How Does 'Night, Mother' End?

The Mother That Fed the Dark is a study of inherited guilt, ritual, and the long reach of a mother's choices. Amahle, a woman who practices the old rituals in secret, believes that her younger son , Sipho, was born as a spiritual "door" to be sacrificed for the sake of power and protection. During the ritual she performed , she got interrupted by the older son, Thando, who died instead. While the community believes Thando's death was accidental, Amahle knows better: it was the wrong son who died, and the ritual was left unfinished. Drenched in fear and resentment , Amahle raises Sipho as if he is the love of her life, while at the same time working to destroy him. Behind closed doors, she feeds the supernatural force from the failed ritual, which weakens Sipho, making him fearful and dependent. As Sipho grows, so do the misfortunes that follow him, and an unseen entity begins to present itself-first in dreams and whispers, then in the physical world . What we see is that the ritual did not bind to the house but to Sipho's bloodline. When Sipho leaves home, the haunting grows stronger. After Amahle's death, Sipho finds her secret notebooks , which reveal to him the shocking truth: that his brother's death was a mistake and, in fact, Sipho was never meant to die but to be the vehicle for the ritual, which he indeed is. Setting the family home on fire brings only temporary relief , but the curse does not break. In the final revelation, Sipho realizes that he is not the offering but the keeper, the living portal through which harmony, hardship, and magical power flow. Unlike his mother, he comes to the realization that he has a choice.

After the death of her African father, Arlene Goodman is forced to relocate to Africa with her paternal relatives, while her mum is put in a mental asylum after she attempted to take Arlene's life. Asides from grieving everything was expected to be normal but Arlene kept having nightmares, mainly about her mum. After a while, these nightmares become surreal and start interfering with her daily life. Arlene gets help from her mate in school who knows African origin and myths, but do you think it'll be enough to beat the extraordinary?

**Book 2 to The Moon's Descendant ** ** Mature content 18+ ** Contains graphic sex scenes, violence, death and coarse language ** ‐-------------------------------------------------------- Although Zelena survived the attack on her pack, a lot has changed in the Were world. Secrets are being kept and lies are being told. Someone close has betrayed them. With more Weres seeking out the Triple Goddess, new threats and allies are appearing from all over. Zelena grows more powerful by the day. As her powers manifest, so to do the dangers. As Zelena struggles to find her way, one Were is seeking to use the Triple Goddess to realise his own dreams and desires. Zelena is forced to make a choice, will she lead Were kind to untold heights of power, or will she keep the peace that they have always known. ------------------------------------------------------------------------------ The sound of a wailing child filled the air, piercing the inner corners of my ears. I couldn't move, it was like my body was concreted to the ground. Everything hurt. The intense pain burned through my veins, paralysing me. I lay helpless on the ground, dying slowly. My eyes gazing, at the retreating legs before me. I watched on powerlessly, until they were gone from my sight, vanishing between the snow-covered trees. Helplessness consumed me and I couldn't fight it any longer. The faint cries slipped away, until only the sound of the wind was left. My heavy eyelids slowly blinked closed and darkness fell over me. ----------------------------------------- Book 1 - The Moon's Descendant - Told by Zelena and Gunner. Book 2 - Mother of the Moon - Told By Zelena and Lunaya. Book 3 - Twin Moon - Told by Zelena and Whiskey.

My mother is hospitalized due to a terminal illness. She's in urgent need of a kidney transplant to save her life. I'm the only one who can perform the surgery, but I give the kidney to a stranger. My father and husband get on their knees before me on the day of the surgery. They beg me to save my mother. However, I shrug and say, "I can't do anything about this. A life is a life, regardless of who the person is. This is what she gets for coming late—death is waiting for her."

My mother had a rare disease. After months of dead ends, I found one person in the country who could treat her. She told me there was a price. She said she needed a husband. I agreed. For my mother, I agreed. For six years I was her ATM. I bought her the bags. I bought her the watches. It got worse. She used my money to keep a kept man. She brought him into our bed. The day my mother had her last surgery, she walked out of the operating room halfway through to go celebrate her lover's birthday. The moment they pronounced my mother dead, I decided there and then, she was paying for that with her life.

When the power meter in the house trips, Mom's foster daughter, Juniper Hawthorne, is trapped in the dark for five minutes. Even though I have claustrophobia, Mom locks me in an empty, pitch-black room. "You knew Juniper was terrified of the dark, yet you intentionally shut off the power just to frighten her! I'll teach you how to behave today!" I cry and beg her not to, but all I receive in return is a harsh slap. "Claustrophobia? That's just what happens when a kid grows up too spoiled." Late that night, I sense someone breaking into the house. The first thing I do is to call Mom, a renowned criminal psychologist, for help, only to be yelled at. "You're still really getting into this role just to fight Juniper for attention, aren't you? "Kidnappers, huh? Well, go ahead and die so you'll stop bothering me!" As she wishes, I'm brutally tortured and killed. My body is buried beneath Mom's favorite flowerbed. After I die, my soul is trapped in the body of a cat. All I can do is helplessly circle Mom until five days have passed. The police arrive with a mangled body and request her help in creating a portrait of the killer.