Which John Irving Book Should I Start With If I Read Them In Order?

"You were never her, Aria. You were just... there." Jason's words echo in my head as I stand in the back of the church, watching him mourn another woman on her sister's wedding day. Isabelle. The perfect dead girlfriend. The ghost I've been competing with for three years. I thought I could be enough. I thought love could grow where grief once lived. But when I find the evidence, when I see the hotel receipts, the text messages, the photos of Jason with Isabelle's sister Violet, I realize the truth. I was never the love story. I was the intermission. What I don't know yet is that nothing about my marriage was real. Not Jason's cruelty. Not Violet's affair. Not the stranger's rescue. They've all been playing a game, and I'm the prize they're willing to destroy each other for. When the truth comes out, when I discover why Isabelle really died and who's been pulling the strings, I'll have to decide: Do I let them destroy me, or do I burn their whole world down?

Lots of people are asking so here it is: Branston high series order - Jake, Nathan, Shane, Luke, Billy Thank you all so much for reading! ~~~~~ Jake has one goal in life - protect his brothers and keep his family together. He has to find a job, earn his keep. He doesn't have time for trivial things like friends and girlfriends. Kim wants freedom, adventure and excitement. She's not interested in living a life of regrets or what if's. A chance encounter with the stoic and mysterious new guy in school, has Kim adamant to bring a little joy to his life, even if he doesn't think he wants it.

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

"After witnessing his parents’ doomed love affair, serial playboy Ash Younger decided long ago that love was not meant for him. With his charm and good looks, he’s never lacked for beautiful women. He may push numbers as an accountant by day, but by night, he’s only interested in having a woman in his bed. Yet the night he encounters a mysterious—and gorgeous—widow who doesn’t immediately fall under his seductive spell, Ash realizes he wants her more than he’s ever wanted another woman. Following the loss of her husband two years ago, Violet Fielding wants to focus on two things: her jewelry business and beginning her life anew in the small town of Fair Haven, Washington. She doesn’t have time for men or romance, and she certainly doesn’t have time for a man who’s a well-known playboy and younger than her. Violet already found the love of her life in her husband, and after his death, she knew she could never love anyone again. But when Ash kisses her, all of her plans and promises are turned upside down. A passion stronger than either Ash or Violet could imagine envelops them both one night—and that night changes everything. As old heartbreaks threaten to tear the couple apart, both must find the courage to see that, of all things, love is worth a second chance."

Everette and Jack know next to nothing about romance novels.... or women. So when they accidentally join a book club full of both, they have no idea what to think. But, as the book and time goes on, the ladies in their book club become more interested in a different plot. The love lives of both men.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.