Where Is The Outlander Spin Off Being Filmed?

Wildly excited to talk about this — the spinoff is officially rooted in the same rich historical soil as 'Outlander' but it shifts the map a bit. The series is set mainly in the 18th century, splitting time between the Scottish Highlands and the early American colonies; you’ll get the windswept glens and peat smoke of Scotland alongside the raw, unsettled coastal and frontier landscapes of colonial North America. For production, the bulk of on-location filming is happening in Scotland to capture those iconic outdoor shots, while larger interior sequences and some period town builds are being handled in a studio hub overseas. Reports and production notices pointed to significant studio work taking place in South Africa as well, where soundstages and skilled crews are being used to recreate detailed interiors and controlled environments that would be tough to pull off on remote Scottish moorland. From my perspective, that mix makes total sense — Scotland gives authenticity to the exteriors that fans of 'Outlander' crave, and the studio work elsewhere keeps the production manageable for those complex period scenes. There are also a few planned shoots in North America for authenticity when the story requires specific colonial architecture or landscapes that are hard to replicate. I love that they’re balancing on-location atmosphere with the practicalities of modern production; it feels like a smart way to honor the feel of 'Outlander' while expanding the world, and I can’t wait to see the Highlands meet the new colonial settings on screen.

This has been floating around fan circles for a while and I kept digging because I wanted to be sure before telling people. The spin-off of 'Outlander' is being developed for Starz, and the production is tied to the same creative forces behind the main series. That includes the production partnership with Sony Pictures Television and names associated with the original show—people like Ronald D. Moore's production outfit and the team that shepherded 'Outlander' through multiple seasons. The author, Diana Gabaldon, has also been noted as involved in the broader franchise, lending creative oversight or executive-producer status in various ways. From a practical standpoint, that means Starz is driving the project as the network/platform, with Sony Pictures Television handling the production side and international distribution business. The original show's executive producers and creative team have been credited as connected to the spin-off development, which makes sense: it keeps continuity of tone and worldbuilding. I love that the same production backbone is involved—it feels like they're treating the spin-off as a sibling, not a cheap knockoff—and that gives me real hope the new series will capture the same textures and character depth that hooked me on 'Outlander' in the first place.

so here's the clearest picture I can give: there isn't a locked-in premiere date for the spinoff right now. Starz and the team have talked about expanding the world of 'Outlander' and a few related projects have been mentioned in press reports, with one working title people toss around being 'Blood of My Blood'. Development is active in various stages — scripts, talent talks, and network planning — but nothing public has a final calendar date. From where I sit, that means the soonest realistic window is usually a year or more after a series is officially greenlit and cast, so my gut says 2025 at the earliest, more likely 2026 depending on how fast they move. Personally I’m equal parts impatient and comforted: this universe benefits from careful crafting, and I’d rather wait for a solid cast and production than a rushed premiere. I can’t help smiling thinking about seeing those Scottish vistas again.

I got goosebumps watching the location reels — the new season of 'Outlander' was shot almost entirely across Scotland, and you can really feel the place in every frame. They mixed sweeping Highland landscapes with intimate, lived-in villages: the production leaned heavily on historic spots like Culross (which has long doubled for 18th-century village life), the iconic Midhope Castle for Lallybroch scenes, and a handful of coastal and lowland towns that give the show its warm, weathered texture. Interior sequences were mostly built on soundstages just outside Glasgow, where they recreate Fraser family rooms, taverns, and the more elaborate period sets that would be impossible to rely on in the open. What I loved about this season’s filming is how they balanced studio control with real-world grit. Wide shots of lochs and glens were captured on location across the Highlands and lowlands, then tightened in studio for dialogue-heavy scenes. There are also a few pockets of the series’ older practice — bringing in locations that double for other places in the world — but this season felt very Scottish through and through. As a long-time fan, seeing familiar streets and castles repurposed for new story beats made me want to pack a bag and trace the filming map myself; it’s pure pilgrimage material, honestly.

My excitement about 'Outlander' is impossible to hide — season 7 filming unfolded mostly right where the show belongs: across Scotland. Production spent a lot of time shooting on-location in the Highlands and in and around Glasgow and Edinburgh, weaving together coastal villages, rugged moors, and period streets to sell both 18th-century Scotland and the later American-set scenes. They also used soundstages and production facilities near Glasgow for the more intricate interior work, so you get that cinematic mix of sweeping landscapes and tightly controlled sets. If you’ve watched earlier seasons, you’ll notice a lot of familiar backdrops showing up again — the same villages and castles that have become almost characters themselves in the story. The crew returned to several longtime spots and layered in newer Scottish locations to reflect the story’s movement and time shifts. There wasn’t an overreliance on distant doubles this season; the production leaned into authentic Scottish scenery as much as possible. I loved how the camera kept finding quiet, lesser-known corners of the countryside — it made everything feel alive and rooted in place, which made the drama land harder for me.

I get a little giddy thinking about all the places they’ll use this season — Scotland is basically a character in 'Outlander' at this point. Production will be centered around Glasgow for logistics and studio work, with Wardpark Studios in Cumbernauld handling most of the interior sets and controlled scenes. That’s where the heavy lifting happens: period rooms, stunt rehearsals, and hair-and-makeup setups that would be impossible to stage on a windy moor. For exteriors they’re back out in the Highlands and Central Belt. Expect familiar spots like Doune Castle (Castle Leoch), Midhope Castle (Lallybroch), and the preserved village of Culross to pop up again alongside Blackness Castle and Hopetoun House. They’ll also scout around the Highlands and Lochs for sweeping landscapes and battlefield sequences, and a few smaller towns will double for 18th- and 20th-century locations. As a fan who’s chased down a few filming days, I can already picture the tents, the crew, and the buzz in each village — it’s always a mixture of organized chaos and magic, and I’m hyped to see how they frame those vistas this season.

I’ve been geeking out over the filming news for 'Outlander 2.0' — they really went big with locations this time. The core of the shoot stayed in Scotland, anchored in the Highlands with extensive work on the Isle of Skye, Glencoe and around Loch Lomond for those sweeping, misty landscapes. Historic strongholds like Doune Castle and Hopetoun House were used again for interior and courtyard scenes, while Culross and Falkland provided the perfect preserved-village look for smaller, intimate moments. On the European side, the production split time between Paris and the Loire Valley. Parisian streets and palace exteriors were doubled with carefully dressed sections in Prague and parts of the Loire to capture the 18th-century elegance without shutting down too much of central Paris. For the tropical sequences, the team shot in Cape Town and nearby coastal areas — Cape Town doubled for Caribbean locales with some botanical gardens and rugged beaches filling in. Pinewood and local Scottish studios handled the big set builds and night shoots. I loved seeing how they layered real locations with studio work; it makes the world feel lived-in and cinematic, which really got me excited again.

I get a real kick out of geeking out over locations, and for the newest 'Outlander' episodes the production kept returning to the beautiful, gritty landscapes of Scotland. Most filming happens across the central belt and the Highlands — Glasgow and its surrounding studios handle a lot of the interior and controlled-set work, while castle exteriors, villages and moors are shot around places like Doune Castle (the show’s Castle Leoch), Midhope Castle (Lallybroch), and the picturesque village of Culross, which doubles as period Inverness and Cranesmuir. Blackness Castle and various Highland roads and estates also pop up when the story needs fortresses or sweeping countryside. I’ve visited several of these spots on a whim and it’s wild how recognizable they feel on screen. The crew mixes on-location shoots with studio days to keep weather from derailing production, so you’ll see both authentic stone courtyards and painstakingly dressed interiors. There are also estate houses and country manors used for plantation or noble interiors in later episodes, so the visual palette shifts from rustic Highlands to grander settings depending on the storyline. If you’re planning a pilgrimage, check what’s open to the public — some castles are private or used seasonally — but seeing the actual hills and cobbled streets where 'Outlander' was shot really brings the show alive for me.

Wow — this casting buzz has been the kind of thing that gets me giddy for weeks. The upcoming 'Outlander' spinoff is set to center on Brianna Fraser and Roger MacKenzie, with Sophie Skelton and Richard Rankin reprising those roles. I love that the showrunners are leaning into characters we’ve watched grow up on-screen; seeing Brianna and Roger take center stage feels like a natural evolution from 'Outlander', and both actors already have chemistry and emotional depth that make the transition exciting. Beyond the leads, the creative team has hinted that fans can expect a mix of familiar faces popping in and new characters who expand the world—think hometown ties, Revolutionary-era drama, and the tougher frontier life. From a viewer’s perspective, the most interesting part will be watching how the series balances the historical detail and family drama that made the original such a hit. If you’re into the novels, this direction lines up with major arcs that explore settlement, identity, and legacy. I’m especially curious about how the show handles the tonal shift: less time-travel spectacle, more domestic and political stakes. All in all, casting Skelton and Rankin feels like a smart, fan-pleasing move — I can’t wait to see them steer this into new territory and bring that intimate, emotional core back to the screen.

Just heard some solid updates and I'm buzzing about this: the next season of 'Outlander' is being filmed primarily in Scotland and South Africa, with additional shoots and studio work in the UK and select locations in the United States. Scotland remains the heartbeat of the show — the Highlands, historic manors, and coastal bits are still used for the Fraser estate and other Scottish set-pieces. South Africa has been a go-to for sequences that need Caribbean or colonial landscapes (it doubled for Jamaica and some American rural areas in previous seasons), so it makes sense they'd return there for any overseas or plantation scenes. Meanwhile, soundstage work and controlled interior shoots are slated for studios around London, and a few exterior scenes will be filmed in North Carolina to capture authentic colonial American flora for on-location authenticity. I'm already picturing the cinematography — it's going to feel massive and textured, just how I like it.