Unattainable goals work because they tap into universal fears—of irrelevance, of wasted time, of being forgotten. In 'Black Mirror’s' 'San Junipero', Yorkie’s race against her own mortality to experience love in a digital afterlife is haunting because it’s so human. The impossibility isn’t just physical; it’s existential.
Even lighter stories like 'Howl’s Moving Castle' play with this—Sophie’s curse seems unbreakable, but her journey isn’t about reversing it so much as learning to live with it. That shift from 'fixing' to 'accepting' is where the magic happens. It’s not defeat; it’s growth. And that’s why these arcs stick with us—they reframe failure as something richer, more nuanced than just losing.
What hooks me about unattainable goals in fiction is how they force characters to reveal their true selves. In 'Attack on Titan', Eren’s vow to eradicate the Titans feels increasingly doomed, but his obsession drives the narrative into darker, more complex territory. The goal becomes a lens for exploring morality, sacrifice, and the cost of ambition.
Similarly, in video games like 'Shadow of the Colossus', Wander’s quest to revive Mono is doomed from the start, but the player’s investment grows as the stakes twist. The futility doesn’t diminish the emotional weight—it amplifies it. There’s a weird comfort in seeing characters grapple with limits we recognize in our own lives, whether it’s creative block, unrequited love, or societal barriers. The story becomes a safe space to wrestle with those feelings, minus real-world consequences.
The allure of an unattainable goal in storytelling often lies in its ability to mirror our own deepest desires and frustrations. Take 'The Great Gatsby'—Jay Gatsby’s relentless pursuit of Daisy isn’t just about love; it’s about reclaiming a past that never truly existed. That tension between hope and impossibility creates a magnetic pull, making readers root for him even when the outcome feels inevitable. The tragedy isn’t just in the failure but in the beauty of the effort, the way it exposes human vulnerability.
Stories like 'Sisyphus' or 'Don Quixote' take this further by making the goal itself almost absurd, yet the characters’ unwavering commitment transforms their struggles into something poetic. It’s not about winning but about the audacity to keep trying, which resonates because, let’s face it, we’ve all had our own 'impossible' dreams. The best tales don’t just show the goal—they dissect the why behind the chase, making the journey more compelling than the destination.
2026-06-11 11:16:50
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Yearning (A short collection of yearning tales)
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Desire has a language of its own, and these tales speak it fluently. From stolen glances that ignite forbidden passion to nights drenched in longing and surrender, Yearning explores the ache, the heat, and the thrill of craving what you shouldn’t—but can’t resist. Every story pulses with intensity, teasing the senses and leaving you breathless, craving more than just words.
Hanan think things that she shouldn't. She dream things that she shouldn't. She want things that she shouldn't and its all because of one thing.
Because she do care about him, she do crave him, she yearn for his love, her eyes are so tempted by his smile,her lips whispering secrets of a forbidden love,
A love she know that she can never have it which is the one that last the longest,hurt the deepest and feel strongest,
She couldn't shake off this forbidden feeling that she had unconverted, a love she know she can never have so she decided to keep her desire deep inside her.
Watching and loving him from afar and only then Hanan know that there is nothing worse than knowing you want something, besides knowing you can never have it.
It was such an afflictive desires yet she never know that her desire will be fulfill but as the saying goes for every deepest desire to be fulfill it must come with a great sacrifice.
And for hanan she have to sacrifice her happiness, she have to go through a lot of pains to make her desires come to life.
I'm six years older than Bernard Jackman, but he always smiles and says, "Lucky me. I got to marry you."
I think we will live happily ever after until a message pops up on his phone and shatters the illusion.
"Bernie, be honest. Who's better in bed, me or your wife?"
"Come on. That old hag smells like mothballs. She can't be compared to you!"
And yet, he still showers me with love. How can a man say he loves me while sleeping with another woman?
So, I tear off his mask and leave him.
"Bernard, it's not that I can't live without you! You're filthy, and I don't want you anymore! I can find another man just fine!"
On the day of my ninth wedding attempt, my fiancé, Lucas Yearwood, leaves me jilted again.
This time, I follow him. I see him holding his adoptive sister's hand as they walk into the obstetrics department.
"Lucas, I dreamed that we're having a boy—he's definitely going to be as handsome as you."
Watching the two of them laugh and chat like that, I feel my blood freeze.
After I chased Lucas for seven years, I got a chance to use a debt of gratitude to force a marriage contract out of him.
I backed him into a corner to make him marry me.
Everyone thinks I can't survive without him. But this time, I hand the marriage contract back and leave him without looking back.
On my wedding day, he calls me. "Viv! Where are you right now?"
I'm in the shower. My new husband picks up the call for me. "Do you have business with my wife?"
Later, I hear Lucas turned all of Riverville upside down, digging through every trash can to find our marriage contract.
She thought he was dead, he thought she’d moved on. Now she’s a single mother raising their son, a child he never knew existed so what happens when they crossed paths once again?
Autumn and Fray were separated. She was led to believe that Frazier died while in truth, he was diagnosed with colon cancer and had to undergo treatment back in England. Autumn was shocked to see that he was very much alive. Seeing that he has a new girl beside him, Autumn decided it was best not to inform him about their son, Severus. So the question is, what happens when they finally met during their uni reunion?
Book 3 of The Autumn Summers Series. Can be read as a stand-alone.
*******
Book 1 is The Bad Nerd Boy (Completed)
Book 1.5 is Summertime
Book 2 is Resisting The Irresistible (Completed)
“Hidden depths of Ambition” is a gripping tale of power, revenge, and the quest for justice, following the life of Alex, a young man driven by the tragic loss of his parents. The story begins with Alex’s childhood, where the seeds of ambition are sown as he navigates the challenges of growing up without his parents. Early on, he demonstrates leadership qualities that lead him to win a student council election, sparking his interest in politics.
As he matures, Alex not only excels academically but also ventures into the business world, establishing his own successful enterprise. However, the shadow of his parents’ mysterious deaths looms over him, compelling him to investigate the truth behind their demise. This dual quest for power and revenge propels him into local politics, where he faces off against seasoned adversaries and uncovers a conspiracy that intertwines with his family’s past.
As Alex’s political ambitions grow, so do the stakes. He announces his candidacy for president, employing innovative campaign strategies and facing media wars that test his character. Personal sacrifices strain his relationships, revealing the cost of his relentless pursuit of power. Allies become enemies, and betrayal lurks around every corner as he grapples with the dark side of politics.
The narrative reaches a climax during the presidential race, where Alex’s leadership is put to the ultimate test amid a national crisis and the resurfacing of his parents’ case. With a coalition of unexpected allies, he confronts the forces threatening his presidency and seeks justice for his family.
In the final sections of the story, Alex must navigate the aftermath of his decisions, facing the consequences of his quest for vengeance and the legacy he wishes to leave behind. What will Alex do?
There's this magnetic pull towards characters we can't have, isn't there? Like, take 'The Great Gatsby'—Daisy’s this shimmering illusion, always just out of reach for Gatsby, and that’s what makes her so fascinating. We see ourselves in that longing, the way desire twists and turns when it’s unfulfilled. It’s not just about romance, either. Think of villains like Heath Ledger’s Joker—chaotic, unpredictable, impossible to pin down. They live in this space where we can’t fully understand them, and that mystery keeps us hooked. Maybe it’s because unattainability mirrors our own lives, the dreams we chase but never quite grasp.
And then there’s the aesthetic of distance. Characters like 'Attack on Titan’s' Levi or 'Frozen’s' Elsa thrive on their aloofness. They’re puzzles we want to solve, but the moment they become too familiar, some of the magic fades. It’s like watching a sunset—you can’t hold it, so you just keep staring. That tension between wanting and not having? It’s storytelling gold. I catch myself rewatching scenes with these characters, savoring the ache they leave behind.
The key to crafting an unattainable love interest lies in layers—emotional, circumstantial, or even metaphysical. Take 'The Great Gatsby''s Daisy Buchanan: her allure isn’t just wealth or beauty, but the nostalgic fantasy she represents for Gatsby. She’s a mirage of the past, forever out of reach because she’s tied to a version of himself that no longer exists. I’d weave in contradictions—make them kind yet distant, vulnerable yet guarded. Maybe they’re physically present but emotionally locked away, like Mr. Rochester in 'Jane Eyre' before his redemption. Their unavailability should ache, not frustrate; the reader should feel the protagonist’s longing in their bones.
Another angle? External barriers. Think 'Tristan and Isolde' with their poisoned loyalty or 'Brokeback Mountain''s societal constraints. The obstacle could be a literal force (war, magic) or something subtler, like class divides in 'Pride and Prejudice'. But the best unattainable loves leave room for hope—even if it’s tragic. That tension between 'almost' and 'never' is what keeps pages turning. Personally, I’d sprinkle tiny moments of reciprocity—a glance, a half-confession—to make the heartbreak sharper.