This one made me grin more than once. The voice is snappy and the setup—implied by the title—is delightfully mischievous, so if you’re into clever hooks and character chemistry, 'How to Lose a Goblin in Ten Days' gives you that in spades. I appreciated the way scenes flip between slapstick moments and quieter, sweeter revelations; that contrast kept the story lively without getting shallow. The supporting cast adds texture rather than just padding the page count, and the emotional beats land because the characters are allowed to be flawed in human ways. A minor caveat: a couple of middle chapters drag a bit for me, where the momentum dips while the author leans into exposition. Still, those moments don’t kill the vibe and the payoff in later chapters is worth the wait. All in all, it’s enjoyable, fast to consume, and leaves you feeling warm rather than wrung out. If you want a comfy, slightly cheeky read with heart, this one’s a solid pick — I’d grab the next volume if there is one, and I’ve already nudged a few friends to try it.
If I had to give a short verdict: yes, it’s worth reading, especially if you like a blend of whimsy and character-driven moments. The book’s charm comes from smart dialogue and a lead pairing that refuses to be predictable; the goblin isn’t a simple trope but a personality that evolves. There are occasional pacing hiccups and a few scenes that feel a touch repetitive, but those are forgiven because the emotional beats—for growth, for humor, for connection—work. I’d recommend it to readers who want something light but emotionally satisfying, not to someone expecting heavy fantasy worldcraft or brutal stakes. For me, it scratched that itch for a playful, character-forward story and left me with a genuine smile, which is exactly what I wanted from it.
I got pulled in by the title and stayed for the characters — it’s that kind of book that sneaks up on you. In my experience, 'How to Lose a Goblin in Ten Days' balances playful fantasy with surprisingly warm character work. The lead has a sharp voice and a messy vulnerability that kept me turning pages, while the goblin (yes, the goblin) is written with a mix of mischief and unexpected tenderness that avoids cartoonish one-note behavior. The humor lands often, and the stakes—romantic, personal, or otherwise—get real enough to matter without dragging the whole story into melodrama. Structurally, the pacing leans toward brisk: chapters are compact and scene-focused, which makes it easy to read in bursts or binge through an evening. There are a few slower beats where the world-building takes center stage; those worked for me because they enriched motivations rather than stalling the plot. If you like books where the relationship dynamics are as entertaining as the plot hooks, this hits that sweet spot. Who will love it most? Folks who enjoy light fantasy flavored with romantic comedy, quirky side characters, and banter that doesn’t grate. If you prefer dense, epic world-building or grimdark tones, this might feel too breezy. For my part, I found it charming, unexpectedly thoughtful at moments, and a genuinely fun escape — I closed it smiling and already recommending it to friends.
2026-01-31 16:32:15
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Jenne Lopes
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For three years, Sera lived a lie. She traded her royal identity for the hope of a life with Kane, her fated mate and the Alpha of Blackwater. She endured the whispers and worked tirelessly for a pack that never wanted her, all for the promise that one day, she would be their Luna.
But when the ceremony finally arrives, the crown isn't placed on Sera’s head. Instead, Kane chooses a woman who can give the pack what an Omega like Sera cannot: an heir . Publicly rejected and humiliated, Sera is forced to return to the kingdom she fled and the father she failed .
Sera’s return isn't a sanctuary—it’s the fulfillment of a cold-blooded deal. To save her family’s alliance, she must marry a Volkov . But the "reasonable" man she was promised is dead, and in his place stands his brother: Fenris Volkov, the Alpha of Ironmaw.
Fenris is no southern prince. He is a giant of a man who rules a land of ice and brutal survival, where weakness is a death sentence . As Sera is dragged into his world, she must survive more than just the political schemes of a hostile pack and the jealous wrath of the Ironmaw elite . She has five days to prove she can be the Luna this barbarian needs, or she will be broken by the very protection he offers .
In a world where status is everything and love is a gamble, Sera must decide if her second chance is a blessing, or a beautiful, violent end.
The dragons and royals are at war. Dragons have power and the royals want it to cement their rule in their kingdoms. Rather than creating a bond between the two, the royals have been stealing dragon eggs, hoping they will bond with the dragon once it hatches, allowing the royal to become a dragon rider. However, there is a thief among them, someone who is stealing the dragon eggs and returning them to the dragons. Someone who, when found, will be put to death.
Princess Skylar is the daughter of King Augustus. Her father has been hunting dragon eggs for years. Unbeknownst to him, Skylar is the thief that he is searching for. She does not agree with stealing dragon eggs from the mothers who make their nests away from the other dragons, making themselves vulnerable to attack. Her betrothed, Prince Kenneth, also supports stealing dragon eggs in the hope of bonding with a dragon and making his kingdom stronger.
Ryuki is a dragon rider. He bonded with his dragon, Bynjym, a year ago when he stumbled across him in the wild. The bond between dragon and rider is sacred. Ryuki and other dragon riders believe that it should never be forced. The riders fight against the royals who steal dragon eggs, working to keep them from being able to access the eggs, or fighting to get the eggs back to their dragon mothers.
What will happen when Ryuki realizes that Skylar is a royal like no other? Can Skylar keep her secret from her father, continuing to work inside the palace to take the stolen eggs back to their mothers? What will happen when Skylar realizes that her feelings for Ryuki are much stronger than her feelings for Prince Kenneth? Find out in The Dragon Thief.
Evelyn Hayes has spent three years as a “invisible wife” to billionaire Arthur Garrison, living in a marriage that exists only on paper. When she is diagnosed with a terminal illness and told she only has months left, she offers him one final deal: one hundred days of his time in exchange for signing their divorce papers. Arthur agrees, eager to finally be free, completely unaware that he is counting down the days to her death.
But as they spend time together, Arthur begins to see Evelyn differently, and the freedom he once wanted no longer feels important. With Evelyn quietly slipping away and time running out, Arthur is forced to face a choice he never expected to make. When the hundred days end, will he still want his freedom—or will it already be too late to save her?
Being a She-Rogue is unheard of, and being an Alpha of Rogues is not accepted and is shunned by all werewolf packs. Evelyn Skylar fits into the role of an Alpha perfectly. No one can challenge her openly and win a fight. Her pack is framed as Rogues and Assassins by the High Council of the Werewolf community. Determined to achieve revenge against her enemies and redeem her pack's name, she embarks on a journey to uncover the main culprit in front of the werewolf committee. There is no time for finding a Mate in her Life, Evelyn has one purpose...REVENGE.
Alpha Ryan Snyder - Evelyn's mate, does not take "NO" for an answer and harbors a deep hatred for rogues. What happens when his mate does not bow down to him and makes him stand on his toes trying to find her? She was a mystery that he feels compelled to solve all the while safegaurding his pack from threats of renegades. Driven by his instincts, Ryan is determined to uncover the true woman beneath her cold exterior. At the same time, he must address a dangerous menace that poses a threat to all the packs in the neighboring territories.
"What happens when you meet a tall and handsome elf king who has saved your life but kill your temper?"
~*~*~*~
"I'm more of a man in this house. Why can't you let me be on top?" Sean asked with a pout.
Oswin groaned, rolling his eyes and wondering just how much more innocent Sean could be. "It takes a heavy responsibility to be the top," he replied.
"Responsibility? Then it's perfect. I'm making more money, cooking,..."
"Sean. I'm talking about things like stretching and penetrating," Oswin explained as he ignored the bulge in his pants. "Do you even have experience?”
“Then teach me, your majesty.”
“With pleasure.”
~*~*~*~
It all starts when the elf king, Oswin Alvingham, mysteriously gets stuck in the human realm and loses his powers. As he roams the unfamiliar一dirty and low class if he is to describe Earth, he stumbles into Sean Cooper, a fresh graduate, and a full-time table-waiter, who gets bullied in the alley. Though Oswin's magical power is lost, his physical strength remains invincible. When he rescues Sean, the latter decides to take him in as gratitude. And that is where the mess begins. How can the king of the elf cope with his new life? How can Sean convince himself not to be evil enough to kick his savor out of his house? Most importantly, how do an average mortal and the noble upper-class immortal live together under the same roof and on the same bed?
~*~*~*~*
P.S:
1) This book contains mature and explicit 18+ scenes.
2) It also contains little graphic violence in some chapters, but I'll put a warning on the top of those chapters.
3) The ELF here is inspired by Lord of The Ring Series. Therefore, they are tall, slender and beautiful. Not tiny little beings like in children fairy tales.]
Don’t stray from the path…
When Siorin encounters a mysterious black-haired mage in the forest on her way to the local good-witch, she knows better than to stray from the path. Doing so would be inviting trouble from the fairy brethren with whom mankind shares their world. His plight, however, moves her, and she rescues him despite misgivings.
Rivyn has cast a destiny spell which he believes brought him Siorin, so he doesn’t hesitate to steal her, well and truly taking her off her path when he does so. The mage irresistibly draws and seduces Siorin as he leads her on an adventure that transverses their world, encountering all manner of brethren, for Rivyn is on quest is to rebuild his power so that he can return to the Fae Court and reclaim what has been stolen from him.
But what Rivyn has lost is not what he needs to seek.
Will Rivyn choose his power, or his heart?
I devoured 'How to Lose a Goblin in Ten Days' with a silly grin on my face, and what sticks with me most about the ending is how tidy and warm it feels without being saccharine. The big emotional beats resolve around Pansy and Ren actually choosing each other and the cottage: their cohabitation bargain matures into a real partnership, and they end up working together to protect the home they both love. That forced-proximity-to-romance arc finishes with the two of them trusted by (or at least making a sincere effort to convince) their respective communities to stand together against an outside threat, which seals the story’s theme of found family and bridging old divides. There’s also a quieter, domestic wrap-up: the cottage is repaired and reclaimed as a shared space, and the characters who mattered most get little moments of healing and recognition. Review blurbs emphasize the book’s cozy, cottagecore energy and the emotional work around tradition and duty that the pair navigate, so the ending leans into community reconciliation as much as the romance itself. That made the finale feel earned to me — not a sudden, unrealistic truce but a gradual, believable shift after the stakes rise. All told, the last chapters deliver a satisfying blend of rom-com payoff and small-scale political healing, and I closed the book smiling at how much heart the author let the cottage have. It left me wishing for more recipes and gardening tips tucked into an epilogue, which is exactly the kind of cozy craving I enjoy.
I fell for the cozy, slightly ridiculous premise of 'How to Lose a Goblin in Ten Days' the moment I read the blurb — and the goblin at the heart of it is named Ren. Ren is the goblin who’s been caring for the cottage that Pansy believes she inherited, and their clash-turned-roommate-arrangement is the engine of the whole story. That forced-proximity setup leads to a lot of tender, awkward, and quietly funny moments, because Ren isn’t a cardboard monster; they’re thoughtful, expert with plants, and carrying complicated loyalties to their goblin clan. Reading it felt like curling up with a warm, slightly mossy blanket — Ren’s personality is grumpy-sunshine in the best way: prickly, principled, and secretly mushy once trust forms. The book frames Ren as more than a foil; they’re a whole person with history and stakes, which matters because the plot pits halfling tradition against goblin community needs. That tension makes Ren’s choices feel meaningful across the romance and the wider conflict, and I came away wanting more scenes where Ren trains or tends plants or just grumbles while making tea. I loved how the story treats Ren’s identity and responsibilities with care rather than as a punchline.