Is Leaves Of Grass A Novel Or A Poetry Collection?

WARNING: HEAVY SMUT AHEAD!!! Mature audiences only! Proceed with caution! ~ ~ ~ ~ ~ “Please,” she whispered, desperation cracking her voice. “Please, Chase.”   “Begging already?” His voice was cruel, his fingers circling faster, pushing her to the edge. “I'm not even nearly done with you yet.”   She squeezed her eyes shut, the recruit’s muffled cries and the whip’s crack filling her ears, amplifying her need. Chase’s fingers were relentless, stroking her clit, and dipping inside just enough to tease.   “Please,” she whimpered, louder now, her hands gripping his shoulders. “I’m sorry. I won’t lie again. I’ll be good. Please, let me cum.”   He chuckled, his lips brushing her neck. “Not yet, baby. Fight it.”   Her body screamed, every nerve on fire, the recruit’s struggles mirroring her own. The girl’s master groaned, close to release, as Lila’s whip landed again and again on her ass.   Emma’s head felt like it was about to explode under the pressure, her thighs shook with the effort to conceal it, her pleas spilling out. “Please, Chase, I can’t hold it any longer… I need it."   "Don't. You. Dare. Come." ~ ~ ~ ~ ~ Picture this: A CEO pinning his partner's daughter over his desk, whispering rules that chain her soul while his cock claims her body. Or a werewolf's claws raking skin in the moonlit woods, rutting her senseless till she's howling his name. We mix it up... sweet, slow-burn romances that melt into tender fucks and whispered "I love yous," flipping to the dark side with BDSM bites, non-con edges that blur fear into filthy want, and horror vibes where ghosts fuck you cold then hot. Your panties? Ruined. Your cravings? Fed. And yet, you'll still be here begging for more. Dive in if you're brave enough.

A diverse collection of short romantic stories and erotica to fulfill your fantasies. THIS BOOK IS INTENDED FOR 18+ AUDIENCE ONLY!

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

How would you define your worth? My name is Cassey Timmerhaus, a seventeen year- old noble daughter, whose goal is to find my worth and guarantee my own happiness. In worth comes opportunities, in opportunities comes wealth, in wealth comes love, in love comes happiness, and in happiness, I can die blissfully. But the path to self- realization was harder than I presumed. The unfathomable range of emotions, the twisted justice to prove yourself righteous, the betrayals, the sinful encounters and the fight for the honorable seat, are things I never expected but had to experience. "To honor your family is the noblest thing. How could you fail in such a task as easy as breathing?" I faced countless humiliation and disgrace; degraded by the people I call family. "I am sorry, but how could we dare tarnish a lady's hand by making her work for us, mere commoners? Surely she wasn't casted away to be like this. For a noble like her, it would be better to starve than sweat her palms." The rejections from those who once respected me ruined my valued trust. She once said that in this endless pit of woes, thy love shall save me. But, I doubt that. Even if I have love, will I be able to make it last? Will I be able to make him stay? Will I ever be worth of such fortune, when I am just a grass?

Eight years ago, my cousin Wendy Cooper was involved in a drunk driving hit-and-run. Yet, my parents made sure all the evidence pointed toward me. The victim's family waited outside my school every day with gasoline, threatening to die with me. Because of that, the school took away my guaranteed admission to university. That day, my parents and brother all tried to persuade me. "Wendy's terrified. Just give her your spot to make her feel better." I refused, fought back, and even tried to talk them out of it. But the next day, they handed me over to the police themselves. Lance Stewart, my fiance and a powerful business tycoon, had orchestrated it all. As he was afraid I'd run or cause trouble, he personally pinned several charges on me and sent me to an isolated island prison. He left me with no way out. When my sentence began, he made me a promise. "Esme, just endure it for a few years. I'll get you out once Wendy graduates, and then we'll get married."

On the very night Ansel Halberg is in another woman's arms, Odessa Montclair meets a tragic end. The Grim Reaper gives her seven days to return to the world of the living and make one final request. Her only wish is to divorce Ansel and erase every trace of their shared past. She's determined never to cross his path again—neither in this life, nor the next.