Just checked my bookshelf—the Oxford World's Classics version of 'The Death of King Arthur' clocks in at 320 pages. It includes that haunting final section from Malory's work where everything unravels: Lancelot's guilt, Guinevere's exile, Mordred's betrayal. What makes it feel longer (in the best way) is the archaic language; you have to savor each sentence like dark chocolate. My favorite detail is how the physical book's weight matches the emotional heft—you could probably knock someone out with this tome during a heated Round Table debate!
I've got a well-worn copy of 'The Death of king Arthur' sitting on my shelf, and it's one of those books that feels deceptively slim until you dive in. My edition, the Penguin Classics translation by James Cable, runs about 260 pages—but don't let that fool you. The prose has this incredible density, where every paragraph carries the weight of centuries-old legends. It's not just about page count though; the way Malory's original 'Le Morte d'Arthur' gets condensed here makes it feel like drinking medieval mead straight from the barrel—rich, potent, and surprisingly complex for its size.
What's fascinating is how different translations vary. Some versions split it into two volumes or include extensive commentary that doubles the length. The everyman's library edition I borrowed from a friend had nearly 500 pages with academic footnotes! But the core narrative—those tragic final acts of Camelot—always feels compact and inevitable, like watching a beautifully carved stone sink in a lake. After multiple reads, I've concluded its 'perfect length' depends entirely on whether you want pure story immersion or scholarly context—I personally prefer the former.
2026-02-16 19:55:15
13
View All Answers
Scan code to download App
Related Books
Fated To The Werewolf Dragon King
Midnight Summer
10
2.9K
"Fate!"
Kallias' dragon roared louder than his werewolf growl the moment his eyes landed on Adriana.
Adriana Eliana Blackwood, daughter of a powerful Alpha, thought her wedding day would mark the beginning of a new life. Instead, it became her downfall. Betrayed and rejected by her mate before the sacred bond could be sealed, she is sentenced to death by the very man who once swore to love her.
But fate has other plans.
Sold into slavery after her executioners choose greed over duty, Adriana finds herself in the greatest citadel of the realm, serving under the most feared ruler alive, King Kallias, a powerful hybrid born of both dragon and werewolf blood.
Then one night changes everything.
As Kallias teeters on the edge of going feral, an ancient prophecy awakens, revealing a truth neither of them expected: Adriana is his fated mate. With the Moon Goddess offering them a second chance, their destinies become dangerously intertwined.
But fate comes with a price.
Will Kallias choose his fated bond and watch his citadel burn? Or will he sacrifice the woman destined for him and allow her to die because of the bloodline she carries?
In a world where prophecy, power, and betrayal collide, love may be the most dangerous choice of all.
King of Gods and Whole Family’s Regret After I Died
Belen
8
4.7K
I had seven days left to live.
My father was the God of War. My mother was the Goddess of the Harvest.
I was born with divine power running through my veins, and like all gods, I should have lived forever. But I'd been poisoned by Godsbane, a plant so deadly that even the Healer had no cure.
I forced myself back to the temple through the pain, one step at a time.
That was when my husband Caelum, the King of the Gods, came home.
His expression was grave. "Lyra," he said, "your sister Selene has collapsed. Her divine blood is completely spent. The Healer says she won't survive the month. The only way to save her is for someone who shares her bloodline to give her half their divine blood."
"You're twins. Your blood is perfectly matched." He paused. "Would you reconsider donating half of yours?"
"I know it's a lot to ask." He hesitated, then reached into his robe and placed a divine decree on the table before me. It called for the revocation of my title as Queen. "But if you won't save Selene, I'll have to honor her last wish. She says she wants to marry me before she dies."
I looked at the decree for a long moment.
"Don't worry," he said, his voice softening as he took my hand. "Once this is over, I'll burn it myself and marry you again as my Queen. Lyra, you know you're the only one for me."
I looked at him trying so carefully not to push too hard, and something hollow settled in my chest.
He wasn't the only one. Even my parents, when I'd refused before, had turned cold and driven me from our home: "If you'd rather watch your sister die than help her, then get out. Don't ever come back."
If that was what they all wanted, fine.
I had seven days left anyway.
"All right," I said. "I'll give her the blood."
My father and mother were pleased. They said I'd finally come to my senses.
I finally became the Queen they'd always wanted me to be. A good daughter.
But when I died, why did they all cry?
Alexander III, the greatest king of the world died mysteriously at Babylon on 11th June 323 BC. But prior to his death, there was a prophecy that predicted the end of the greatest civilization. The story begins when Cassandra, the seer daughter of the priest of Parthenon gurgles out a prophecy that predicted the end of the greatest civilization. She along with her brother, Argus, the male hero, and beloved Fabian are set to travel to Delphi, the place where prophecies are unveiled. On the long perilous journey, they meet many adventures. In one of Cassandra would be kidnapped and Argus would wage a war. After many more hurdles, they reach Delphi only to get a shocking revelation. What was that prophecy? What would happen next?
Alaric Thorn was just a blacksmith in the 12th century—a husband, a father, a simple man.
Until the day everything was taken from him.
His wife murdered.
His daughters stolen.
And he himself slaughtered, powerless to protect the people he loved.
But death did not end his story.
Dragged into a supernatural realm after dying, Alaric made a desperate bargain:
power in exchange for completing a mission in the future.
A mission he did not understand.
He returned to Earth centuries later—only to realize his revenge no longer existed.
Four hundred years had passed.
His family long gone.
Their killer long dead.
And Alaric… could no longer die.
Cursed with immortality, he wandered through ages and empires, trying every possible way to end his life—failing each time. All he wanted was to go back in time and fix what he had lost.
But when he finally stepped into a time machine, fate betrayed him again.
Instead of the past…
Alaric was thrown into another realm entirely—a brutal world crawling with monsters, ancient races, and system-like powers. Here, strength must be earned through blood, each battle pushing him closer to awakening his true potential.
In this realm, he is no longer just a wanderer.
He is a rising lord.
A conqueror.
A man destined to build an empire strong enough to challenge a king—
a king who bears the same name as the monster who destroyed his life on Earth.
As Alaric fights beasts, defeats tyrants, and gathers allies and armies, he discovers the truth behind the mission he accepted centuries ago:
To reclaim his fate…
To break his immortal curse…
To rewrite the destiny stolen from him…
He must rise as the Immortal King.
The true master of the Dark Realm he was fated to rule.
In the Kingdom of Deovaria, the peaceful Faery have been killed and enslaved by their neighboring Kingdom of Humans. The remaining few forced to choose between life or death, agree to live under the humans rule. Freedom comes with a price though. Faeries are to immediately stop all use of magic, and all faerie women are to be taken into the castle walls to bear one child that will be half human, and half faery. Giving the King a glimpse into what he always wanted, and invincible army. To try and protect their kind, a curse is placed on the Kingdom to stop all faery from having female children.
Eighteen years later, Aspen, is the last female to turn of age. When she is taken by force, she turns her magic onto the humans, killing a guard in the process and committing treason against her new King. Little does she know she will soon come face to face with a furious Prince, and a longer journey than she had ever imagined.
Adrian has spent his entire life surrounded by death.
As the human executioner of the Demon King, he is the blade that ends traitors, monsters, and enemies of the crown. Cold. Efficient. Unfeeling.
At least, that’s what everyone believes.
But when the ancient Demon King Vaelreth begins to take an unusual interest in the quiet man who carries out his judgments, something dangerous begins to grow between them.
In a world where demons and humans were never meant to stand side by side—let alone feel something deeper—the line between loyalty, obsession, and love begins to blur.
And in the Demon Kingdom…
Love can be far more dangerous than death.
Man, 'The Black Knight' is one of those novels that really sticks with you, isn't it? I remember picking it up on a whim, drawn in by that ominous cover art, and before I knew it, I’d devoured the whole thing in a weekend. The edition I have—published by DarkHorse Press back in 2018—runs about 480 pages, but I’ve heard later printings might’ve tweaked the font size and bumped it up to 500. It’s one of those books where the page count feels just right, though; not so long that it drags, but packed with enough world-building and character depth to sink into.
What’s wild is how the pacing makes those pages fly by. The first 100 or so are slower, setting up this gritty, almost mythic tone, but once the knight’s backstory kicks in? Couldn’t put it down. I’ve loaned my copy to a few friends, and everyone agrees—it’s the kind of book where you glance at the clock at 2 AM and go, 'Just one more chapter…' only to realize you’ve blown through 50 pages. If you’re hunting for specifics, I’d double-check the publisher’s site or recent reviews, but my well-loved copy sits at 480, dog-eared and full of scribbled notes. Totally worth every page.
Man, that's a tricky question because 'King Arthur and the Knights of the Round Table' isn't just one book—it's a whole legend retold by tons of authors! The page count varies wildly depending on who wrote it and how it's published. Like, Howard Pyle's 1903 version 'The Story of King Arthur and His Knights' is around 300 pages, but Roger Lancelyn Green's 1953 retelling is closer to 400. Then you get abridged kids' versions that might be under 100 pages. Even the classic Thomas Malory 'Le Morte d'Arthur' is split into two volumes with 500+ pages each!
What's wild is how the same stories balloon or shrink based on the writer's style. Some editions focus just on the sword-in-the-stone moment, while others dig into every joust and betrayal. My battered childhood copy by T.H. White ('The Once and Future King') was 600 pages of pure medieval drama. Honestly? Check the ISBN before buying—this legend's length is as flexible as Excalibur is sharp!