Is 'How To Hide Dead Bodies' A Horror Novel?

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

On Mom's death anniversary, drug dealers break into the cemetery and take me away. To get revenge on my brother, Zack Smith—a forensic pathologist—they torture me until there isn't even a single uninjured spot left on my body. I hold on for almost three days, barely surviving, until I finally get a chance to call him for help. However, Zack replied, "Why didn't they kill you for good? A jinx like you who killed your own mother shouldn't be allowed to live!" When the drug dealers notice my action, they shatter all of my bones. The next day, a janitor discovers several large bags of human remains in the trash can. Zack painstakingly reassembles my body back together with his own hands—yet he fails to recognize that it's me, his younger sister he always claims to hate. When the drug dealers are finally arrested, he descends into madness.

He promised to protect him from a killer. He never said he was one. When journalist Ian Parker witnesses a brutal murder, he should have been the killer's next victim. Instead, he wakes up in the hospital, saved by Zhedya Hunter…a brilliant forensic pathologist, a reclusive CEO, and a man with chilling grey eyes that feel hauntingly familiar. Charismatic and dangerously possessive, Zhedya offers Ian shelter in his opulent penthouse, a gilded cage where every comfort is a chain. As Zhedya's obsession deepens, Ian's career skyrockets, with damning evidence against the city's most wanted criminals mysteriously falling into his hands. But each exclusive story comes with a price: a fractured memory, a drugged haze, and a growing pile of bodies connected to anyone who threatens their twisted paradise. Now, Ian is trapped in a nightmare of luxury and lies, unraveling a truth more terrifying than any headline: his savior is a predator, his sanctuary is a crime scene, and the man who claims to love him is the most prolific murderer he will ever interview. Learning how to love a murderer is easy. Surviving him is the real story.

I was a housewife with severe OCD and a serious cleanliness obsession. I accidentally entered what I thought was a wholesome parenting game where I beat the crap out of my rebellious son, smothered my adorable daughter with love, and ripped out the corpse-stitching on my husband to sew him back up. On the day I cleared the game, the three of them tearfully sent me off. Only during the final settlement did I learn the truth: my husband was the ultimate boss of the horror game. My son was an infamous demon who left no players alive, and my daughter had crushed the skulls of a hundred players. Wasn't this supposed to be a parenting game? Turns out, I had walked straight into a horror game.

Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster. One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program. To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good. Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game. As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.

After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma. Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury. As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be. Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve. The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go. As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried. Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.