Who Are The Main Characters In 'The World Doesn'T Require You'?

On the day Winter Everhart suffers a miscarriage, her husband, Joshua Stroud, and their son, Terence, are out with his beloved Jessica Lynch. They watch the very performance Winter has always loved. "You're just so unreasonable. What's the point of all this?" "Dad, can you get me a new mom? She's so annoying!" On Winter's birthday, she returns from the hospital only to find Joshua celebrating Jessica's instead. Even Terence, the child she nearly gave her life to bring into the world, pledges to protect the woman who has stolen everything from her. Tears glisten in Winter's eyes as she smiles. Then, with quiet resolve, she walks away from the cage of a marriage that has bound her for five years. Joshua and Terence believe she won't survive without the Stroud family. What they don't expect is that she rises so high that they can no longer reach her. "Mr. Stroud! Mrs. Stroud's car design is now number one nationwide—Stroud Group has been completely outshone!" "Mr. Stroud! Mrs. Stroud has just won the World Championship in Artificial Intelligence Design!" "Mr. Stroud! Mrs. Stroud has been invited by a foreign president to attend a state banquet!" Regret tears Joshua apart. Dragging Terence with him, he kneels before Winter and pleads, "Honey, please give me another chance! If being your servant is what it takes, I'll do it!" But just beyond the door, a strikingly handsome man kneels on one knee, a leather collar fastened around his neck. Twining a diamond leash around Winter's palm, he vows with his gaze burning with feverish devotion, "My master, from this moment on, I bow to no one but you. Please, take me in."

Anya Moore is a pop sensation with lots of people who look up to her, though her passion is something else. Sadie Ozoa wants to chase her dreams and doesn’t want to take no for an answer, but it feels like she doesn’t have a choice. But unexpected decisions they made had created unfaithful circumstances that have brought two different individuals together. Next unthinkable move: run as far away from the situation that could have led to their wishes. They don’t know how they ended up walking together and they don’t know why. But all they want to do is to escape from the environment they were surrounded in. Anya and Sadie thought they would be distant but with every step they took, they started to know so much about each other and what they have one thing in common: they hated how the world has become. They then thought what if they rebuild Earth where it is all ruled by them--and only both of them. The two then thought what if we start to make it a reality? As they go on the journey to create their own world, Anya sees that Sadie is more than an outcast and Sadie sees that Anya is more than just a star--they are each other’s world. But with the world that is against their odds, will they be able to show their truth? In this first debut comes a coming-of-age story about realizing that in order to survive the world, you must choose whether to follow the rules or break them for the sake of doing something right.

In the tenth year I stayed in this world, I found out my husband, who used to say he loved me more than his life, was unfaithful. He cheated with my so-called sister, the one who took my place growing up. For her, my parents called me cold, and he called me selfish. Somewhere along the way, everyone forgot that I had only stayed to save this world. I used my own lifespan and life force to keep the world from falling apart. Ten years passed, and the world got used to it. Even the people who once treated me like a goddess started saying I was petty, that I didn't see the bigger picture. In the end, not a single person stood on my side. So I chose to let it all go and go home. The moment my consciousness began to fade, the world started to break. Floods, earthquakes, tidal waves all hit at once. In the middle of it, I thought I heard someone crying, calling my name.

The world ended but escaping him was always the harder part. Alone in a dying world filled with abandoned villages, hidden secrets, and creatures lurking in the dark, she fights to survive while running from the man who once destroyed her life. But the deeper she goes, the more she uncovers a terrifying truth connecting her, the village she escaped, and the thing hunting her through the ruins of the world. Some monsters are born after the apocalypse. Others were always human.

After failing my conquest mission, I trade my ability to feel in exchange for a ticket back to my home world. Two years later, the system summons me, citing an emergency. It tells me that my old conquest target, Caspian Stone, tried to destroy the entire world just to see me. I turn that request down immediately. Even if I've already lost my ability to feel, rationally speaking, I do not want to be with someone who has hurt me before. The poor system is so anxious that it keeps naming condition after condition. In the end, it agrees to let me stay with Caspian for only three months. In return for my cooperation, once I return from Caspian's world, not only must be the system restore my ability to feel, but it must also pay me a huge sum of money that comes from legal sources and has already gotten taxed. But when I return to Caspian's side as an emotionless robot, he goes deeper down the path of lunacy.

Scarlet never believed in destiny—until she died. Now bound to a mysterious system, she awakens in the bodies of betrayed women across countless worlds. Her mission is clear: avenge the fallen, slap the traitors, and conquer the hearts of different untouchable men. From an academy ruled by gods in human form to kingdoms dripping in blood and betrayal to glittering cities where power is bought with desire—Scarlet must weave vengeance and temptation into every step she takes. She is no saint. She is no savior. She is the temptress who thrives on revenge, a woman whose charm is as lethal as her kiss. But with every world, every mission, and every heart she wins… Scarlet begins to wonder. Is she the player in this game of fate— Or the one being played?