What Insights Does Canterbury Tales SparkNotes Offer On The Author?

A retelling of several of the most famous fairy tales with a kinky, dirty twist. Each story is about 30,000 words so sit back, grab some holy water and relax! It's time to sink in 10 deliciously dark and twisted fairytales! Highly erotic and brimming with dark desires, don't say I didn't warn ya! 18+ Dark Fairytale Series Rumpled (Retelling of Rumplestiltskin) Sinderella (Retelling of Cinderella) Allissa in Wankerland (Retelling of Alice In Wonderland) Friends With Sexy Benefits (Retelling of Hansel and Gretel) Snow White and the Seven Hunks (Retelling of Snow White and the Seven Dwarfs) Red (Retelling of Little Red Riding Hood) Tangled (Retelling of Rapunzel) Bella and the Beast (Beauty and The Beast) Maid For Pleasure (The Ugly Duckling) Goldilocks and the 3 Were-bears (Goldilocks)

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

This author once failed as a heroine… and returned as something entirely different. Not as a savior. But as the villain. And she didn’t come back empty-handed. She brought secrets. She brought sins. She brought a story that was never meant to be read. Sinners & Saints is not just a collection of dark romance stories— It is a confession. A warning. And a door best left unopened. Within these pages lie twisted love stories where desire and destruction walk hand in hand, and every choice comes with a cost. So the question is simple: Will you turn away… or step inside anyway?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Felix Cambridge couldn't believe it. Along with the dukedom of Twyford, he-London's most notorious rogue-had inherited wardship of four devilishly attractive sisters! Including the irresistible Margaret Fleming. The eldest Fleming was everything he had wanted in a woman, but even Felix couldn't seduce his own ward...or could he? After all, he did have a substantial reputation to protect. And what better challenge than the one woman capable of stealing his heart?

I found an old quill in an antique shop and decided to buy it since I have always wanted to write with quills. However, as soon as I touched the quill to the paper, I was transported into the book. I wasn't the only one there, though three males who always hide their identities behind masks were in the book with me. They claim the quill belongs to them, and I must return it. Since I refuse, they follow me into every book I go into. One day, I was debating which of my mature books to write when I accidentally spilled the ink onto my book, 1001 Dark Tales. The only way they'll help me out of the book is if I give the quill back, and there is now a fourth. As I go through more of the book with them, I start noticing things. Things I had never planned for in my book, and it concerned me because even though I hadn't written those parts yet, none of the other stories I had used the quill on had ever gone that off track. However, when we tried to leave the book, it wouldn't let us back out. It seems we're stuck in the book until we finish all 1001 Dark Tales.