I picked up 'Autopsy of a Fairytale' on a whim because the title alone gave me chills—it promised something darkly poetic, and it delivered. The edition I have is around 320 pages, but I’ve heard some versions run shorter or longer depending on the publisher. What’s fascinating is how dense those pages feel; it’s not a light read, despite the fairytale framing. Every chapter peels back layers of symbolism, like dissecting a storybook creature to find real blood and bones underneath. I spent weeks chewing on certain passages, especially the ones that twist classic tropes into something unsettlingly new.
The physical weight of the book matches its emotional heft, too. It’s the kind of thing you carry around like a secret, flipping back to dog-eared pages when a line haunts you unexpectedly. If you’re into works that blend horror with literary flair—think 'The Bloody Chamber' by Angela Carter—this’ll grip you just as hard. My copy’s spine is cracked from rereading, which feels appropriate for a book about tearing stories apart to see how they work.
Ever stumbled across a book that feels like it was written just to mess with your head? That’s 'Autopsy of a Fairytale' for me. My paperback copy clocks in at 298 pages, but it’s the kind of book where page count doesn’t matter half as much as how often you have to pause and stare at the wall. The prose is lush but brutal, like someone rewrote Grimm’s tales with a scalpel. I lent it to a friend who usually blazes through novels, and she took three weeks because she kept needing breaks to process the imagery.
Funny thing—I almost missed the page count entirely when buying it because the cover art hooked me first. It’s this eerie illustration of a wolf split open with roses spilling out. Sets the tone perfectly. If you’re curious about comparable reads, it sits somewhere between 'Catherynne M. Valente’s 'deathless' and Clive Barker’s 'Books of Blood,' though it carves its own niche. The ending still lives rent-free in my mind, and I finished it months ago.
Oh, 'Autopsy of a Fairytale' is a weird little gem. My edition’s 280 pages, but don’t let the modest length fool you—it packs more punch per paragraph than most doorstopper fantasies. I adore how it plays with font sizes and Margins, too; some pages are nearly blank except for a single chilling line, while others Drown you in cascading descriptions. It’s like the book breathes intentionally, slowing you down or speeding you up to match its rhythm. I’d kill for more stories this inventive with form and content. Perfect for readers who think 'Grimm’s Fairy Tales' could use more existential dread.
2025-11-19 23:09:27
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A retelling of several of the most famous fairy tales with a kinky, dirty twist. Each story is about 30,000 words so sit back, grab some holy water and relax! It's time to sink in 10 deliciously dark and twisted fairytales! Highly erotic and brimming with dark desires, don't say I didn't warn ya!
18+ Dark Fairytale Series
Rumpled (Retelling of Rumplestiltskin)
Sinderella (Retelling of Cinderella)
Allissa in Wankerland (Retelling of Alice In Wonderland)
Friends With Sexy Benefits (Retelling of Hansel and Gretel)
Snow White and the Seven Hunks (Retelling of Snow White and the Seven Dwarfs)
Red (Retelling of Little Red Riding Hood)
Tangled (Retelling of Rapunzel)
Bella and the Beast (Beauty and The Beast)
Maid For Pleasure (The Ugly Duckling)
Goldilocks and the 3 Were-bears (Goldilocks)
Seven Classic Faery Tales are given a very adult makeover.
You are entering a world of myth, magic, and Immortals.
Throw in the humans for the added spice of erotica and violence.
Mix together and you have dark adult faery tales ........
Do not read if easily offended!
In the Kingdom of Deovaria, the peaceful Faery have been killed and enslaved by their neighboring Kingdom of Humans. The remaining few forced to choose between life or death, agree to live under the humans rule. Freedom comes with a price though. Faeries are to immediately stop all use of magic, and all faerie women are to be taken into the castle walls to bear one child that will be half human, and half faery. Giving the King a glimpse into what he always wanted, and invincible army. To try and protect their kind, a curse is placed on the Kingdom to stop all faery from having female children.
Eighteen years later, Aspen, is the last female to turn of age. When she is taken by force, she turns her magic onto the humans, killing a guard in the process and committing treason against her new King. Little does she know she will soon come face to face with a furious Prince, and a longer journey than she had ever imagined.
Bailey is an erstwhile heiress to Earth and Fae Magick, protector of the portal into Faerie. And she hates it.
Jayce needs to find a proper Queen to rule the Spring Court with him. Beckett has become jaded with life as the Prince of the Summer Court. Tobin, Prince of the Autumn Court, is a hopeless romantic still searching for the love of his very long Fae life.
Murder, mystery and romance await all four as they traverse Faerie and Earth, searching for the murderer of Bailey's grandfather. They might be able to survive any attack from outsiders, but will they be able to survive each other as romance and intrigue colors their lives?
The classic Cinderella story told with a wild twist; Ella's trusty rat friends unleash the plague in the castle and around the kingdom resulting in Ella and her stepsister along with some friends made along the way to find a cure for the illness.In 18th century Briarglen, the crown Prince is looking for his future wife and Queen. The King throws a grand ball inviting every maiden in the kingdom to attend. At the ball, Drizella meets a handsome palace guard whom she bonds with over the love of botany. Meanwhile indoors, her sister Anastasia is destroying their stepsisters' dress, leaving remnants behind in the castle halls. The King notices Anas behavior and banishes her from the castle.Driz and Ella receive bouquets from their suitors inviting them to the castle for dates. While in the castle, they witness the first victim of the plague fall ill and areforced to quarantine inside the castle with no connection to others.Meet Malcolm and Maddie, the head servant and maid of the castle whom the King has aspecial bond with. After they fall ill, the King becomes determined to find the one responsible and have their head.Learn what is happening in the Tremaine household while the girls are stuck in the castle and learn the truth about the evil stepmother and the reason for Ana's change in behavior.After the girls do not return home, Ana takes it upon herself to rush to the castle regardless of the repercussions to find out what is happening. While there, she helps to discover a cure to the plague and regains her acceptance to the castle.Discovering the true source of the outbreak, the culprit is revealed and served with the proper punishment.
Why does Cinderella have to marry a prince?
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Will May hold onto the little bit of independence she has left or will the hypnotic allure of fame brainwash her into thinking that she needs a man to be successful?
Will her title as "The Wrong Cinderella" remain or will she lose sight of her true self when two dashing princes come her way?
Fairy tale mysteries have this cozy charm that makes them perfect for curling up with, and 'Once Upon a Crime' is no exception. I picked it up last winter, and the hardcover edition I have runs about 320 pages. The pacing is fantastic—each chapter feels like a bite-sized adventure, weaving classic fairy tale elements with clever whodunit twists. It’s not just about the page count, though; the way the stories interconnect makes it hard to put down. I ended up finishing it in two sittings because the reveals kept pulling me forward.
What’s neat is how the book balances nostalgia with fresh storytelling. If you’re into retellings like 'The Sisters Grimm' or 'A Tale Dark and Grimm,' this one’s a must-read. The illustrations sprinkled throughout add to the whimsy, making those 300-ish pages fly by even faster. Now I kinda want to revisit it just for the clever Red Riding Hood subplot.