What Inspired Kiran Bhatt To Start Writing?

In this no-limits erotica collection, mortals and monsters collide in the most depraved ways imaginable. Werewolves, vampires, and even witches unleash their savage hungers through brutal gangbangs, savage blood play, degrading piss rituals, and raw MM domination. Every taboo is shattered—consensual or not—as willing victims are broken, used, and ruined in the filthiest, most morally rotten encounters. For those who crave their smut dark, nasty, and rotten and completely merciless.

Temptation slips past every boundary and takes what it wants. What looks controlled, familiar, and respectable on the surface is only a mask. Beneath it, hearts are pulled toward desires they should never indulge—Dangerous. Intoxicating. Forbidden. Inside this collection, you will find stories like these: A lonely wife slipping into the arms of the one man she was never meant to touch… her bodyguard. A woman drawn to her husband’s brother, a quiet, brooding presence who has always wanted her too much. A young female employee unraveled by her CEO A student entangled in a consuming attraction with a professor twice her age And many more tales where lines are crossed and dangerous obsessions shimmers Every story is a sin. Beautiful. Addictive, and impossible to forget. Several forbidden passions. One unforgettable collection. Indulge… if you dare.

When the murderer tortures me to death, my criminal investigator dad and chief forensic pathologist mom are cheering at my brother's match. The criminal saws off my tongue. He answers my Dad's call with my finger. Just before the call ends, Dad's cold voice cuts through. "Playing dead, huh? We should never have brought him back." The murderer chuckles mockingly. "Looks like I grabbed the wrong kid. I thought they'd care more about their real son." When Mom and Dad arrive at the crime scene later, they stare at the mutilated body in shock and rage at the murderer's cruelty. But they never realize that the broken, bloodied body is their biological son.

A eleven year old Jyotsna hears about the legend of a local ghost. When her father finds out about illegal activities in the factory he works, he dies in a freak accident. Jyotsna decides to investigate the matter. Local children are kidnapped, never to be seen again. When one of her friends is abducted, she suspects her dad's boss. When she meets a man who was abducted but returned, she convinces him to accompany her to the ghost's lair to confront her dad's boss, only to find a disgusting secret.

This book gathers different love stories, yes, love stories. All these stories that I collected over time, that were told to me by friends, acquaintances, relatives and others from my own imagination ink. And perhaps, there is some coincidence.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.