Jessica Pressler’s books and articles are rooted in reality, often focusing on sensational true stories. 'The Hustlers at Scores' and the Anna Delvey saga are perfect examples—both were viral articles before becoming major adaptations. Her writing style is immersive, almost like reading a novel, but the facts are all there. She finds the drama in real life and presents it in a way that’s impossible to look away from. If you love true crime or scandalous real-life tales, her work is a goldmine.
I’ve always been fascinated by Jessica Pressler’s work because she has this incredible talent for spotting stories that sound like they’re straight out of a movie. Her piece on Anna Sorokin, aka Anna Delvey, reads like a thriller but is entirely true—down to the fake heiress scamming NYC’s elite. Then there’s 'The Hustlers at Scores,' which feels like a revenge fantasy but is based on real events. Pressler doesn’t just report; she crafts narratives that pull you in, making you forget these aren’t fictional characters. Her stories are a reminder that truth can be stranger than anything dreamed up in a writer’s imagination.
Jessica Pressler has a knack for uncovering the wildest, most unbelievable stories that turn out to be shockingly true. Her work for 'New York Magazine' and other publications often dives into real-life scandals and larger-than-life characters. Take 'How Anna Delvey Tricked New York’s Party People,' which became the basis for the Netflix series 'Inventing Anna.' It’s a jaw-dropping tale of a con artist living a lavish lie.
Another one of her pieces, 'The Hustlers at Scores,' was adapted into the movie 'Hustlers,' starring Jennifer Lopez. It’s about strippers who turn the tables on their Wall Street clients. Pressler’s writing blurs the line between fiction and reality because the stories are so outrageous, but they’re all meticulously researched and fact-checked. Her ability to find these gems makes her one of the most fascinating journalists out there.
Jessica Pressler specializes in true stories that are too bizarre to make up. Her piece on Anna Delvey, the fake German heiress, became a cultural phenomenon, and 'The Hustlers at Scores' was just as explosive. Both were adapted into major productions because the real events were so compelling. Pressler’s journalism stands out because she doesn’t just report facts; she tells a story with the pacing and depth of a novel, all while staying grounded in reality.
What I love about Jessica Pressler’s writing is how she takes real-life events and turns them into gripping narratives. Her Anna Delvey article was so detailed and engaging that it felt like fiction, but every twist was verified. The same goes for 'The Hustlers at Scores'—it’s a wild ride that actually happened. Pressler has a gift for finding stories where reality outshines any scripted drama. Her work proves that the best stories often come from life itself, no embellishment needed.
2025-08-27 03:52:46
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JESSIE'S CHASE
Chikanma Divine
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Beautiful and ambitious executive editor, Jessica Belle Lavigne has always been a go-getter and this time, she's got her eyes on becoming the chief editor at Tasty, the magazine company where she works.
So when her boss offers her a promotion, Jessie seizes the opportunity, but then to secure this promotion, Jessie has to get into a relationship with the former playboy musician, turned secretive business tycoon, Chase Reed in order to get a scoop on his well-kept secrets.
Jessie keeps reminding herself that her life with Chase isn't real and she shouldn't be too affected by his affection and charming nature, things get more complicated when the most adorable twins are brought into the equation and Jessie finds herself catching real feelings for Chase as well as becoming too attached to the twins.
It's now clear to Jessie that more than her promotion, she wants a life with Chase and the twins.
Will Jessie be able to walk away from them with her heart intact after achieving her goal?
She was a powerhouse—brilliant, driven, and unstoppable—until the day her world shattered in the delivery room. Told her baby had died at birth, she buried her grief beneath ambition and success, building an empire while silently mourning the child she never got to hold. What she never knew was the truth: her husband had betrayed her in the cruelest way imaginable, fleeing with his mistress and the newborn daughter he claimed was lost.
Years later, a business expansion leads her to a quiet, close-knit town far from her high-rise life. There, among tree-lined streets and familiar faces, she meets a commanding, magnetic man whose strength matches her own—but whose integrity and warmth begin to crack the walls around her heart. As their connection deepens, unsettling coincidences surface, pulling her toward a past she was never meant to uncover.
The revelation is devastating and undeniable: her daughter is alive, growing up in this very town, raised by the husband who abandoned her and the woman who stole her life. Forced to confront betrayal, buried grief, and a motherhood stolen from her, she must decide how far she’s willing to go for the truth—and for her child.
In a town where secrets never stay hidden, she faces a choice between vengeance and forgiveness, between the life she built and the love she never knew she could still claim. This is a story of resilience, second chances, and discovering that sometimes, what was lost can still be found.
Trapped in a new world, Consuela Creeker must quickly hatch an escape plan before it is too late to save her family friends from the evil plans of the Noni King.
“Do you understand that you'll ruin my mission? You claim to care about me! Well, this isn't the best way to show it!" I spit the words through gritted teeth.“First, I don't give a fuck about you. Secondly, you did the exact opposite of what I told you to do. Oh, and there is more, I can destroy your life in a split of a second, and make it a living hell. So think about your attitude before opening your dirty mouth.” His rumbling voice affecting my confidence.
The doctors said it was over—stage four, nothing left to fight. I had three days, max.
I signed the organ donor papers myself. If I was gonna die, at least someone else could get a second shot.
Told my family I was sick. But my so-called sister—the doctor—shrugged it off like I was making it up.
She convinced them I was losing it, not dying.
My parents and fiancé fell for it. Handed me over like she was some hero. She wasn't. She pushed me closer to the end.
And when I finally died, the same people who wouldn't listen cried like they hadn't let it happen.
After fifteen years away, I was finally brought back to the DeLuca family.
I thought I was returning to my real home.
Instead, I walked into a house where the adopted daughter wanted me dead, my father treated me like a burden, and my brothers would rather watch me bleed than make her cry.
On my first day back, she set dogs on me.
That night, I was dragged to the top of the observatory and forced to apologize to her.
When I fell from the tower covered in blood, they still called me a liar.
Because in the DeLuca family, I may have been the real daughter by blood—
but she was the daughter they loved.
She thought she could bully me, poison me, and freeze me to death without consequence.
She was wrong.
Because the night I nearly died, my mother finally chose me—and turned a gun on the whole DeLuca family.
especially her Elm Creek Quilts series. While many of her books are inspired by historical events or settings, they aren't strictly based on true stories. For example, 'The Quilter's Apprentice' and its sequels blend fictional characters with real quilting traditions, making the stories feel authentic. Her standalone novels like 'Mrs. Lincoln's Dressmaker' delve deeper into historical figures, but even those take creative liberties to flesh out the narrative. Chiaverini has a knack for weaving real-life elements into her fiction, giving readers a taste of history without being constrained by facts. It's this balance that makes her books so engaging for those who love historical fiction with a personal touch.
I was just thinking about her reporting the other day. Jessica Pressler doesn't have a published book in the traditional sense, so this gets a little meta. Her most famous true crime adjacent piece is definitely the New York Magazine article 'The Hustlers at Scores' that was adapted into the movie 'Hustlers'. It's a financial crime story with a very specific, glittery underworld setting. That's probably the closest she gets to a classic true crime narrative—it has the scam, the victims, the morally grey operators.
She also co-wrote a piece for The Cut about Anna Delvey, the fake heiress, which was pure con artist true crime, though that story is more associated with Rachel DeLoache Williams's book. Pressler's strength is in the texture of these schemes; she writes about the social ecosystem that allows them to flourish, not just the crime itself. So while she doesn't have a true crime 'book,' her long-form journalism is where you find those stories, usually centered on ambition and money in New York.
I recently read 'Jessica' and was curious about its origins too. The novel by Bryce Courtenay is a work of fiction, but it’s inspired by real-life struggles and historical contexts. Set in Australia during the early 20th century, it mirrors the hardships faced by rural communities, especially women. While Jessica herself isn’t a real person, the themes of resilience and injustice are deeply rooted in history. The depiction of the legal system and gender inequality feels authentic because Courtenay researched extensively. It’s one of those stories that blur the line between reality and fiction, making you wonder how much of it could’ve happened.