Why Is 'Interpreter Of Maladies' Considered A Pulitzer Prize Winner?

Sophia struggles to cater for her sick mother and her little brother after her dad abandoned them at the age of 17. Sick and frustrated with bills and not being able to enjoy her youth, she decides to get drunk and enjoy just one night without worrying about her debts, she ends up in bed with a handsome stranger, runs away and tries to forget about the night that felt special to her . Unknowingly to her the handsome stranger gets what he always wants in this case ,her . She experiences series of events that complicates her everyday lifestyle all these for her to be owned by him but she believes nothing comes free in this world and the temporary nature of love, she seems suspicious of him in his pursuit of her but ends up being pregnant for him . Now she's stuck between forfeiting her independence for the sake of the child or forfeiting the child. Can Sophia trust him? Which is worth it? Find out more in the book…

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

My mother had a rare disease. After months of dead ends, I found one person in the country who could treat her. She told me there was a price. She said she needed a husband. I agreed. For my mother, I agreed. For six years I was her ATM. I bought her the bags. I bought her the watches. It got worse. She used my money to keep a kept man. She brought him into our bed. The day my mother had her last surgery, she walked out of the operating room halfway through to go celebrate her lover's birthday. The moment they pronounced my mother dead, I decided there and then, she was paying for that with her life.

When American engineer Evan Hart arrives in Rome, he expects worn stones, ancient architecture, and a chance to quietly rethink his failing marriage. He doesn’t expect Livia Moretti—the enigmatic archivist whose fragile intensity pulls him into a slow-burning, dangerous affair he never meant to start. Livia is brilliant, secretive, and a little broken… and Evan can’t stay away. But when he finally tells his wife Leah he wants a separation, she collapses, claiming she’s been diagnosed with a devastating neurological disease. Overnight, Evan’s guilt becomes a trap. Then Livia disappears without a trace. Anonymous photographs of him and Livia arrive in the mail. A stranger begins watching his apartment. And Leah—sweet, steady Leah—starts behaving in ways he can’t explain. When Evan finds hidden documents and photographs connecting the two women in his life, he follows a clue to a remote coastal village, where he learns Livia once lived under a different name… and may have been running from something far darker than heartbreak. As Evan digs deeper, he uncovers the edge of a conspiracy built on identity, memory, and manipulation—one determined to keep its secrets buried. Someone is pulling strings. Someone is rewriting the truth. And someone wants Evan to stop asking questions. Caught between a wife he no longer understands and a lover who may not be who she claimed to be, Evan is forced to confront the one question he never thought to ask: If the women in his life are wearing borrowed identities… then who has been shaping his? In a story of seduction, deception, and emotional obsession, All the Names She Wore explores the dangerous terrain between love and control—and what happens when the truth becomes the most terrifying lie of all.

On the day I'm diagnosed with terminal stomach cancer, my dad suddenly gains the ability to hear people's inner thoughts. My stepmother, Pauline Barton, scolds inwardly, "Why isn't this old fool dead yet?" But what my dad hears is, "Honey, I'd gladly trade ten years of my life for your health." I kneel before him and beg him to take me to the hospital. In my heart, I'm crying, "Dad, please save me. I'm in so much pain." But what he hears is, "Hurry up and give me some money, old man. I want to buy the latest designer bag." So, he dotes on Pauline while throwing me, who is gravely ill, into a dog cage without food or water. Pointing at me, he snarls, "How can you be so vicious? I can't believe you want me dead!" Curled up in agony, I sob as I try to explain. However, all I get in return are even harsher beatings and insults. The moment I die, his ability finally starts working properly. My soul drifts above as I watch him hold Pauline and weep. But inside, she's laughing hysterically. "They're finally all dead. Now the entire family fortune is mine." This time, Dad hears every single word, loud and clear.

From the time I was little, something in me was always a little off—I never listened to the whole story, only half of it. My grandmother called me a good-for-nothing who was financially burdening the family. She bought a little boy to be my younger brother and told me to take good care of him. I understood the part about buying a child, so I immediately called the police and reported her for illegal human trafficking. My father pointed at my face and cursed me for being unfilial, accusing me of cutting off his family line. I obeyed him, crept into his room while he slept that night, and used a knife to "cut off his lineage." My father screamed in agony. In the chaos, he accidentally killed me. When I opened my eyes again, I had transmigrated into the female lead of a melodramatic abuse novel. After ten years of marriage to the cruel male lead, his childhood sweetheart had just returned from abroad and was undergoing kidney surgery. He dragged me to the hospital and cruelly ordered me to donate a kidney to his precious first love. I nodded obediently, went out and bought a pig, and on the spot dug out the pig's kidney and handed it to him.