Who Is The Main Character In White Bodies?

Mercedes Underwood is a lost girl. Lost from her world and herself. She grew up with abusive parents and had a really shitty childhood. Sometimes she believed that they were not her parents much less rassemblements between her and them. When she turned 18 years old, her parents attempt to sell her off to some bad people to pay off their debt. That did not come as a surprise that they would do such a thing and there was no love lost there. But what came as a surprise was when she woke up naked the next morning, walls splattered with blood and four people ripped to shreds. Life went from bad to bloody worse for Mercedes. It was like waking up in a horror scene. She was petrified and confused, nothing made sense but what did make sense was for her to pick up what she can and run. Felix Ransom is the Alpha of the White Claw pack. He leads his pack with an iron fist and ensures everyone's safety and makes sure the pack thrives. But something is missing. The gentle touch of a Luna. Felix is already 25 years old and has not found the one the Moon Goddess chose for him. His other half and mate. Each day without the one for him made his hope of ever finding her wither away. At a point, he even thought that she might have died. It never occurred to him that his made would come right to him much less be a human who is a fugitive for murdering 4 people. Or was she a human being after all?

Part of the Solar Eclipse Pack, losing both parent's at a young age. She was forced to become a slave to the pack that destroyed hers. She was treated like she was nothing but a rogue who deserved nothing, she was constantly beaten and bullied but will that change when she turns 18.

A young black girl with silver hair, who was raised by her loving mother until the age of 12, has been thrusted into the world of werewolves, on the account of her father being an Alpha. He only finds out about this daughter once her mother dies. But the strangest thing is, she has no wolf. She smells human, but she's definitely his. The alpha brought her to live with him, and during that time, they both discovered things about themselves that neither knew existed. She was never just "human," and his "mate" was never his to begin with. This human girl was, in fact, a long, foretold gift to the wovles and a destructive force on those who waged war on good.

The night before our wedding, my fiancée let her so-called "best friend" butcher the gown my late mother had sewn, chopping it into a revealing mini dress. I rushed over with the ruined dress in my arms, ready to demand answers: only to catch their voices through the door: "Imagine him expecting me to wear something a dead woman stitched. What a curse!" Through the narrow gap, I saw my distant, frigid fiancée flushed with color, straddling his lap. "What we did at the bridal shop wasn't enough," she murmured. "Tomorrow, walking down the aisle in this tiny dress you made me, it'll be even more exhilarating." Their lips met. My hand froze against the door, and inside, something broke with a soundless crack. If she longed for thrills, I would grant her some.

Everyone’s turning she had witnessed came with its surprise; Camila had passed out, and Gideon had released a howl that made the pack deaf for some minutes, but finding out she was a bastard on the night of her turning was the least surprise she was expecting. Asides from the humiliation that came with it, it meant she wasn't going to be alpha, not in Craw Pack at least. Then the surprises didn't stop as she watched the man she called Father slay her mum like she wasn't Luna, she looked him straight into his eyes while he sentenced her to a lifetime of bondage. The Wells family were fighters, and so she fought for her freedom but ended up as a slave in another pack, hiding her identity to save her life. The white wolves to whom she belonged were thought to be weak, but Isha was ready to change that narrative, even if it meant getting her white dirty. From betraying the one who learned to love her, to taking the lives of the closest persons to her, she avenged her mum's death, built an army, and got everything she wanted, except the trust of the Alpha who meant the world to her. They say you can't just have anything you want, but Isha was convinced she was born to break rules, but she underestimated who was standing on the other end of the line; Holly Smearson was not the girl to cross, not with an Alpha-in-line by her side. Isha would soon understand why the love of her life had wanted Holly by his side in the beginning. Too many lies, too many ties, a white wolf, insides too dirty.

In Black Salt, love is a sickness you can’t hide—a slow gnawing beneath the skin that leaves you hollowed, grayed, and eventually gone. No one stays long enough to see it through; they leave before the rot finishes its work. It’s what the town teaches you: when it starts, you run. You look away. You survive by pretending not to feel. But Atlas is tired of pretending. The halls of Black Salt High are full of kids pretending they don’t see each other’s bruised hearts, pretending their bones aren’t already whispering warnings. Still, he can’t forget the weight of a father who stayed—not out of love, but because he never felt it deep enough to decay. That truth lingers in Atlas like a second shadow. And then there’s Nova—the outsider with a storm in her bones. And Wren, all sharpness and fight. Milo, who cracks jokes to keep the silence at bay. Luce, who wears her thorns like jewelry. Together, they don’t know how to stop the rot. But they’re learning how to sit with it, how to name it, how to refuse the small, hollow deaths of pretending not to care. In a town where love is a death sentence, staying might be the bravest thing of all.