What Is The Main Conflict In 'The Year Of The Witching'?

When Anastasia, a lower level green witch, finally flees from a vengeful wolf pack, she finds herself soul-bond to the very thing she hates, a Lycan. Not only is he a Lycan, but he’s none other than Dominiko, the Lycan King himself! She thought struggling to accept him was the worst of her worries until she is faced with a catch 22. She must overcome her prejudice, embrace her power, and choose between the witches and Lycans, all while a war threatens to tear both worlds apart. Could she really go against her own people? Or will the Lycan kings hope for peace work?

The era of witches is gone forgotten but for a few that has lived through it. A teenage girl will discover her powers in a most unlikely manners. In a world predominantly governed by humans, how will our squad fare?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Because I saved my husband during a car accident, I lost my eyesight. He wept, promising to treat me well for the rest of our lives to repay my sacrifice. I cooperated with the treatment wholeheartedly, hoping for a full recovery. But on the day I finally regained my sight, I stumbled upon something that shattered my world. In our marital home, his first love lay beneath him, her flushed face betraying the passion of the moment. Their bodies intertwined, and the air around them thick with stifled moans—a vivid tableau of infidelity. "She's just a blind woman. Why haven't you divorced her yet?" the woman murmured impatiently, her voice laced with disdain as she moved against him. My husband, immersed in pleasure, still mumbled an excuse. "My love, just a little longer. Soon, we'll be together openly…" I turned and left without a word, pretending I had seen nothing. As I walked away, I remembered the witch's sacrificial ritual in the misty forest—only a few days away. My husband's betrayal cut deep, carving wounds I couldn't ignore. I made up my mind to return to the forest, to embrace my identity as a witch once more, and to sever all ties with him. Yet, after I disappeared, word reached me that he was searching for me everywhere like a madman. Rumor had it he had completely lost his mind.

He killed a witch to stop a curse. Instead, he became its prison. Vaelor Rauvenhollow is an Alpha doomed by his own blood. An ancient evil is sealed inside him, one that feeds on his strength, his rage, his life. Every full moon, it claws closer to freedom. Every heartbeat brings the end of the world nearer. The only person who can stop it is the daughter of the woman he murdered. Ilyra Morwen crosses into wolf territory knowing she will not leave alive. She comes not for revenge, but to finish the spell her mother died casting. What she finds is worse than a monster… it is a man already breaking. They are enemies bound by blood, magic, and a curse that refuses to sleep. Hate turns to tension. Tension turns to something dangerous. And the thing inside Vaelor is watching them both. Because the seal is cracking. The shadow is awake. And when it breaks free, love will not be enough to save anyone. Read if you dare, before the curse does..

Coming to Brytin wasn't all bad. I met him, even though I didn't recognize him at first. He was the one in my dreams. Yes, I could perfectly see that, but I had to hide from everyone for me to be close to him. He doesn't want me near him. He despises me no matter how hard I try to please him. He warns me to stay far away from him. They also warned me too, but my heart and soul does not listen, and I'm a curious girl who follows her heart. She's a witch, he's a vampire, they are enemies but she's his mate. That's an abomination, but she doesn't give a damn. She wants him to mark her and claim her, but that's formidable. He disagrees but she isn't going to stop until he acknowledges her. Find out what happens when she realizes the real reason behind the clash of witches and vampires, will she be forced to leave him or will she stay with him no matter what happens?