How Does Hobson'S Choice End?

For three years, Elena endured a husband who barely acknowledged her, a mother-in-law who treated her like hired help, and a sister-in-law who sneered that she was nothing but a golddigger. All the while, her husband, Damien, pined after his “perfect” ex, like his own wife didn’t exist. Until the day Elena had enough. She signed the divorce papers, packed a single bag, and vanished. Damien was certain she’d come crawling back within a week. But the woman they all dismissed? Turns out Elena is a billionaire heiress, the CEO of the very empire Damien has been desperate to partner with and the one now signing his paychecks. Oops. Now Damien is spiraling, realizing too late what he lost. But Elena has choices she never had before. Like her childhood best friend, an NFL star who’s been in love with her all along. So who will it be? The ex-husband who finally woke up? The best friend who never left? Or has Elena finally decided she’s done with men who don’t deserve her?

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.

Josh Carter, a beguiling wealthy person known for his costly occasions and laid-back manner, is at crossroads. At the point when his dad dies suddenly, he is given a horrendous predicament framed in his dad's will: wed to acquire the Carter family riches, or watch everything deteriorate away. The Carter realm's past weighs intensely on Josh's shoulders, yet the idea of surrendering his unique lone fierce way of life feels like detainment. Josh makes a dangerous arrangement to get away from this unexpected circumstance. He moves toward Amy Wesley, the contemplative and bashful proprietor of a little bookstore in the downtown area, with a fascinating proposition: a contract marriage. Amy, who is lowered under water and fantasies about reestablishing her valued yet monetary striving bookstore, takes Josh's deal. They start their contract marriage, what starts as a ploy changes into considerably more. Josh's unbending facade starts to break, finding scars from a difficult past he's for quite some time tried to neglect. Amy, with secret stores of force, shrewdly directs Josh through the complexities of their bogus marriage. Their lives become weaved surprisingly, and the limits between what's valid and what's only for show get obscured. Amy finds a secret note tending to her, covered in the dusty profundities of the bookstore, similarly as they have faith in the possibility of certifiable love. The note implies a labrynth of foul play and covered thought processes that causes some qualms about Josh's real goals. Amy starts on an excursion to find the purpose for Josh's inspirations, driven by encoded hints from the note, and the plot takes an unexpected bearing. The novel closes with a strained excursion through the city's complex roads, leaving Amy's life in risk, and a dark message implying towards a perilous plot squeezing to swallow them both.

This story is about a girl who lives in New York City and is moving to a town called Bluemoon because of her father's job. Follow her to the journey of finding love and discovering new things and a newmeaning to life. And finding that everything she has ever know is a lie. A story of a teenage girl whose life turns upside.

My fiancé presented two engagement rings—one for me, one for my sister to choose first. The first was a three-carat fancy pink diamond, flown in from Antwerp, the kind that made dealers go quiet. The second was a plain platinum band, standard issue, the sort you buy off the tray as a backup. For the first time in my life, I pointed at the pink diamond. "I'll choose first this time." Dante Moretti ran his hand through my hair, the way you soothe a restless dog. "Eleanor, you know Grace has always been particular. If she can't have the best, she'd rather have nothing. You've never cared about any of this. The other one is fine." I didn't answer. My chest felt hollow. We'd grown up together—his father ran the West Coast territory, mine the East. But in Dante's eyes, I'd always been the second daughter, the one who got what Grace didn't want. Every summer, he'd cut watermelon and bring the first plate to Grace. She'd take the center slice—sweetest, seedless, deepest red. He'd push the rest toward me—the pale pink near the rind. "This part's still good. Just not as sweet." When he bought his first Maserati, Grace picked the front seat—less motion sickness. He gestured at the back. "A little tight, but you can pick either side." Even our love was secondhand. He'd loved Grace first. She chose her academic career over him. So Dante, wounded and restless, came to me. In his world, Grace was always the first choice. I looked at the platinum band and pushed it across the table. "Give them both to Grace. I don't want either."

My sister and I are twins, and we both have kidney failure. After a long wait, we finally find two matching kidneys. The doctor is prepared to transplant one for me and one for her. However, she breaks down in tears in my fiancé's arms—she wants both kidneys for herself. When I object, my fiancé locks me up at home. He has my sister undergo surgery to have both kidneys transplanted. "You haven't been sick for as long as your sister has. She just wants to live like a normal person—how can you be so selfish? Can't you wait for the next matching kidney?" He doesn't know that I can't wait any longer, though. I'm going to die soon.