Has Novelpack Been Shut Down?

Warning: This is a reverse harem series and contains explicit scenes throughout (including M/M). Book 1 Six years ago, I gave everything to the boy who set my world on fire… my heart, my body, my trust. The next day, he vanished without a word. Life hasn’t been kind since. I buried my parents the same week I brought my newborn son home. At eighteen, I became both a mother and a guardian to my teenage sister, and now I've discovered my husband is living a double life. My son, Jaxon, is angry and acting out so it's time for a fresh start. I never expected that fresh start to lead me to a sleepy mountain town hiding a secret… or back to him. Because this town borders a hidden pack of wolf shifters, and one of their alphas is the same boy who left me with more than just a broken heart. He left me with his son. Book 2 Poppy was never the quiet one. While her sister survived by holding everything together, Poppy survived by feeling everything out loud, until devastating truths and impossible revelations smothered the fire inside her with shadows she can’t explain. Whispers creep into her mind. Voices call her name in the dark. As Paige’s light rises, Poppy’s darkness answers. Thrown into a supernatural world she never asked for, Poppy finds herself surrounded by wolves who look at her like fate has already claimed her. Their pull is undeniable. Their attention suffocating, and the darkness inside her is growing harder to ignore. With threats closing in, Poppy must decide whether to keep running from what she’s becoming… or embrace the role destiny has given her. Light may have saved the world, but darkness decides how it ends.

In a shattered world teetering on the brink of extinction, survival is brutal. Werewolves rule the wild, humans cling to scraps, and women are the prize both sides fight to claim and breed. Emily, a survivor with no past, was raised by hidden women. She knows only endurance, not identity. When she ventures out for food, everything changes. Ambushed by men, she is saved and claimed as Luna by Hunter, a powerful Alpha wolf. But the pack doesn’t accept her. Emily is human. Torn between loyalty and power, Hunter makes a gut-wrenching choice. Pressured by his pack, who distrust outsiders and fear a human Luna weakens them, he feels forced to choose Isabella, a wolf with strong allies, as his mate to protect his rule. Cast aside, Emily questions her place, Hunter’s betrayal, and her continued pull toward him. As tensions mount and Hunter's half-brother Kaden seeks the Alpha title, Emily becomes entangled in a game of power and survival. Her past emerges, along with dreams and her strange link to wolves, hinting at a secret lineage that could shift the balance in unexpected ways. In a world where love is not an option and power seals fate… who will she become when her heart and future hang in the balance?

After transmigrating through three novels in a row, the hardest thing I ever suffer through is drinking iced long black. But when I open my eyes again, I somehow become the pathetic simp side character in a trashy romance novel. Just as I debate whether to file a complaint against the system, the trembling system hurriedly explains something to me. Although this is a trashy romance novel, it is also an unfinished abandoned novel. I ask, "So you're saying I decide how the story develops?" The system replied, "Yes. Everything is completely under your control." Satisfied, I lazily stretch and begin checking the original Jacob's background. He has a trillionaire father and a billionaire mother. On top of that, he has seven rich and beautiful older sisters. With such a ridiculously overpowered setup, how can he go around simping for a broke college girl with no money? What a complete waste!

A contract is desperately needed for the company to close the deal on a project, so I head over to the administrative department to lodge a request for printing paper. However, the administrative employee, Lydia Reed, slaps on an arrogant expression. "In order to prevent bottom feeders like you from taking advantage of the company by stealing the company's resources, the company's rulebook has already stated that you must bring your own paper to work!" I just point at the pile of boxes containing A4 paper behind Lydia before asking coldly, "Then who are those resources meant for?" Lydia rolls her eyes at me. "Well, they are meant for people who truly are worthy of this company's resources, duh! "You're just a meager project manager who keeps asking for money without making any contributions at all, so you can forget about getting your hands on anything that belongs to the company!" I nod in return. After leaving the department, I dial a number. "I'm sorry, Mr. Cross. It seems that we shall not be participating in the 200-million-dollar bid after all."

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.

I've sculpted a character based on my boss, Jacob Carter, in my smutty novel. Jacob, who's a cold, distant, and stern man in reality, is reduced to a lovesick simp in my novel. Apparently, he's maddeningly in love with me there. But when I tender my resignation letter later on, Jacob rips it into shreds before cornering me. "Oh? Are you planning to leave now that you've finished writing that novel of yours? How dare you discard me as soon as you're done with me! What am I, a cheap escort?"