Why Do Melodramatic Endings Divide Novel Readers?

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?

It was at our engagement banquet that I finally learned the truth. I wasn't the true heiress of a noble human family. I wasn't the "fated bride" destined to bear a half-blood child for the vampires. I was just the wrong baby someone had brought home from the hospital. A fake. I'd thought that Alexander, the boy who'd risked his life to drag me out of a burning house, the boy I'd grown up beside, would love me the same as always. Instead, in front of everyone, he let go of my hand and looked down at me with cold eyes. "Without that bloodline, do you really think you deserve to stand beside me?" Then he reached out and slid the engagement ring off my finger himself. He turned, and led the true heiress up to the high platform. Everyone laughed at me. The fake heiress, delusional enough to think she could marry the vampire heir. I was thrown out of the only home I'd ever known. The only kindness left to me was Alexander's, a scrap of charity that let me stay at his side as the lowest thing a vampire could keep. A blood slave. And then, later, I died in an explosion. Saving him. Alexander knelt in the blood and lost his mind, screaming at everyone around him to save me. But there was something he didn't know. I hadn't died. Later still, at a vampire banquet, he saw me again at last. I walked past him on another man's arm, smiling. And this time, it was his turn to lose his mind begging me to look back at him.

In my past life, my sister's secret lover says he wants to see a meteor shower. So, she takes all the family bodyguards and drives out to the countryside to create a romantic night under the stars for him. But she doesn't realize that an old enemy she once ruined sees the opening. They break into our home, seeking revenge and planning to wipe out the entire family. My mother throws herself over me to protect me, taking the brunt of the attack. She's critically injured and is barely hanging on. I call my sister again and again, begging her to come home. She eventually returns with the bodyguards, but it's too late. The enemies are caught, but then news comes in from the outskirts—her lover has disappeared, leaving behind a suicide note. In it, he blames me, accusing me of deliberately luring my sister away so that he would suffer at the hands of her enemies. Ultimately, he takes his own life. My sister burns the letter without a flicker of emotion. She says, "Don’t overthink it." Later, the blame falls on her. Our father promises to hand the family business over to me. But after the celebration banquet, my sister murders me in the bedroom. She stares at me with a blank face and snarls, "Someone as cruel as you should've died long ago. It should've been you who died, and the family inheritance should've been mine!" I die with a heart full of rage and disbelief. When I open my eyes again, I hear our enemies breaking down the villa doors.

At the dinner celebrating our fifth wedding anniversary, I held the pregnancy test report in my pocket, planning to surprise my CEO husband. However, the moment the doors opened, I froze. A stunning woman stood there with her arm intimately linked through my husband's. She clung to Charles Lawrence with the ease and confidence of someone who clearly belonged at his side, carrying herself like the lady of the house. Neither Charles nor the guests found it strange. If anything, they seemed entertained. Someone even joked, "Mr. Lawrence and Ms. Cooper aren't just ideal partners at work. Their chemistry is something to admire as well. I've personally reserved the presidential suite at Jubilee City's finest resort for Mr. Lawrence tonight. You can be sure no one will disturb you." Fiona blushed and slipped shyly into Charles's arms. He lowered his head and kissed her hard. They fit together so naturally, so intimately, that the sight was unbearably glaring. My thoughts flashed back to the night before, when Charles had pressed me into the bed. In that moment, I had caught sight of a strange message sent by someone named Fiona: [Everyone in the company thinks we've slept together.] Charles had explained that Fiona was only his assistant, a forty-year-old woman, and that the message was nothing more than a punishment from a lost game, a foolish dare. That explanation had dissolved my suspicion and anger. Then, I finally saw the truth. I was the one who had lost everything. Inside my pocket, the pregnancy report was crushed into a tight ball. I forced the tears back, stepped away, and opened the invitation from the National Aerospace Research Institute on my phone. Without hesitation, I tapped Accept. Three days later, I would vanish completely from Charles's world.

The real heiress, Alicia Grant, gets reunited with the Grant family and is scheduled to marry Cory Dawson, who's supposed to be my fiance. On the very same day, I, the vile fake heiress, get kicked out of my home. When I'm about to take my own life out of despair, I go through an awakening all of a sudden. It turns out that I'm just a vicious supporting character in a sappy romance novel whose tragic fate is already penned by the author. After I die, Alicia decides to adopt my daughter out of "kindness", only to let her get bullied from a young age. In the end, my poor daughter dies tragically in an alley. I throw the knife away immediately. With stumbling steps, I whisk my daughter into my arms and quickly immigrate elsewhere. As a supporting character, my life is already filled with misfortune. I mustn't let my daughter go down the same path as well. Initially, I thought I wouldn't see the Grants anymore. Unexpectedly, when I step into Carmont five years later, I end up bumping into them again.

Aurelia Giliam is her name now, what her original was she can’t remember. Her past life comes back to her in a painful headache. She somehow got into the body of the villainess of an otome game she enjoyed playing. This villainess caused trouble left and right for the heroine. But in the end, she always ends up getting abandoned by her family and dying in the end with no one to mourn her death. Now she was this villainess. What shitty luck.This Novel may have some subject that may trigger some people so be cautiousCover made with Picrew - https://picrew.me/image_maker/41329