I love talking about this kind of intellectual property puzzle. To put it simply but usefully: for the classic British run of 'The Tomorrow People' (the 1970s show), the catalogue is generally controlled by Fremantle, which handles a lot of the old Thames/ITV material. That’s the place to start if you’re looking for the original episodes or format rights tied to that incarnation.
But here’s the important practical bit — different adaptations mean separate rights. The CW’s 2013 take on 'The Tomorrow People' was produced and financed by modern TV outfits, so the companies involved with that reboot control the rights specific to their adaptation (production company, studio, and any distributors tied into that season). It’s common for format rights, distribution (streaming, DVD), and merchandising to be split across several entities and across territories.
If I were trying to license footage or make a new adaptation, I’d check the end credits for studio names, look up the show on IMDbPro or via company filings, and then reach out to Fremantle and the producing studio for the 2013 version. If you need absolute certainty, a quick consultation with a media rights lawyer or clearance specialist will save headaches — trust me, I’ve learned that the hard way when hunting down clips for fan projects.
I get a real kick out of digging into who owns cult shows, so here's the long, slightly nerdy take. The original 1970s British series 'The Tomorrow People' was created for Thames Television, and the legacy of Thames' library ended up folded into what is now Fremantle (formerly FremantleMedia). In practice that means Fremantle is the main place to look for rights to the classic episodes, the brand as it existed in that run, and many of the associated archive materials.
That said, rights are rarely monolithic. Over the decades different pieces — format rights, broadcast rights, home-video/streaming, merchandise, and so on — can be split, sold, or licensed to different companies and territories. The 2013 US reboot of 'The Tomorrow People' that aired on The CW was produced under modern production deals, so the companies that produced and financed that version (production houses and studios involved in that series) hold the specific rights for that adaptation and its episodes. Distribution and streaming rights for that reboot can be handled by yet another party.
So, if you want to clear something (a clip, a remake, or merch), I'd start by contacting Fremantle for the vintage series, and then check the closing credits or industry databases for the 2013 version to find the producing studio. Rights departments, IMDbPro, or company registries are your friends here — and if you’re serious about licensing, getting legal clearance through a specialist is worth it.
As someone who collects vintage TV trivia, my short take is: the original 1970s 'The Tomorrow People' rights live with Fremantle (they inherited much of the Thames/ITV catalogue), while the 2013 US reboot’s rights belong to the production and studio companies that created that specific series. It’s not one single owner for everything — format, broadcast, streaming, and merch rights can be split between different companies and territories. If you need to license anything, check the specific series’ credits and contact Fremantle for the classic run and the producing studio(s) for the reboot; if it’s important, get a rights clearance pro involved so you don’t run into surprises.
2025-09-03 00:58:01
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I’ve been hunting down shows for years and 'The Tomorrow People' is one of those titles that pops up in different places depending on which version you mean and where you live. First off, there’s the 2013 CW reboot and the original British run from the 1970s — they often live on different services. My quick routine is to check a tracking site like JustWatch or Reelgood for my country; they’ll tell you if it’s available to stream, rent, or buy. For the CW version, you’ll commonly find episodes available to purchase on platforms like Amazon Prime Video (store), iTunes/Apple TV, Google Play, or Vudu. Sometimes The CW’s own site or app has episodes, but availability shifts fast.
If you prefer subscription streaming, keep an eye on services that rotate catalogues: Netflix and Hulu have carried the CW series in some regions before, while BritBox or ITVX are better bets for the older UK productions. Don’t forget free, ad-supported services like Pluto TV or Tubi — they sometimes pick up niche sci-fi shows. If streaming fails, I’ll check a local library app like Hoopla or look for DVD box sets; I’ve bought a used DVD before because it guaranteed I could rewatch on long trips. Ultimately, use a region-aware tracking tool, and consider renting a season from a digital store if it’s not on your streaming subscriptions — it’s legal, easy, and gets you watching fast.
Growing up bingeing on Saturday afternoon sci-fi, I always felt 'The Tomorrow People' carried this bright, slightly anxious energy of its era — and that feeling actually traces back to what inspired its creator, Roger Price, and the early writing team. They were playing with the idea that some kids aren't just teenagers; they're the next step in evolution, Homo Superior, with telepathy, telekinesis, and the ability to 'jaunt' (teleport). That premise taps into older science-fiction concerns — the space race, the promise and fear of new science, and the cultural idea that the younger generation might outgrow the old one.
On top of that, the late 1960s and early 1970s were soaked in interest in ESP, parapsychology, and the countercultural belief that minds could do more than the establishment assumed. Writers borrowed from pulp sci-fi and contemporary pop science while also echoing comic-book themes (you can easily see parallels to 'X-Men' in the outsiders-vs-society vibe). Low budgets pushed them to focus on psychological drama and moral dilemmas rather than flashy effects, which gave episodes a surprisingly thoughtful feel. For me, watching it on rainy afternoons, it always felt like a show about identity and belonging disguised as adventure — and that mix of cultural curiosity and genuine emotional stakes is exactly where the writers drew their inspiration.