit were all part of the job.
At least, that was what I thought.
It turned out my days were far from ordinary.
A blood-drenched little girl in a tattered red dress kept ringing the service bell. Her eerie voice echoed, “Miss, why didn’t you come play with me?”
A creepy black cat with glowing eyes wouldn’t stop meowing and rubbing against my legs.
And then there was the old woman with claws like knives, cheerfully knitting me a sweater… out of players’ skin.
One day, I took a day off to care for my sick mother.
That was my biggest mistake.
The entire game instance erupted in chaos.
Bosses interrogated players, demanding to know where their precious front desk clerk had gone.
“Did she abandon us? Is she never coming back?”
I ran. They chased. But no matter how fast I fled, their grip on me only tightened.
In the end, escape wasn’t an option.
Samantha Hale thought she had it all — a perfect marriage, a thriving career as a software engineer, and the kind of life that looked flawless from the outside.
Until she discovers her husband is cheating on her… with her sister.
And that her sister is pregnant.
Betrayed. Homeless. Broke.
One night, Samantha enters a radio contest on a whim — and wins an old Victorian mansion in a forgotten countryside town called Willow Creek.
It’s supposed to be her new beginning.
But the house has a secret buried deep beneath its foundations.
When she unlocks the door to the basement, Samantha finds two stone coffins — and accidentally awakens Lucien Varyn, the long-lost King of Vampires, and his enigmatic right hand, Sebastian.
Lucien is dark, magnetic, and far too dangerous.
Sebastian is cold, calculating, and hiding something behind his icy loyalty.
Both are bound to her by an ancient prophecy neither of them expected to come true.
As strange events unfold and old powers stir, Samantha must decide who to trust — and who to love — before the house claims her soul…
Because in Willow Creek, under the glow of the Blood Moon,
the past isn’t dead. It’s just waiting to be awakened.
I lean towards character-driven stories, so for me, the unreliable narrator is a gateway to incredible depth. The haunting forces them to confront (or avoid) their flaws, lies, and secrets. The supernatural plot is just the pressure cooker for their personal drama. The dread comes from anticipating their breakdown or their moment of truth. Will they break? Will they repent? Will they be consumed? That character suspense, layered over the ghost story, is utterly gripping. You're scared for their soul as much as for their safety.
I'd argue some of the best blending happens in short stories. Thomas Ligotti's 'The Town Manager' or 'The Shadow, The Darkness' aren't traditional haunted houses, but they create a sense of a haunted environment that erodes the mind. His work is pure psychological horror with a supernatural, cosmic tinge. The settings themselves feel sentient and malignant, designed to impart despair. It's less narrative-driven and more about experiencing a terrifying philosophical mood.
‘Episode Thirteen’ by Craig DiLouie is found footage in novel form. A ghost-hunting TV crew investigates Foundation House, a notorious ‘haunted house’ used for parapsychology experiments. The house itself is a lab rat that has learned, adapted, and now manipulates the crew’s equipment and perceptions. It’s a character that engages with them through their own technology, turning their investigation against them.