If you toss me a quick research task and a common name like José Tomás, I get a little excited and a little suspicious—excited because tracking film credits is fun, suspicious because name collisions are brutal. After skimming IMDb, MusicBrainz and some soundtrack forums, I didn’t find a definitive list of films scored by a composer simply credited as 'José Tomás' in the 2010s. Often the composer credit belongs to someone with two surnames (Spanish naming conventions) or to a slightly different spelling, so it never cleanly matches.
Practically speaking, the next step is to narrow it down: was the composer based in Spain, Mexico, Argentina, or elsewhere? Did the films appear at a festival or in mainstream cinema? With that, I’d check festival program books, the film’s own press kit, and soundtrack releases on Bandcamp or Spotify where composer names tend to be accurate. If you want, give me one film title or a region and I’ll dig deeper—there’s almost always a trail in the end credits or a festival catalogue that settles these things, I’ve done that digging before and it usually pays off.
Okay, here’s the deal: I tried to trace José Tomás’s film credits for the 2010s across the usual places (IMDb, Discogs, AllMusic, MusicBrainz and a few festival catalogues) and came up with ambiguous results. The name 'José Tomás' is pretty common in Spanish-speaking countries, and there are several people—composers, performers, even a famous bullfighter—who share it. Because of that, credits sometimes get mixed up or are listed under a longer full name (two surnames) or a middle name. I couldn’t find a clean, authoritative list of movies explicitly credited to a single, clearly identifiable José Tomás as composer during 2010–2019.
If you’re trying to pin down a particular José Tomás, here’s how I’d proceed: search IMDb and filter results by the Music Department or Composer role, then cross-check the person’s profile against other sources like Discogs, Spotify composer credits, or the film’s end credits (watching a film’s credits is always the most reliable). For Spanish or Latin American releases, check the national film academy, SGAE registrations, or festival brochures—sometimes the composer is credited differently there. If you can tell me the country, a middle name, or a sample film title, I’ll hunt down the specific credits myself; otherwise, the safest answer right now is that public databases don’t show a single, undisputed set of film scores by a clearly identified José Tomás in the 2010s, and extra identifying info will break the ambiguity for us.
One quick thought: when a name like José Tomás turns up, I always expect ambiguity. I tried cross-referencing major databases for the 2010–2019 window and didn’t find a tidy, uncontested list of film scores under that exact name. That doesn’t mean there weren’t any—only that the credits are scattered, possibly listed under a fuller legal name, or attributed in niche releases and festival films that aren’t fully indexed.
If you need a firm list, the fastest reliable route is to open a film’s end credits or its press kit. Alternately, check local composer societies (for Spain, SGAE; for other countries, their equivalents) or reach out to the film’s production company. If you want me to keep digging, tell me one film or the country of origin and I’ll follow the breadcrumb trail—sometimes it’s a one-line credit in the end roll that solves everything, and I enjoy that kind of tiny victory.
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Ruin Me, Daddy: 50 Shades Darker Compilation
FELZ
10
81.0K
If the warning label could be written in red letters, it would. I'm not a soft erotic writer, so you shouldn't be a soft reader. This is a house of 50 Shades Darker Steamy Romance Compilation. ALL your taboos and kinks will be fulfilled in these 1k short stories. First five stories.
1 Marry Your Daddy & Be Your Stepmom: When the thoughts, words, and touch of your boyfriend's dad gives you real orgasms, sinning is just as sweet.
2 My Gangster Masters: Though married, you're sent to the BDSM club to hunt the notorious triplet criminals. The operation is over, but your body still aches to submit to them one more time.
3 The Church Boy Is Gay: He's more innocent than a nerd. Haven't impregnated any girl. So you make him your role model until you're trapped in a room with him and the lights go off.
4 Creampied in a crowded subway: What’s discomfort in a crowded subway when you can have a stranger’s big black cock slide beneath your dress and rub your pussy till you're wet and dripping? It gets spicier, he slips into your right cotton panties and creampies you.
And when you wear jeans, his huge palm breaks your button, goes down below, rubbing your clit and finger-fucking you till you become his all your subway journey. Forever.
5 My Masked Psycho: You have a fetish for masked men, and you're just the kind of lady he preys on.
Others: Beastly Alpha. Voyeurism. You're a slave to the hot cell's Don and his Capos in a prison break. Stuck and fucked. The Bulgar's cock is your new obsession. Naked stranger in the elevator. Flash your goodies. Your maid and plumber are your new toys. Sex interviews…
***** Add to library let's hit this rocky road.
I am Nicholas Greene's assistant and also his secret girlfriend of ten years.
At the age of 29, I bring up marriage with him.
He responds coldly, "I can give you love, but I can’t give you marriage. If you are desperate to get married, I can introduce you to another man to deal with your parents."
I accept calmly.
A few months later, he stops me at the door.
His eyes are bloodshot as he questions, "Didn’t I tell you to just pretend? How did you end up actually getting a marriage certificate with him?"
When a stalker escalates from creepy packages to violence, a hardened ex-mafia enforcer turned bodyguard must rescue a fragile pop star and keep her alive all while finally learning how to be the kind of man who can love her, before the past drags them both under.
She loved him with everything. He destroyed her with nothing. On the night of their anniversary, Laura catches her billionaire husband in bed with her best friend.
The next day, he hands her divorce papers—and announces her dismissal in front of the world.
But what Antonio never expected… was that the woman he discarded would rise from the ashes.
Homeless, pregnant, and hunted, Laura finds shelter in the arms of a mysterious stranger.
Years later, when Antonio realizes the child he denied is his son… it’s too late.
Now, she’s powerful, fearless, and loved by another. And Antonio? He’s about to learn what it means to lose everything.
I am about to book a room at a hotel owned by Luca Conti, a consigliere under my command, when a sharp voice suddenly cuts in from behind me.
"Aspetta. That's not your price."
I turn around. A woman wearing a manager's badge stands there with her arms crossed, scrutinizing me as if I am an unsightly stain she can't wait to wipe away.
"We don't allow prostitution here," she says coolly. "If you're receiving clients, there will be a fine."
As she speaks, she hands me a penalty notice.
The charges are clearly listed on the paper.
"Illegal guest reception fee: 350 thousand dollars.
"Special soundproofing fee: 150 thousand dollars.
"Special cleaning fee: 100 thousand dollars.
"Total fee: 600 thousand dollars."
Receiving clients?
I have simply come straight from a Mafia cocktail party without changing clothes—that's all. What exactly does she take me for?"
I lift my gaze and answer evenly, "You're mistaken. I am not that kind of person. You can contact the hotel owner, Luca Conti, and ask him who I am."
A sneer flickers through Sofia Rossi's eyes. She spits to the side, full of contempt.
"Still claiming you are not a puttana? Women like you come here every week. Every single one of them swears she knows him.
"Our boss is the consigliere to the Russo family, the most powerful Mafia family in Seneriffe. Do you really think he needs someone cheap like you?
"I suggest you pay up now, subito, before your client loses patience and drags you into the street and rapes you."
I do not waste another word on her. I take out my phone and send a message directly to my secretary, Marco Bianchi.
"Notify Luca. Either this manager, Sofia Rossi, disappears from this city, or he does."
Returned to the Death Toast: My Revenge Starts with Handcuffs
Purple Whispers
0
312
There's an unspoken rule in my household—everyone has to engage in a drinking competition during the holidays.
Whoever gets wasted first will have to pay off one year's worth of house and car mortgages for the other two siblings.
In the first year, I collapsed after my first glass of alcohol. I had to pay the house mortgage for my oldest sister, Dahlia Zeller.
In the second year, as soon as I picked up my glass, I fainted right away. Since then, I had to pay off Jasmine Zeller, my second sister's car loan.
For the next 20 years, I've always been the loser.
In the end, my wife, Jean McCarthy, is forced to jump off a building because of the huge debt I've racked up. The debtors keep dumping paint onto my residence, forcing me to deter away from it.
Ransacked by guilt, I end up damaging my stomach from overdrinking when I attempt to train my alcohol tolerance. As a result, half of my liver has gotten removed.
When I'm on the verge of death, I hear my parents snickering outside my ward.
"Don't you think we've laced too many sleeping pills in his drink? He almost didn't wake up back then!"
"It's fine. He's an idiot who merely thinks he has a low alcohol tolerance. Our family still relies on him for financial survival, you see. We can keep drugging him so that he'll keep getting wasted."
When I open my eyes again, I've already gotten reborn in the timeframe when I'm sitting at the dining table in the 20th year.
Wow, digging through film credits and festival archives for José Tomás turned into a little research rabbit hole for me — and I honestly didn't find a tidy, authoritative list that says “these are the awards José Tomás has won” for his screenplays. What I did find while poking around were scattered festival mentions, credits on databases, and a few interviews where his projects were discussed, but nothing that reads like an official awards roll. That can happen a lot with creators who work across short films, co-writes, or smaller festival circuits; wins and nominations get listed in different places, and sometimes local festival sites or a filmmaker's own CV are the only reliable sources.
If you want to pin this down yourself, I’d start with the film’s press kits or the credits page on 'IMDb' and cross-check those titles at the specific festival archives (for example, the archives for Sitges, San Sebastián, or regional festivals if his work is more local). National awards to check depending on country would be the Goya Awards, the Platino Awards, or similar national screenplay prizes — but don’t assume presence there without a direct citation. I’d also try to find his official social pages or a professional site; many writers list awards and festival laurels there. I’m genuinely curious now, so I might keep digging and compare notes if you want to chase this together.