What Are The Key Lessons In 'Do I Make Myself Clear'?

2025-11-13 11:17:09
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Kimberly
Kimberly
Plot Detective Student
Evans’ book made me realize clarity isn’t just for journalists or novelists—it’s for anyone who emails coworkers or posts online. His chapter on 'the curse of the long sentence' changed how I write; now I’ll chop a rambling thought into two punchier lines. The section on misleading statistics (‘How to Lie with Numbers’) was unexpectedly gripping too—showing how murky writing can distort facts. What surprises people is how funny the book is, with Evans mocking pompous phrasing like a stand-up comedian. I’ve loaned my copy to three friends, and all returned it bristling with highlighted passages.
2025-11-15 10:30:23
20
Sharp Observer Electrician
Harold Evans' 'Do I Make Myself Clear' is like a masterclass in cutting through the fog of bad writing. It’s not just about grammar rules—though those are there—but about clarity as a form of respect for your reader. One big takeaway? The 'ten principles of good writing' he lays out, like favoring active voice or ditching jargon. But what stuck with me was his rant against 'officialese'—those bloated, bureaucratic sentences that make even simple ideas sound like a tax form. He tears apart real-world examples (like a comically bad airline safety manual) to show how clarity saves time, tempers, and sometimes lives.

Another lesson that hit home was his emphasis on rhythm. Evans treats writing like music, stressing how sentence length and cadence keep readers engaged. He’s ruthless about trimming fat—no word should just 'stand there looking pretty.' The book’s packed with before-and-after rewrites that feel like magic tricks, turning sludge into sparkling water. What I love most is his tone: part wise professor, part exasperated editor, like he’s personally offended by bad prose. After reading it, I started noticing unclear writing everywhere—and cringing at my own drafts.
2025-11-17 04:22:26
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