How Does 'Home Is Where The Bodies Are' End?

Not even three years into their marriage could Gabriella Carrington capture Henry Toussaint's heart. Instead, following the return of Henry's first love, all Gabriella receives is a divorce agreement and a brutal slap from reality. "Will you still leave me if I'm pregnant?" Gabriella asks, in which Henry affirms adamantly. It was what it took for her to finalize the divorce and let her dreams die. Only, Henry seems to want a second chance now that she has finally given up.

I was adopted. They were so good to me that every night before I fell asleep, I prayed to grow up healthy and happy in this home. Then Mom got pregnant. I hid under my covers and cried all night, quietly packing the little suitcase I had arrived with. But they didn't send me away. They loved me even more. The day my brother was born, Mom took my hand and gently stroked my head. "Having an older sister," she said, "is why we have a younger brother." Dad lifted me above his head and spun me around laughing. "Lily is our family's lucky star — our most beloved baby!" I finally stopped dreading every single day. I thought I had truly become part of this family. Then my brother snapped my favorite Barbie in half. I pushed him. He stumbled, sat on the floor, stared for two seconds, and burst into tears. Mom panicked, shoved me aside, and pulled him into her arms, asking over and over if he was hurt. Dad came running. He grabbed my shoulders and slammed me against the wall, eyes blazing. "Is this what I raised you all these years for — to bully your brother? Believe me when I say I will send you straight back to—"

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

The day I was awarded the highest service medal, I got a call that my grandfather had died. My superiors approved emergency leave, and I rushed straight back to the family estate without stopping. The moment I reached the hillside cemetery behind the house, what I saw snapped something inside me. Our family burial ground had been completely leveled. My parents' graves had been dug open. Their urns had been turned into flower pot bases, with dark-red roses planted right on top of them. My grandfather's coffin had been split apart. His body was left exposed in the dirt, already starting to rot. And my younger brother, Jerry Horton, who was on the autism spectrum, was being ordered around like a laborer by my husband's assistant, Digby Wolfe, hauling construction materials back and forth. I lost it. I grabbed Digby and slammed him into the ground with a hard shoulder throw. "You touched my family's graves and made my brother do manual labor. Are you trying to get buried here with them?" Digby coughed up blood as he struggled to his feet, sneering at me. "This was Mr. Gray's decision. He said your family plot is in a good location, with plenty of space. It's perfect for building a golf course for the future Mrs. Gray. In Joule, Mr. Gray is the law." His tone was icy. "And who do you think you are?" I swallowed my rage and called Marshall Gray. "I hear you run Joule," I said. "Well, I'm about to change that."

On Mom's death anniversary, drug dealers break into the cemetery and take me away. To get revenge on my brother, Zack Smith—a forensic pathologist—they torture me until there isn't even a single uninjured spot left on my body. I hold on for almost three days, barely surviving, until I finally get a chance to call him for help. However, Zack replied, "Why didn't they kill you for good? A jinx like you who killed your own mother shouldn't be allowed to live!" When the drug dealers notice my action, they shatter all of my bones. The next day, a janitor discovers several large bags of human remains in the trash can. Zack painstakingly reassembles my body back together with his own hands—yet he fails to recognize that it's me, his younger sister he always claims to hate. When the drug dealers are finally arrested, he descends into madness.