Who Licensed The Call Regina Spektor Narnia For The Movie?

2025-08-24 00:54:26 444
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3 Answers

Uma
Uma
2025-08-26 22:22:52
I still get a little giddy when that opening melody of 'The Call' shows up over the credits of 'The Chronicles of Narnia: Prince Caspian' — it’s one of those pairings that stuck with a whole generation of fans. The short version of who actually licensed it: the movie studio (Walt Disney Pictures, working with Walden Media) cleared the song for use. In practice that meant Disney obtained a sync license for the composition and a master-use license for Regina Spektor’s recorded performance, negotiating with her publisher and her record label (she was on Sire/Warner at the time). The soundtrack itself was handled through the film’s music arm, which in this case would be tied to Walt Disney Records for distribution.

If you want a paper trail: the film’s end credits and the soundtrack liner notes will list the exact publishing and master ownership names. For most film placements you’ll see two separate sets of credits — one for the songwriter/publisher (who issues the sync license) and one for the label that owns the master (who grants the master license). So while the studio licensed the usage, the formal rights came from Regina’s publisher and label.
Quinn
Quinn
2025-08-28 10:36:44
There’s a neat contrast between what movie audiences see and the legal side that actually makes it happen. For 'The Call' in 'The Chronicles of Narnia: Prince Caspian', the public-facing party that licensed it was the film studio (Walt Disney Pictures, along with Walden Media on the production side), but the studio had to secure two different clearances: a sync license from the song’s publisher (the people who control the composition) and a master-use license from the owner of Regina Spektor’s recording (her record label, which at the time was Sire/Warner). If you want to confirm exact names, I’d peek at the soundtrack booklet, the movie’s end credits, or the PRO databases like ASCAP/BMI where publishers are listed — those sources will show the precise companies involved and make the chain of licensing crystal clear.
Cara
Cara
2025-08-29 21:14:42
My reaction is very much like someone who’s been tinkering with indie music placements: the studio (Disney/Walden Media) typically initiates the license, but they don’t magically “own” the song. To use 'The Call' in 'The Chronicles of Narnia: Prince Caspian' they would have needed a synchronization license from whoever publishes the song (the composition) and a master-use license from whoever owns the recording. Regina Spektor was associated with Sire Records (a Warner imprint) around that era, so the master probably came through her label, and the composition rights were cleared with her publisher.

If you’re digging for the exact corporate names (publisher, administration, etc.), check the film’s closing credits or the liner notes for the soundtrack — they usually show the publisher name and the recording owner. Another quick route is looking up the song in performance rights databases like ASCAP, BMI, or SESAC, which will list publishing details and sometimes administration info. That’ll tell you precisely which entities Disney negotiated with.
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