T.S. Eliot's 'Murder in the Cathedral' isn't the kind of play you breeze through like a modern thriller—it demands attention. The first time I picked it up, I underestimated its density and had to backtrack multiple times to grasp the poetic language and historical nuances. It’s only about 85 pages, but the verse structure and theological debates slow you down. If you’re a fast reader who skims dialogue-heavy works, you might finish in 2–3 hours, but to truly absorb Becket’s martyrdom and the chorus’s meditations, I’d set aside 4–5 hours with breaks.
What surprised me was how the play’s pacing mirrors its themes—deliberate, almost ritualistic. The interlude with the knights breaking the fourth wall feels abrupt, but it’s meant to unsettle. I found myself rereading their speeches to catch the sarcasm and political subtext. For context, I compared it to reading 'Waiting for Godot'—similar length, but Beckett’s absurdism flows faster than Eliot’s liturgical rhythm. If you’re tackling this for a class or book club, annotating is key; the footnotes about 12th-century Canterbury politics saved me hours of Googling afterward.
Depends on how you approach it! I treated 'Murder in the Cathedral' like poetry—reading aloud to savor Eliot’s rhythms. That stretched it to nearly six hours over two evenings. The chorus sections especially benefit from slow reading; their collective voice shifts from fear to resignation, and rushing would miss that evolution. A friend of mine Blasted Gregorian chants while reading to lean into the mood and finished in one intense afternoon. The play’s brevity is deceptive—every line carries weight, like when Becket says 'Unbar the doors' and confronts his fate. That moment alone left me staring at the wall for 20 minutes.
2026-02-16 02:13:43
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NO SAINTS HERE!!! 🔞🔞
One book. Over 200 forbidden fantasies. All of them dangerously addictive.
Behind every locked door is a story soaked in desire, sin, and the kind of pleasure you're not supposed to want.
He’s her stepbrother.
She’s his student.
They met at church… but sinned in silence.
Each chapter pulls you deeper into a world where rules are broken, and pleasure always comes at a price.
If you’re looking for sweet romance… you’ve opened the wrong book. This story contains strong erotic scenes….
Short sexy stories compiled from Forbidden affairs, Mature love..
There are some dark subjects and moments in this book, but again, these stories are of the healing powers of love. Perhaps it is a love few can accept, at least not without guilt.
Welcome to your newest obsession.
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"Cum now, princess." Zeke ordered as he flicked open the lock on the cock cage around Eli's cock and his body convulsed as the long-denied orgasm tore through him.
---------
“I need you to—fuck—I need you to hurt me.”
There. The silence came. Not shameful. Not violent. Just truth.
Zeke ripped the shirt from Eli’s back. calculated. His belt snapped once. Eli flinched, eyes wild.
“You don't get color,” Zeke said flatly. “You say red, I won't stop. And until I'm sure you're tamed, I don’t care if you beg. You wanted to feel something? You’re going to feel everything.”
The first crack of the belt made Eli jolt. The second had him gasping.
By the fifth, he was moaning.
By the seventh, he whispered Zeke’s name like a prayer.
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Two lovers. Then three. Eventually four. A relationship built on dominance, obsession, and unrestrained desire.
No contracts. No safe words. No rules—just raw, brutal fucking. A war of ownership. A battle for control. A dangerous game that turns a dominant into a trembling switch under the right hands.
What happens when a dominant with a submissive lover becomes the fixation of another dominant—one with darkness in his veins and sadism in his smile?
What happens when the confident, untouchable dom unravels, his hidden masochism dragged to the surface by the only man ruthless enough to tame him?
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“Pose for the portrait, Anna,” her uncle commanded.
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Her uncle controlled her life, using her image as a tool for influence and power, trapping her in a world she could not escape.
Anna had given up on being saved… until he appeared.
A man disguised as a priest, mysterious and dangerously compelling, stepped into her world like a forbidden secret wrapped in holy robes.
From the moment they met, something inside Anna began to shift—curiosity, tension, and emotions she was never allowed to feel.
But he was not what he seemed.
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As hidden truths about his past come to light, he discovers that Anna’s uncle is connected to a history of betrayal, violence, and revenge.
What began as deception slowly turns into something far more dangerous.
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Book One of the Rosewood Trilogy: The Broken Sanctum
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Esmeralda Cantari has spent her life being told she is a mistake.
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But the night they drive her out, something awakens.
Blood answers her call. Wings of midnight blue and black tear free from her back. And suddenly the powerless girl everyone despised becomes something far more dangerous.
Returning to Rosewood Sanctum for her third year, Esmeralda must hide abilities that could make her a target in a school ruled by powerful bloodlines—including the half-siblings who have bullied her for years. Yet strange things are already happening around the academy. Students are disappearing. Bodies are found drained of blood. And rumors of ancient monsters once thought extinct begin to circulate.
The only people who seem to notice Esmeralda’s true potential are the most feared group of heirs at Rosewood: a shadow demon with dangerous curiosity, a brooding shifter whose beast reacts to her presence, a brilliant mage who feels he’s seen her before, a relentless fae warrior who sees her strength, and an angel prince who is watching her far too closely.
As the mystery deepens, Esmeralda begins to realize her awakening may not be a coincidence.
Something ancient is rising in the shadows of the supernatural world.
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i escaped one monster only to belong to another.
and somehow, the devil beneath the chapel feels safer for me.
they did warn me about the devil beneath the church but they never warned me he would become obsessed with me.
Chastity Van Dyke has found her role in life. She’s going to become a nun. Despite the shock and disgust from her family, Chastity is forging ahead with her plan. Nothing is going to stop her – will it?
Because of inconvenient circumstances, Julian Beaumont has to enlist the woman he hates the most to help him schmooze Italian businessmen. Of course, Chastity demands compensation – not for herself but for a small convent in Boston. After agreeing to make a sizable donation to the convent, Chastity helps him. Then it happened. His heart betrayed his better sense. Now, Julian has feelings for the Devil’s spawn. When he tries to express them, Chastity runs away. He knows she has a secret. And whatever that secret is it’s keeping them apart. Once he discovers it, it doesn’t deter him for long. Julian won’t rest until Chastity is his despite what his little harpy has planned for her life.
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“What? I am not.”
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“I am not a coward.”
“Then why do you keep running from me?” he asked seriously.
“I’m not running from anything. I’m tired.”
“Right. Chastity, I’ve decided not to stop.”
She didn’t like the determined look in his eyes. “Not to stop what?”
“Pursuing you. By the time I get finished with you, you’re not going to be a nun no more than I am.”
Ire flared and before she knew it, she whacked Julian on the cheek as hard as she could. Chastity stormed off in a hurry.
Reading 'The Canterbury Tales' is quite the journey, and the time it takes can vary depending on your reading speed and how deeply you want to immerse yourself in Chaucer's medieval world. If you're a fast reader and just skimming through, you might finish it in about 10-15 hours. But if you're like me and love savoring every line, appreciating the Middle English nuances and the rich characterizations, it could easily take 20-30 hours or more.
I remember my first time reading it; I spent weeks diving into the tales, often rereading sections to catch the clever wordplay and historical context. The General Prologue alone is a masterpiece, introducing all those colorful pilgrims. And then there's the variety of tales—some are quick and humorous, like 'The Miller's Tale,' while others, like 'The Knight's Tale,' are more complex and take longer to digest. If you're tackling it for a class or a book club, pacing yourself with a few tales a day works well.
Reading 'The Rape of the Lock' is like savoring a delicate dessert—short but packed with flavor. It's a mock-epic poem by Alexander Pope, and its length is just about 794 lines. For most readers, it takes around 1 to 2 hours to read it thoroughly, depending on how much you linger over the witty couplets and satirical brilliance. If you're analyzing it for a class or just appreciating the nuances, you might stretch that to 3 hours. The poem's playful tone and clever metaphors make it a joy to unpack, and I often find myself rereading sections just to catch all the layers of humor and social commentary.
Honestly, the time flies because Pope’s writing is so engaging. The way he turns a trivial incident—a stolen lock of hair—into this grand, exaggerated epic is hilarious and genius. If you’re new to 18th-century poetry, don’t worry; the language is accessible compared to some of its contemporaries. Just let yourself enjoy the absurdity and the artistry. It’s one of those works where every line feels purposeful, and that’s what makes it so rewarding.