For a book that reshaped modern philosophy, 'Existentialism is a Humanism' is almost shockingly brief. My copy sits at 68 pages, and Sartre wastes none of them. The length works because it’s not a dry treatise—it’s a lively defense of his ideas against critics. You can finish it in one sitting, but you’ll likely reread sections to unpack lines like 'Man is condemned to be free.'
Compared to other existentialist texts, it’s a sprint, not a marathon. Heidegger’s 'Being and Time'? Over 500 pages. Kierkegaard’s 'Fear and Trembling'? Around 150. Sartre’s lecture cuts straight to the chase: life has no predefined meaning, so we must create it ourselves. The shorter length makes it ideal for classrooms or casual readers dipping into philosophy. If you enjoy this, check out Simone de Beauvoir’s 'The Ethics of Ambiguity' for a deeper dive into similar themes.
I've read 'Existentialism is a Humanism' multiple times, and it's surprisingly short for how impactful it is. The entire text is roughly 70 pages in most standard editions, making it a quick but dense read. Sartre packs his ideas about human freedom and responsibility into this lecture-turned-essay without unnecessary fluff. The beauty lies in its conciseness—every paragraph carries weight. I’d compare it to a philosophical shot of espresso: small, intense, and leaves you buzzing with thoughts. If you’re new to existentialism, this is perfect because it’s approachable in length while still delivering profound insights. The actual lecture was about an hour long, and the written version captures that same direct, conversational energy.
I can say 'Existentialism is a Humanism' is one of his most accessible pieces, partly due to its length. The text usually runs between 50-70 pages depending on the publisher’s formatting. It’s based on a 1945 lecture, so the writing retains that spoken-word clarity. The first half tackles misconceptions about existentialism, while the second dives into human agency and anguish.
What’s fascinating is how much Sartre condenses his philosophy here compared to heavier works like 'Being and Nothingness.' You get the core ideas—existence precedes essence, radical freedom—without the 700-page commitment. The pacing feels urgent, like he’s racing against time to justify existentialism post-WWII. Editions with introductions or annotations might push past 100 pages, but the core text remains lean. For context, it’s shorter than Camus’ 'The Myth of Sisyphus' but longer than his 'The Rebel.' If you want to explore further, try 'Nausea' for fiction or 'The Words' for autobiography.
2025-06-30 08:35:49
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I will admit I didn't believe the tales. I thought werewolves and vampires were nothing more than make-believe. Scary stories meant to keep kids in line. That is until a monster ripped me from my warm and sold me to the highest bidder.
Where nightmares and horror stories become true is where my story begins. Can I ever be free again, or will the beasts rule my body and soul forever.
TRIGGER WARNING!!!!!
Hang on with me for a second, as the first few chapters might be a bit confusing; however, it will all be solved in the meantime.
Eternal Malediction is a fantasy novel with elements of psychological pain and growth. It follows the main character, Roy Shyam, a cynical yet compassionate 17-year-old cursed with the ability of transmigration, bound by an entity whose obsession with him ensures he can never escape. Every time Roy dies, he is transmigrated to another universe, a new version of him. Entering the life of each universe's Roy while facing subtle to absurd circumstances. This eternal malediction breaks down his identity and prevents him from speaking of it, which summons the being, causing him to go back in time to a place he was before. We are then introduced to another version of Roy, one where our Roy has yet to take over his body; he emerges in a society where continents, countries and law thrive through the use of prana, a force that connects life, will and reality. Here, Roy forms a faction called Nova in Veil and draws the attention of the Celestial Watch, the protector of the land where he lives. The plot moves from intimate suffering to the rebirth of a new character, culminating in his choices about memory, fate and what it exactly means to live.
When you're on the brink of death, does humanity still exist?
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With that, she realized that the whole city was filled by those monsters. And she is now forced to flee for her life, and she must learn not only how to live in this new and frightening environment, but also how to fight her own inner demons before they lose her something more valuable than her life. But then she met Justine, the one who would help her live in this chaotic life, and together they will fight in a world where a virus has spread, turning the majority of the people into flesh-eating monsters, as they both connote safety and unity.
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I rushed around to care for them and bitterly pleaded with them to stop fighting.
Ironuton's high society laughed about it behind our backs—the all-powerful CEO and the proud heiress tearing the city apart, with pathetic little me trapped helplessly in the middle.
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I’ve read 'Existentialism is a Humanism' multiple times, and while it’s one of Sartre’s more accessible works, it’s not exactly light reading. The text is a lecture-turned-essay, so the tone is conversational compared to his denser philosophical writings, but it still demands attention. Sartre dives into heavy concepts like existential freedom, anguish, and responsibility without much hand-holding. If you’re new to philosophy, some passages might feel like mental gymnastics—especially when he ties individualism to moral accountability. The clarity comes in bursts, like his famous "existence precedes essence" line, but you’ll need to wrestle with sections where he debates objections from critics or unpacks abstract ideas like "bad faith."
What makes it manageable is its length. At under 100 pages, it’s a sprint, not a marathon. You can reread tricky paragraphs without feeling overwhelmed. I’d recommend pairing it with secondary sources or YouTube breakdowns if you hit a wall. The payoff is worth it—Sartre’s vision of human agency is electrifying once it clicks. Just don’t expect a beach read; this is the kind of book that lingers in your head for weeks, challenging how you see everyday choices.
I recently picked up Jean-Paul Sartre's 'Three Plays'—'No Exit,' 'The Flies,' and 'Dirty Hands'—and was surprised by how immersive yet dense they felt. Each play is a deep dive into existentialist themes, packed with intense dialogue and philosophical undertones that make you pause and reflect. 'No Exit' is the shortest, clocking in at around 60 pages, but its famous line 'Hell is other people' lingers long after you finish. 'The Flies' and 'Dirty Hands' are longer, around 100 pages each, with more complex narratives and political layers. If you're reading casually, maybe 2-3 hours per play? But if you're like me and stop to underline passages or ponder the ideas, it could easily stretch to 5-6 hours total.
What really slows things down is how much Sartre makes you think. 'The Flies,' for instance, reworks the Oresteia myth into a commentary on freedom and guilt, which had me flipping back pages to catch nuances. 'Dirty Hands' delves into political ethics, and its debates between characters are so intense that I often reread sections. Honestly, the time isn’t just about reading—it’s about wrestling with the ideas. I finished the book in a week, but some scenes still replay in my head months later.