How Long Is Diary Of Anne Frank: The Play?

Evelyn Hayes has spent three years as a “invisible wife” to billionaire Arthur Garrison, living in a marriage that exists only on paper. When she is diagnosed with a terminal illness and told she only has months left, she offers him one final deal: one hundred days of his time in exchange for signing their divorce papers. Arthur agrees, eager to finally be free, completely unaware that he is counting down the days to her death. But as they spend time together, Arthur begins to see Evelyn differently, and the freedom he once wanted no longer feels important. With Evelyn quietly slipping away and time running out, Arthur is forced to face a choice he never expected to make. When the hundred days end, will he still want his freedom—or will it already be too late to save her?

Teagan Miller was raised by extremely Conservative parents and grew up attending only the best Catholic Schools. She's just like any of her classmates with the exception of one big secret, she's a full out and undeniably gay ass lesbian. As she begins to start a new journey attending college it would seem she can finally be herself but will she ever really be able to escape her past? Coming out is never easy but it can't really be impossible right? Take a look into the diary of a closeted lesbian to find out.

One cruel prank. And two boys who could ruin her heart — or her entire life. Kailee Bennett never wanted the spotlight. Being mocked for her weight was enough, thank you very much. But when the mean girls trick her into the lead role of the school play, she’s suddenly the center of attention… Just when she’s ready to quit, her infuriatingly hot new stepbrother — offers her a deal: He’ll help her transform for the role and win the heart of her longtime crush, if she pretends to date him to make his ex jealous. The rules are simple: No real feelings. No telling anyone they live under the same roof. No kissing unless it’s for “practice.” But lines blur fast when her crush starts noticing her… And her step brother stops pretending. Now Kailee’s stuck between the boy she always wanted and the one who sees the fire beneath her insecurities. WHO WILL SHE CHOOSE?? And what happens when the act becomes something real?

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

My sister, Anna Hawkins, and I are twins, but I'm slightly heavier than her when we were born. Anna has always been weak and sickly since young, whereas I'm always active and healthy. When Anna was four years old, she was diagnosed with leukemia. Mom blamed me for stealing Anna's nutrients when I got born, so I needed to return the nutrients to her. When I got my blood extracted for the first time, a thick syringe was used on me. I was so scared when I saw it. Mom told me not to be scared. She gave me a magical pen, stating that whatever wish I wrote down with the pen would come true. I wrote, "It won't hurt." When the syringe was plunged into my arm again, Mom bought me a sweet lollipop. The pain never struck me again afterward. When I was five years old, I drew a strawberry cake on the paper while getting 1000cc blood withdrawn from me. That week, Anna could sit up in bed and play on her own. When I turned seven years old, I wrote down my wish that I'd like to go on a vacation. The next day, I was sent into the operating theater for the doctors to collect my hematopoietic cells. For the first time ever, Anna's cheeks became rosy. When I was eight years old, I wrote that I wanted to become the top student of my grade. But a day before my exams, my bone marrow was drawn from me. Anna finally got discharged by the hospital. She got to wear new dresses that I never got to wear. In the year I turn nine years old, my body is heavily depleted. With a trembling hand, I can only write down a line in messy handwriting. "I hope… that I won't become Mom's daughter in my next life."

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.