Who Are The Main Characters In Obeah: Witchcraft In The West Indies?

"You can do anything in this Lagos. But never find yourself in the hands of a Yoruba demon. They will destroy you."-------------------------Meet the Yoruba Demons. Kolawole, Olatunde and Olufemi. The known Casanovas of Lagos state.They have it all, money, flashy cars, mansions all over the country. Every girl would want their panties ripped by one or all of them just to get the dough and they use the opportunity well.After each experiencing their own version of excruciating heartbreak, they made a deal to never enter a serious relationship ever again. They adopted a Use and Dump Policy which had worked for them for years until one of them decided to break the pact and fall in love.They couldn't allow it could they?Find out how shit goes sideways in this epic story of love, romance and betrayal.

When Lisa Dumont travels down to New Orleans to stay with her mother for the summer, she finds herself entangled in a web of century-long territorial disputes between undead and supernatural forces. Lisa soon realizes that she has become torn between the blood-loyalty to her mother, Voodoo Priestess Madam Dumont, and the intrigue she has grown towards Elder Vampire, Hezekiah Mercier - the enemy. And consequently, the heavy discord between the two factions leaves Lisa with life-changing decisions to make that could possibly alter the fate of both groups and everyone else in between.

The era of witches is gone forgotten but for a few that has lived through it. A teenage girl will discover her powers in a most unlikely manners. In a world predominantly governed by humans, how will our squad fare?

Saraid is your average witch hidden in a small town in Alabama. A blind date set up by her best friend and faerie, Wendy sends Saraid's ife spiraling out of control as the evening ends with her magically bound to Liam Maddox, a man with a secret all his own. Liam Maddox, born and raised in Ireland used to be one of the highest-ranking warriors of the Guardians of the Celtic Coven. An unforeseen attack left him cast out of the ranks for what the witches he protected called impure blood. Hired in secret to locate the true heir to the throne of the Celtic coven, Liam moves to the states where he meets Saraid. The one whom he has been tasked to find. A simple date flips their entire world on its axis as the two are magically bound together, leaving them sporting strange and unusual powers. When the truth is revealed Saraid finds herself traveling to Ireland to protect the lives of her closest friends and the man she unwillingly fell in love with, but when she is faced with the choice of her magic or love, will she choose to surrender her powers for the people she loves or is she strong enough to have both?

The Thornes built their aromatherapy business generations ago, but their ancestors made a fatal mistake and brought down a divine curse. For ninety-nine generations, every Thorne heir drew their punishment on their eighteenth birthday. Julian Thorne was the last. He drew the worst punishment: death from hemorrhage in ten months. The only way to break it was to marry a witch from the Old Bloodline and complete the life transference ritual. The witch inscribes a sigil on a parchment and infuses the child's blood essence on it, and the curse transfers to the parchment. I was that witch. My family owed the Thornes a blood debt going back three generations, so I married Julian, gave him a child, and performed the ritual to save his life. I was terrified of missing the ritual window, so I didn't even use anesthesia as the baby was cut out of my womb. However, Julian drove ninety-nine soul spikes into my body while I was still bleeding from the delivery, then set me on fire. "Miriam is the real heir. You're nothing but a fraud who wanted to marry up. "You drove her into the wilderness to protect your position. She went into labor alone and died with the baby. Even dying, she thought of me. She finished the ritual and saved my life. "You deceived my father. I'm destroying your soul. You'll pay for what you did to them." He ignored my screaming while he drained our newborn's blood essence. I watched helplessly as my child's life faded. Then I was nailed to a cross and burned until there was nothing left. When I opened my eyes, I was back on my wedding day.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.