In What Order Should I Read The Best Selling Stephen King Novels?

When Dr. Vickie Anderson moves to a small town to become their local physician, little does she realize what awaits her. The sweet and sexy man she falls in love with turns out to be a vampire, the kind and wise woman she becomes good friends with turns out to be a witch, and the local "hottie" sheriff is a zombie hunter! But, then, so is everyone else she knows. Swept into a world she never believed could exist, Vickie must decide whether she has what it takes to live as a doctor by day and a zombie hunter by night.

Ryan is the Zombie King, the man who helped the zombies take over the human world. Now, he's on the hunt for the one human he can't forget. Lacey is on the run for her life from zombies trying to forget Ryan. She didn't know he was a zombie, and she can't help being conflicted over how she feels about him. Zombies aren’t the mindless creatures that humans thought of in their stories. They are intelligent and function like humans do, minus the human brains they need for food. Turns out that zombies come from a mutated gene that only activates after death. They have been around just as long as humans and now they rule the world. When Ryan finally finds Lacey and brings her to his kingdom their worlds collide once again and so do their feelings. Can Lacey forgive Ryan for abandoning her after using her? Can their love survive in the new world?

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ASTRID SAGE Everyone calls me naive and innocent, and in every way, I am. When I took a fancy in peering at FREDERICK SALVATORE each time he stopped by the orphanage to drop off his donation, it was just out of mere curiosity. I find him fascinating and alluring, like a piece of art. But when I get kidnapped and put up for auction, he's in the crowd of the deadliest people I've ever seen. He put the craziest bid on me and I get to find out that his name isn't FREDRICK SALVATORE. He's the notorious EAGAN KING and this is his world. Now I understand why he has that unexplainable dark aura around him. Is it possible to find him less fascinating now that I know what he's truly like? EAGAN KING A monster. A killer. A sociopath. A greedy-ass bastard. The devil. Everyone has different names for me, and they're right. I'm all of that and more. I wanna own this hell and rule these bastards. I wanna own LOVE ISLAND CITY. But to own it, I have to kill the real owner. Seven families are topping the hierarchy. I've killed three, I'm left with four. I attend this auction event to figure out the weaknesses of my next target. And then there she is, looking very virgin-ish and fucking innocent, standing on the auction ground with fear in her eyes. Bidding her was not part of my plan. But I'll be fucked up if I let these motherfuckers have her. (Warning: this is a dark romance, not for the faint-hearted. Read at your own risk and please, no criticisms.)

Some families run from their past. The Hawkins siblings hunt it down. Katherine Hawkins never asked to grow up in a world where demons were real and survival meant learning how to fight them. Alongside her brothers—William and Alex—she’s spent years tracking the things that live in the dark. But when an old exorcism tape surfaces and names from a forgotten case start resurfacing—Malcolm Smith, Matthew Conner, Gabriel Spender—their past begins catching up with them fast. Secrets their father kept buried are beginning to unravel. And the deeper they dig, the clearer it becomes: the monsters they’re chasing now are connected to something older, something unfinished… something personal. Now, with danger closing in and trust wearing thin, the Hawkins siblings must head straight into the heart of a mystery that could shatter everything they thought they knew—about their family, their history, and the war they were born into. Because sometimes, the real fight doesn’t start until after the ghosts come back.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.