What Are The Main Arguments In 'An Era Of Darkness: The British Empire In India'?

In the darkest,and the most formidable hour of men,the future of our great world, rest on a shoulder of man. The strongest and the most reliable stronghold of man, will fall even before before the resurrection of the Dark lord. The struggle between darkness and light beginning.

Found in the marooned ruins of Chavand was a book ripped and torn. Its yellowed pages eaten up and coiled. Forgotten and unheard about was this book until it came to light. His legends lived on, his tales of valour prevailed. His glory seemed enternal and he was worshiped and adored. But his heart remained shrouded in a cloak of mystery. His emotions, his turmoils went unnoticed in an attempt to make him great. Seen as someone who was invincible and immortal, the Rana changes your perspective from his greatness to his soft heart. Written across the pages during his last moments, he wrote his own life. Where bards would be at a loss and poets were simply lost in his glory and valor, the Rana is said to be the only one who could write about himself.

Looking for a strong female character? Check. Eyeing for love ,conspiracy and action? Check. Want to see two great cultures of history ? Check. Want to know about story of an Indian princess and great prince of Florence who was a widower? If it's a yes , then peep inside to see what secrets it beholds. Here , blood is not thicker than water. People will even go to hell if it's about the crown and power. Craving of being a ruler surpasses every height. Conspiracy, betrayal and what not just to win Rome. Amidst of it, beautiful relations would also blossom. Dive deep into the story to find what it has to offer.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

The Mother That Fed the Dark is a study of inherited guilt, ritual, and the long reach of a mother's choices. Amahle, a woman who practices the old rituals in secret, believes that her younger son , Sipho, was born as a spiritual "door" to be sacrificed for the sake of power and protection. During the ritual she performed , she got interrupted by the older son, Thando, who died instead. While the community believes Thando's death was accidental, Amahle knows better: it was the wrong son who died, and the ritual was left unfinished. Drenched in fear and resentment , Amahle raises Sipho as if he is the love of her life, while at the same time working to destroy him. Behind closed doors, she feeds the supernatural force from the failed ritual, which weakens Sipho, making him fearful and dependent. As Sipho grows, so do the misfortunes that follow him, and an unseen entity begins to present itself-first in dreams and whispers, then in the physical world . What we see is that the ritual did not bind to the house but to Sipho's bloodline. When Sipho leaves home, the haunting grows stronger. After Amahle's death, Sipho finds her secret notebooks , which reveal to him the shocking truth: that his brother's death was a mistake and, in fact, Sipho was never meant to die but to be the vehicle for the ritual, which he indeed is. Setting the family home on fire brings only temporary relief , but the curse does not break. In the final revelation, Sipho realizes that he is not the offering but the keeper, the living portal through which harmony, hardship, and magical power flow. Unlike his mother, he comes to the realization that he has a choice.

For a thousand years, the city of Crescent Falls has survived beneath the shadow of an ancient savior. Each century, a man is chosen as an offering to Sariyah—the being said to have once driven demons from the world. When Bastion, the man Ember loves, is taken after daring to refuse her, Ember’s grief turns into defiance, and she vows to bring him home no matter the cost. Her search forces her into an uneasy alliance with Orion St. James, a dangerously charming immortal with a violent past and secrets tied to Sariyah herself. Bound together by a magic neither of them wants nor understands, Ember and Orion are drawn into a hidden war beneath the city—one involving cultists, monsters, and an ancient order known as the Watchers. As Crescent Falls begins to fracture, Ember experiences unsettling visions that hint her bloodline is far more entangled with Sariyah than anyone ever suspected. Strange new powers awaken within her, blurring the line between protector and destroyer, while enemies gather and old loyalties are tested. With the city on the brink of collapse and unseen forces moving in the shadows, Ember must decide how far she is willing to go to save Bastion—and whether becoming something darker is the only way to stop an evil that has ruled unchallenged for centuries. Because some thrones are not inherited. They are taken.