How Long Is Outlander Episode 8 Including Credits?

Eight years ago, I broke the heart of the boy I loved. Now, after eight years overseas, Liam Hayes was finally coming home with his new girlfriend to meet his family. That same day, the hospital gave me its final answer. The cancer had won. There was nothing left to treat. Nothing left to try. They sent me home with only time. When Liam saw my mother helping me into a wheelchair, a cold smile touched his mouth. “Eight years,” he said. “And this is what became of you? You can’t even walk anymore?” Disgust laced every word. I only tugged the sleeve of my down coat lower, hiding the cluster of needle marks across the back of my hand. “It’s nothing,” I said quietly. “I fell and broke a bone. That’s all.” Liam gave a short, bitter laugh. “In that case, I’m getting married soon. Why don’t you come be my fiancée’s bridesmaid?” I smiled as if it did not hurt at all. “No, thank you. I’m about to leave for somewhere very far away.” Then I patted the back of Mom’s hand, silently asking her to take me home.

Lamia and Kellen return to a realm different from what they left. Overrun with Senko’s creations and monsters from the underworld, they have one goal as they struggle to come to terms with their new identities. To rid the realm of Aodh and send him back to the hell hole he came from. They had faced Aodh once before in their past lives. This time round is different. They remember everything and hope they can defeat him this time. Not just for their future but the future of their realm. Love and bonds need to be healed while they prepare for a war that could cost them everything. Determined to ensure a peaceful future, Queen Lamia will stop at nothing to ensure the god of the underworld doesn’t get his hands on her or her immortal child.

At my best friend's wedding, a girl lunged forward and caught the bouquet—only for it to slip from her hands and land squarely in my arms. My best friend, Lauren Walker, beamed at me. "Madison, looks like you're the next bride." The guests exchanged knowing glances and turned toward my boyfriend of eight years—Mason Ryder, the CEO of the Ryder Group. But he calmly plucked the bouquet from my hands and casually passed it to the girl standing beside me—his secretary, Natalie Carter. "She caught it first." He ruffled my hair, his voice gentle. "Be good. Give it back to Natalie for now. We'll wait for the next time." The spotlight—and the guests' attention—shifted with the bouquet, settling on Natalie. I looked at her startled yet shy expression, then rested a hand on my stomach and forced a bitter smile. Mason didn't know there wouldn't be a next time. Our eight-year promise had already come to an end, and we still hadn't taken the step into marriage. And I had already promised my parents, who were royalty, that next week, I would leave and return to Montelvia to inherit the family legacy.

Finlay MacLeod, the leader of Clan MacLeod, is bound by duty to marry Ailsa MacDonnell, a woman from a rival clan, to secure peace in the Highlands. But each night, he is drawn into the arms of Moira MacEacharn, a mysterious and seductive dark priestess who has haunted him since childhood. Fin believes he is in love, unaware that Moira’s power over him is anything but natural. As Fin’s devotion to Moira threatens the fragile truce between the clans, Ailsa—a healer and practitioner of white magic—begins to suspect that he is under a powerful enchantment. Determined to save him and prevent war, she unearths the truth of an ancient curse binding Fin to the priestess. But breaking the curse proves impossible, as magic demands payment, and Moira refuses to relinquish her claim. Caught between two women and two destinies, Fin must decide whether to fight for his freedom or surrender to the dark pull of the priestess, even as his choices risk the lives of everyone he holds dear.

In VOWED (Book #7 of the Vampire Journals), Caitlin and Caleb find themselves in medieval Scotland, in 1350,of the quest for the Holy Grail said to contain the key to true vampire immortality. Landing on the shores of the ancient Isle of Skye, a remote island off the Western coast of Scotland where only the most elite warriors live and train, they are ecstatic to reunite with Sam and Polly, Scarlet and Ruth, a human king and his warriors, and with all of Aiden’s coven. <br><br>Before they can continue their mission for the fourth and final key, the time has come for Caleb and Caitlin to wed.<br><br>Simultaneously, Sam and Polly, to their own surprise, are each falling deeply in love with one another. As their relationship accelerates, Sam surprises Polly with a vow of his own. And Polly surprises him with her own shocking news. <br><br>But all is not well beneath the surface. Blake has appeared again, and his deep love for Caitlin might just threaten her union, on the day before her wedding. Sera has appeared again, too, and vows to break apart what she cannot have. <br><br>Scarlet, too, finds herself in danger, as the source of her deep powers are revealed—along with the revelation of who are her true parents.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.