How Long Is The Cask Of Amontillado?

“I know you want me in jail, but I want you in my bed.” Every man and woman Ángel meets disappears. Their severed finger arrives first, like a pretty little Christmas gift, wrapped in silk and presented in box filled with silent promises from his stalker. Castle, Mafia heir. Executioner. Obsessed beyond reason. He doesn’t send threats. He sends bodies. Because no one touches what belongs to him. No one tastes what he’s claimed. And if they try? They bleed for it. At sixteen, Ángel Di Cristina lost everything. His father—an FBI agent—was closing in on the Mafia when a brutal massacre left his parents dead. But that night, one masked man went rogue. He killed his own allies, marked Ángel with a scar, and disappeared. For years, Ángel hunted him. And now, he’s closer than ever. But Castle doesn’t play by rules. He never had. What he wanted, he got. He bends Ángel, fills his whole life with the thought of him. He whispers filthy things against his throat while pressing a knife to his pulse. Run? Hide? Fight? Useless. Because Castillo doesn’t just want to own Ángel. He wants to ruin him. And the worst part? Ángel is ready to let him.

On Halloween, I was secretly reunited with my long-lost mafia parents. They offered to take me home, but because I couldn't bear to leave the three brothers in my foster family, I refused to go with my parents. Getting back home, I changed into the white dress and bracelet given to me by my brothers as gifts. However, this triggered the jealousy and crying tantrums of their biological sister, Tiana. To avoid putting my brothers in a difficult position, I agreed to take off the dress and bracelet. Despite that, she wasn't satisfied. To appease their biological sister that they had been separated from for years, my three brothers forcefully locked me inside a transparent decorative coffin, despite knowing that I suffered from severe claustrophobia. Suffocating, I frantically banged on the coffin's glass, begging them for help. Tiana stood on the side, smirking at me maliciously. "Sarah, aren't you a professional actress? Why is your acting so exaggerated and fake? You're just locked inside, not being strangled, so why are you gasping?" My brothers knit their brows in annoyance. "It's just a little prank. How can you not even last ten minutes? Can't you just tolerate it for a bit?" "I checked it myself. The coffin has air vents and we're standing right here watching you the whole time! You won't be in any danger, and it's impossible for you to suffocate!" "If you didn't want to make Tiana happy, you could have just said you aren't willing! There's no need to fake being miserable and pitiful just to get our attention and sympathy!" But I wasn't faking. The phobia triggered a severe stress response and it brought on an asthma attack, cutting off my airway. Through the glass, I looked at them in sheer agony and despair. I was really going to die...

For a Captain of the Royal house to have honour, he must saves the life of the only heir to the throne, else he will be dishonoured, and excuted; and for Captain Casablanca to become the king of the sea, he must kidnap the only hier, and vomit terror all around the Western sea.

I found an old quill in an antique shop and decided to buy it since I have always wanted to write with quills. However, as soon as I touched the quill to the paper, I was transported into the book. I wasn't the only one there, though three males who always hide their identities behind masks were in the book with me. They claim the quill belongs to them, and I must return it. Since I refuse, they follow me into every book I go into. One day, I was debating which of my mature books to write when I accidentally spilled the ink onto my book, 1001 Dark Tales. The only way they'll help me out of the book is if I give the quill back, and there is now a fourth. As I go through more of the book with them, I start noticing things. Things I had never planned for in my book, and it concerned me because even though I hadn't written those parts yet, none of the other stories I had used the quill on had ever gone that off track. However, when we tried to leave the book, it wouldn't let us back out. It seems we're stuck in the book until we finish all 1001 Dark Tales.

In 1612, he couldn’t save her. In 2026, he might not want to. Elias Thorne was a man of maps and measurements, the King’s most trusted surveyor, until the smoke of the Lancashire witch trials choked the life out of everything he loved. Catherine wasn’t a witch—she was just an innocent woman caught in the gears of a superstitious world. When Elias was turned into something monstrous that same year, he didn't see it as a curse; he saw it as a deadline. He had forever to find a way to bring her back. For four centuries, Elias moved through the shadows of history, building an empire of wealth and dark influence. He hunted every myth, funded every occult discovery, and bled for every lead—all to find a soul that refused to return. He grew bitter, his heart hardening into the very stone of the London streets he walked. He eventually gave up on the heavens and the hells, settling into a life of cold, immortal apathy. Then, on a Tuesday afternoon, he sees her. She’s standing in line for coffee, wearing headphones and a denim jacket, looking exactly like the woman he watched die under a grey Jacobean sky. She has no memory of the fire, the maps, or the man who has spent four hundred years hating the world for her sake. Now, Elias faces a choice: Walk away and let her live the peaceful life he once prayed for, or reclaim a love that doesn’t belong to him anymore. But Catherine has secrets of her own—and in the modern world, the ghosts of 1612 are finally starting to catch up.

Belladonna; the devil's favorite flower, a slow sentence of death. Silence, pain and insanity. Artemisia was born being the poisonous root of the family, the shadow on the wall that everyone tried not to see. A legend has fallen upon her since childhood: be loved by her and death will come to you as the poisoning by belladonna, slowly and painfully. As a way to escape from her mother's suffocating wings, Artemisia moved into her great aunt's mansion in to start over and wipe all the blood on her hands. But no matter where it is planted, a poisonous plant will always leave its trail morbid.