Who Is The Main Character In 'The Dangers Of Smoking In Bed'?

2026-03-19 07:44:06
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3 Answers

Natalie
Natalie
Favorite read: On His Bed
Contributor Police Officer
Reading 'The Dangers of Smoking in Bed' feels like stepping into a surreal, unsettling dreamscape where the boundaries between reality and nightmare blur. The collection doesn’t follow a single protagonist in the traditional sense—instead, it’s a mosaic of women navigating eerie, often grotesque scenarios. One standout is the unnamed narrator in the titular story, a woman consumed by guilt over her lover’s death, haunted by literal and metaphorical ghosts. Her voice is raw and claustrophobic, dragging you into her world of self-destruction. Mariana Enríquez’s genius lies in how she crafts these fractured, unforgettable characters who linger in your mind like shadows.

What’s fascinating is how each story introduces someone new yet equally compelling. Like the girl in 'The Neighbor’s Courtyard,' whose curiosity about her neighbor’s rituals spirals into something horrifying. Or the woman in 'Angelita Unearthed,' grappling with grief through a macabre connection to a child’s bones. Enríquez doesn’t do 'heroes'—she does flawed, haunted people, and that’s what makes the book impossible to put down. It’s less about who leads the story and more about how deeply you’ll fall into their twisted realities.
2026-03-20 01:02:01
6
Addison
Addison
Favorite read: The Man in My Bed
Twist Chaser Assistant
If you’re expecting a classic protagonist arc in 'The Dangers of Smoking in Bed,' prepare for a delicious subversion. Enríquez’s stories are like flickering streetlights—each illuminates a different face, a different life teetering on the edge. My personal favorite is the woman in 'Where Are You, Dear Heart?' who becomes obsessed with a missing organ donor’s heart. She’s not 'likable' in a conventional way, but her desperation is so visceral it claws at you. The beauty of this collection is its refusal to center one figure; it’s a chorus of voices, all whispering their darkest secrets.

Even the shorter pieces, like 'Our Lady of the Quarry,' pack a punch with their protagonists—here, a group of girls whose cruelty takes a supernatural turn. Enríquez excels at giving these characters just enough depth to feel real before plunging them into the uncanny. It’s less about individual leads and more about the collective unease they create. By the end, you’re not sure who’s 'main,' but you’ll remember every one of them.
2026-03-22 07:50:22
15
Peyton
Peyton
Favorite read: The Stranger In My Bed
Reviewer Photographer
The closest thing to a central figure in 'The Dangers of Smoking in Bed' might be the pervasive sense of dread tying the stories together. Take 'Back When We Talked to the Dead'—the narrator’s grief for her sister morphs into something chillingly tangible. Or 'The Cart,' where a homeless woman’s mundane existence collides with grotesque fantasy. Enríquez’s characters aren’t heroes; they’re survivors (sometimes barely) of their own private horrors. The titular story’s protagonist embodies this: a woman so consumed by regret she invites the supernatural into her bed. It’s character-driven horror at its finest, where 'main' simply means whoever’s nightmare you’re sharing at the moment.
2026-03-25 05:39:58
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