What Is Huang Zitao Doing After EXO?

Zhang Yixing, also known as Lay, is a name that instantly lights up my screen whenever I see it. As a member of EXO, he's not just another idol—he's a powerhouse of talent. I first noticed him in EXO's 'Growl' era, but what really hooked me was his solo work. His album 'Lose Control' is a masterpiece, blending smooth R&B with his signature dance moves. Beyond music, his acting in 'The Island' showed serious range. What makes him stand out is his relentless work ethic; he's the 'sheep' who never sleeps, always grinding in the studio or on set. His Mandarin lyrics often reference his hometown, Changsha, giving his art this personal touch that feels raw and real. Lay's also a trailblazer for Chinese idols in K-pop, navigating the industry's complexities with grace. His departure from SM Entertainment in 2022 hit hard, but seeing him build his own empire—Chromosome Entertainment—proves he's more than an idol. He mentors young artists now, and that mentor role fits him like a glove. Sometimes I rewatch his 'Lit' performance on 'Street Dance of China'—those krump moves could start a fire. The way he balances humility with ambition? That's the stuff legends are made of.

Zhang Yixing's departure from EXO was a gradual process that felt inevitable to longtime fans like me. Around 2015-2016, I noticed his activities in China increasing dramatically—his solo albums 'LOSE CONTROL' and 'SHEEP' were huge hits, and he became a judge on idol survival shows. SM Entertainment allowed him to establish his own studio there, which was rare for K-pop idols at the time. The 2017 THAAD tensions made Korea-China promotions nearly impossible, and Lay being the only Chinese member left in EXO by then (after the others' lawsuits) made his position uniquely difficult. I remember watching EXO's concerts during this period where he'd appear via video call for his parts—it felt bittersweet. His final official departure in 2022 seemed more like a paperwork formality; we'd all emotionally adjusted years earlier. What fascinates me is how he managed to maintain goodwill with both SM and EXO members—still mentioning them fondly in interviews while building his empire in China. Looking back, his career trajectory reminds me of Jackson Wang's—both leveraged K-pop training to dominate the Chinese market but took very different paths. Lay's political alignment with the Chinese government (like his 'Youthfulness' performance for the CCP anniversary) probably made staying in a Korean group untenable long-term. I respect how transparent he was about missing group activities due to scheduling conflicts rather than inventing drama. These days when I see EXO's ot9 stans still hoping for reunions, I think they're chasing nostalgia—Lay's solo career has objectively outgrown what he could've done within EXO's structure.

Zhang Yixing, also known as Lay, is EXO's main dancer and a sub-vocalist, but his role goes way beyond just those labels. I've followed EXO since their debut, and what stands out about Lay is how he bridges the group's Chinese and Korean activities. While other members focused more on the Korean market, Lay became crucial for their promotions in China, especially after EXO-M's initial lineup changes. His dance skills are insane—watch any fancam of 'Monster' or 'Growl,' and you'll see how sharp his movements are. He also brings a unique flavor to their vocal line with his warm, slightly raspy tone in songs like 'Promise.' What’s fascinating is how he evolved solo. While still part of EXO, he built a parallel career in China, producing music that blends Mandarin pop with his own style. Tracks like 'Lit' show off his creativity, and his involvement in composing for EXO’s later albums (like 'Don’t Mess Up My Tempo') proves his growth. Some fans debate whether he’s still 'active' in EXO due to his solo commitments, but SM Entertainment still lists him as a member, and he’s expressed loyalty to the group multiple times. Honestly, Lay’s duality—being both an idol and a solo artist—makes him one of K-pop’s most intriguing figures.

Zhang Yixing, also known as Lay, has been a fascinating figure in the K-pop and C-pop scenes for years. While he's technically still a member of EXO, his activities have largely shifted to his solo career in China. SM Entertainment confirmed he's still part of the group, but he hasn't participated in EXO's recent comebacks or group activities since around 2019 due to his booming solo projects and China's strict Hallyu restrictions. I miss seeing him perform with EXO—their 'Monster' era was legendary—but his solo work like 'Lit' and 'Jade' shows how much he's grown as an artist. It's bittersweet; part of me hopes for a reunion performance someday, but I also respect his hustle. What's cool is how he bridges both worlds. He still reps EXO in interviews and occasionally mentions the members, which warms my fan heart. His Weibo bio even still lists EXO, so the bond's there. If you dive into his solo music, you'll see EXO's influence in his performance style, but blended with traditional Chinese elements—it's a unique mix. Whether he'll return for a group album someday is anyone's guess, but for now, he's killing it as a soloist and actor in China.

Zhang Yixing, also known as Lay, joined EXO through SM Entertainment's rigorous training system. Back in 2008, he participated in a global audition in China and caught the attention of SM scouts with his dancing skills. After passing the audition, he moved to South Korea to train under SM, where he honed his abilities in singing, dancing, and even acting. The training period was intense—think endless practice sessions, language barriers, and the pressure to stand out among dozens of trainees. But Yixing’s perseverance paid off when he was announced as part of EXO’s lineup in 2011, debuting with the group in 2012 as one of its main dancers and vocalists. His journey always stood out to me because of how much he pushed through; you can see his dedication in performances even now, like when he pulls off those gravity-defying moves. What’s wild is how his role evolved over time. Initially, he was one of EXO-M’s members, focusing on the Chinese market, but he gradually became a bridge between K-pop and C-pop. His solo work, like albums 'LOSE CONTROL' and 'Lit,' showcases his growth beyond the group. It’s inspiring how he balanced EXO activities with his solo career, especially when he became SM’s first Chinese artist to establish his own studio in China. The guy’s a powerhouse—never just resting on his idol status but constantly pushing boundaries.

The whole situation around Huang Zitao's departure from EXO was such a messy, emotional rollercoaster for fans. I remember being glued to my phone when the news broke, refreshing Weibo every five seconds. From what pieced together later, it seemed like a mix of health issues, unfair treatment, and creative differences. Tao had been dealing with serious injuries—ankle problems that needed surgery—but SM Entertainment kept pushing him to perform. The guy was literally carried off stage at one point! Then there were rumors about him wanting more solo opportunities, which SM notoriously restricts. EXO’s Chinese members had it rough; look at how Kris and Luhan left earlier over similar issues. Tao’s dad even publicly criticized the company’s management style. In hindsight, it felt inevitable, but damn, watching his tearful solo concert after leaving? That hit harder than any fan theory.

Huang Zitao was just 18 years old when he became part of EXO, and honestly, that’s wild to think about. At that age, most of us are stressing over college exams or part-time jobs, but he was already training under SM Entertainment and prepping for debut. I remember watching their early stages—his athleticism in performances like 'MAMA' stood out immediately. The way he flipped and kicked with such precision made it hard to believe he was barely out of high school. It’s even crazier when you realize how much pressure came with that. EXO’s debut was one of the most anticipated in K-pop history, and Tao had to juggle intense training, language barriers, and homesickness while still being a teenager. Looking back, his journey feels bittersweet. He brought so much energy to EXO’s early years, especially with his martial arts flair, but the industry’s demands clearly took a toll. By the time he left in 2015, he’d grown so much as a performer, but you could tell he needed space to forge his own path. It’s inspiring how he transitioned into acting and solo music in China later—proof that his EXO days were just the beginning.

It's tough to say for sure, but from what I've observed over the years, Huang Zitao and the EXO members seem to have a complicated but respectful relationship post-departure. When he left EXO in 2015, it was under tense circumstances—legal battles with SM Entertainment and all that. But time heals wounds, right? I remember seeing Tao interact briefly with some members at award shows years later, and it didn't seem hostile. No dramatic reunions, but no obvious avoidance either. What's interesting is how their careers diverged. EXO stayed dominant in K-pop while Tao pivoted hard to China's entertainment scene—acting, variety shows, even his own music label. Different paths mean less overlap, but I don't get the sense there's animosity. Maybe more like former coworkers who occasionally nod at each other across the room. The last time Lay mentioned Tao in an interview, it was neutral—no tea, no shade. That's probably the healthiest outcome for something this messy.

Huang Zitao really came into his own after leaving EXO, diving into solo work with a style that blends hip-hop, pop, and traditional Chinese elements. One of his earliest and most iconic tracks is 'The Road,' which feels like a personal manifesto—raw, defiant, and packed with his signature rap flow. Then there's 'Black White,' a moody banger with trap beats that show off his versatility. His collab with Jony J on 'Beggar' is pure fire, mixing Mandarin and English lyrics seamlessly. And let's not forget 'Misunderstood,' where he gets introspective about fame. His music videos are visual feasts too, like the cinematic 'Hello Hello' with its martial arts themes. Every release feels like he's doubling down on his artistic identity, and I love how unapologetically him it all is. Later drops like 'AI' and 'Awaken' leaned even harder into EDM and futuristic sounds, proving he's not afraid to experiment. 'The Edge' is another standout—those piercing high notes! Honestly, his solo career feels like a rebellion against the K-pop idol mold, and it’s thrilling to watch. The way he infuses tracks with guzheng or Peking opera samples? Chef’s kiss. If you haven’t dug into his post-EXO catalog, you’re missing out on some of the most audacious C-pop out there.

From what I've gathered over the years as a K-pop fan, Huang Zitao's departure from EXO was a pretty complex situation. He left in 2015 citing health issues and unfair treatment by SM Entertainment, but there's always been speculation about whether there were deeper frustrations behind the scenes. His solo career in China took off almost immediately, which makes me think he might not regret the move professionally—he's had way more creative control and opportunities back home. That said, I can't imagine it was an easy decision to walk away from the group dynamic. EXO was (and still is) a global phenomenon, and those bonds formed during training and early fame don't just disappear. In interviews, he's been diplomatic about his time in EXO while clearly embracing his current path. The way he still occasionally references old EXO songs or inside jokes in livestreams suggests there's lingering nostalgia, even if no outright regret.