Où A Été Filmée Outlander Saison 2 ?

I get a real thrill talking about this—season 2 of 'Outlander' leaned heavily on Scottish locations the show had already fallen in love with, so if you watched and thought, “Hey, I recognize that stonework,” you probably do. Much of the Highland and Lowland countryside used for the 1740s sequences was filmed around central Scotland: Doune Castle (the ever-present Castle Leoch) pops up again, and the nearby grounds and fields supplied that rugged 18th-century feel. The village scenes that double for Cranesmuir and similar hamlets were largely shot in Culross, which is basically a time capsule with painted houses and narrow lanes. You’ll also see Midhope Castle’s distinctive tower used for family-home exteriors (Lallybroch), and grander estate interiors and sweeping vistas were captured at places like Hopetoun House and other stately homes near Edinburgh. The production mixes real exteriors with carefully dressed sets and local estates, so the combination gives season 2 that immersive blend of intimate village life and broader political stage. Visiting these spots later felt like stepping into a scene, and that layered authenticity stuck with me.

I fell into a rabbit hole of maps and behind-the-scenes clips when I dug up where 'Outlander' season two (often called the Paris arc) was filmed, and the mix of real Scotland with on-location France is such a treat. The bulk of production took place in Scotland — both on dramatic Highland locations and in historic houses and villages — but the show also actually shot in Paris for many of the 18th-century street and palace sequences. That blend gives the series a wonderfully lived-in feel: you get sweeping Scottish glens right next to cobbled Parisian courtyards on screen. If you want a short list of the familiar places that pop up: Doune Castle appears as Castle Leoch, Midhope Castle is Lallybroch, and the lovely village of Culross stands in for 18th-century Inverness and other small-town scenes. For the landscape shots you’ll recognize areas around Glencoe and other Highland valleys — those moody, misty backdrops are classic Scotland. The production used several stately homes and interior locations (Hopetoun House among them) plus studio work around Glasgow to recreate Parisian salons and grand houses when needed. When the story moves to Paris in season two the crew did take cameras to France for key exteriors and street scenes, while many Paris interiors and recreated streets were built on Scottish stages. So when Claire and Jamie wander through market alleys or enter opulent ballrooms, part of what you’re seeing is real Paris pavement and part is Scottish craftsmanship — and that seam is part of why the season looks so rich. I love spotting the real-world spots on a rewatch; it makes planning a themed trip almost irresistible.

I get giddy talking about this one because 'Through a Glass, Darkly' really sells Paris on screen, but the truth behind the camera is a neat trick. The episode is set in 18th‑century Paris, and you absolutely feel the city: salons, wide boulevards, and the courtly glitter. What most people don't realize is that the production filmed the bulk of those Paris scenes in Scotland, using grand Scottish houses, carefully dressed streets, and studio sets to recreate the Parisian interiors and courtrooms. They also did a handful of actual location shoots in France to capture establishing exteriors — a few Paris shots to anchor the episode in the real city — but most of the day‑to‑day filming happened back in and around Scottish locales plus studio stages (the production often used local studios and stately homes). The result is seamless: you see Paris but the faces, costumes, and close, intimate shots were mainly conquered in Scotland with a bit of French air sprinkled in. I always smile at how convincingly they blend the two, it’s movie magic that makes me want to rewatch the ballroom scenes again.

Curiosity got the better of me and I went down a rabbit hole about where 'Outlander' season 7 episode 2 was filmed — I love tracing filming locations like a hobby now. Most of season 7, including episode 2, was shot in Scotland rather than on location in the U.S. The production leans hard on Scottish estates, castles and purpose-built backlots to stand in for 18th-century North Carolina and other locales. If you follow the show’s location gossip, you’ll see familiar names pop up: Culross for period-village streets, Hopetoun House and other grand houses for manor interiors, plus various castles and coastal sites used for military or fort exteriors. The crew also built a lot on soundstages and studio yards around Glasgow — think Wardpark-style studios where interior sets can be dressed exactly as needed. I like that mix: the show keeps the texture of real stone and old trees while relying on studio work to make the period details seamless. Visiting Culross once made me appreciate how cleverly the production team transforms tiny Scottish villages into colonial towns — it’s part of the fun of watching 'Outlander' for me.

Walking through the places that became the world of 'Outlander' feels like stepping into a living history book. My favorite stop was Doune Castle — that's the unmistakable Castle Leoch with its great hall and battlements. You can wander the rooms and imagine the clan politics playing out; it's right by the village of Doune and has that cinematic, medieval vibe. Nearby, Culross in Fife doubles as much of 18th-century Inverness and the little streets and preserved houses are exactly why fans flock there. I also loved Midhope Castle (the real-life Lallybroch) near South Queensferry — it’s a small, atmospheric ruin but the slope and fields around it sell the Fraser family home perfectly. Blackness Castle on the Firth of Forth shows up as a grim fortress, and Falkland is the go-to for 1940s Inverness scenes with its period-friendly storefronts. For wide, wild landscapes, the production uses parts of the Highlands — think Glen Coe, Loch Lomond and stretches around the Isle of Skye — those sweeping shots that make Scotland feel mythic. If you plan a pilgrimage, pack layers and expect some studio or set-built interiors in the Glasgow area, but most of the magic is outdoors. I always come home with way too many photos and a goofy grin.

I’ve been geeking out over the filming news for 'Outlander 2.0' — they really went big with locations this time. The core of the shoot stayed in Scotland, anchored in the Highlands with extensive work on the Isle of Skye, Glencoe and around Loch Lomond for those sweeping, misty landscapes. Historic strongholds like Doune Castle and Hopetoun House were used again for interior and courtyard scenes, while Culross and Falkland provided the perfect preserved-village look for smaller, intimate moments. On the European side, the production split time between Paris and the Loire Valley. Parisian streets and palace exteriors were doubled with carefully dressed sections in Prague and parts of the Loire to capture the 18th-century elegance without shutting down too much of central Paris. For the tropical sequences, the team shot in Cape Town and nearby coastal areas — Cape Town doubled for Caribbean locales with some botanical gardens and rugged beaches filling in. Pinewood and local Scottish studios handled the big set builds and night shoots. I loved seeing how they layered real locations with studio work; it makes the world feel lived-in and cinematic, which really got me excited again.

If you’re curious about where 'Outlander' shot its 2022 material, the short and fun part is: mostly Scotland, with a mix of built studio sets and iconic historic sites that stand in for both 18th-century Britain and the American backwoods. I always get a little giddy tracing the show’s footsteps across real towns and castles — the production leans hard on scenic Scottish locations (and some clever soundstage work) to make everything from Castle Leoch to Fraser’s Ridge feel alive. In 2022 the crew continued to use the usual Scottish hotspots while expanding studio-built sets to handle the more logistically complicated interiors and the sprawling Fraser’s Ridge exteriors that can’t be left exposed to weather or crowds. Some of the most recognizable places that appear on screen: Midhope Castle (everyone’s favorite Lallybroch) keeps showing up as Jamie’s family home, while Doune Castle famously doubles as Castle Leoch. The picturesque conservation village of Culross is used repeatedly for small-town 18th-century street scenes — that cobbled, timeless look is pure TV magic. Hopetoun House and its grounds have been used for grand manor exteriors (think Helwater and other landed estates), and Blackness Castle and other real fortifications are reused when the story needs military or fortress interiors/exteriors. The production also pulls from a wide catalogue of Scottish woods, lochs, and glens — so you’ll see bits of the Highlands and Lowlands stitched together to sell both Scotland and colonial North Carolina. Studios like Wardpark (near Cumbernauld) and various backlot spaces are where Fraser’s Ridge and many interior builds live; those sets let the show create consistent village streets and cabins without hopping continents. What I love about watching where they filmed in 2022 is seeing how cleverly the team blends real historic places with fabricated American spaces. When the story needs a colonial homestead, they’ll either dress a Scottish estate or plant a whole compound on soundstages and nearby woodland. That means locations you might assume are in the U.S. are often actually right in the Central Belt or the Borders — which is wild when you visit as a fan. I’ve walked Culross’s narrow lanes and felt like I’d stepped onto the set; Midhope draws huge crowds of people trying to glimpse Lallybroch, and the sense of history in places like Doune makes the 18th-century fantasy much easier to imagine. If you plan to seek out the spots yourself, expect a mix of in-town visits (castles, villages) and scenic drives for the moody landscapes. The 2022 production kept honoring the Scottic roots of the show: historic castles, preserved villages, studio-built backlots, and dramatic natural scenery all play roles. For me, that blend is the best part — it’s one thing to rewatch a scene, and another to stand where it was filmed and feel the air and light that helped make the show feel so lived-in.

La stagione 2 di 'Outlander' è largamente ambientata nella Francia del XVIII secolo, con Parigi al centro della scena. Mi piace dire che sembra un tuffo nel cuore pulsante della politica e della moda del tempo: salotti eleganti, corti lucenti e intrighi diplomatici tra clan e casate. Jamie e Claire passano molto tempo nella capitale francese mentre cercano di cambiare il corso della Storia e prevenire la Jacobite Rising — è lì che la narrazione si allunga, tra feste, balli, e complotti che risuonano come un romanzo storico. Detto questo, la stagione non dimentica la Scozia: ci sono sequenze importanti relative a Culloden e ai ricordi di Jamie che mantengono vivo il legame con le Highlands. Inoltre ci sono momenti nel presente di Claire, nel 1940 circa, che mostrano le conseguenze della sua scelta di tornare nel XX secolo e le ripercussioni sulla sua vita personale. Quindi, sebbene la maggior parte degli eventi chiave si svolga in Francia — specialmente a Parigi e nei suoi dintorni — la stagione alterna efficacemente luoghi e tempi per dare profondità alla storia. Io, che adoro i dettagli di costume e scenografia, ho trovato la resa parigina semplicemente magnifica e molto diversa dalle atmosfere più cupe e rurali della Scozia; è questa mescolanza che rende la stagione così avvincente per me.

Pour faire simple et clair : la saison 2 de 'Outlander' couvre en gros deux grandes époques. D'un côté, il y a le milieu du XVIIIᵉ siècle — les événements autour de la période jacobite, le drame de Culloden et surtout les années qui suivent, donc les années 1740 jusqu'à la période post‑bataille (on voit la conséquence de Culloden et la vie de Jamie après). De l'autre côté, la série suit Claire dans sa vie de retour au XXᵉ siècle : elle revient en 1948 et la saison explore sa vie après son retour, à travers les décennies suivantes, jusqu'à la fin des années 1960, période où des décisions importantes la ramènent vers le passé. J'aime beaucoup la façon dont la saison jongle entre ces temporalités : il y a des scènes qui plongent dans Paris, dans les intrigues politiques du milieu du XVIIIᵉ, puis des coupes nettes vers la vie domestique et scientifique de Claire dans les années 50–60. On ressent vraiment le fossé entre ces mondes et la tension de devoir choisir entre deux époques. Pour être franc, la fin de la saison fait un joli pont entre ces timelines et prépare le terrain pour la suite, notamment avec la réapparition de Jamie à une époque plus avancée de sa vie par rapport à celle où Claire l'avait quitté — c'est à la fois bouleversant et logique, et ça m'a laissé avec un sacré frisson.

Spotting real-world locations in 'Outlander' always lights me up, and the season 2 episode 'Blood of My Blood' is a great example of how the show mixes studio work with gorgeous Scottish locations. Broadly speaking, most of season 2 was shot in Scotland — the production leaned heavily on stately homes, castles, and rural landscapes around Edinburgh and central Scotland to stand in for 18th‑century Scotland and parts of Europe. When you watch that episode, many of the interiors and estate scenes were filmed at historic houses and on purpose-built sets on soundstages near the production base, while exterior shots use recognizable places fans love to visit. For Paris sequences and other grand interior locations in season 2 the crew favored places like Hopetoun House and similar period houses around West Lothian and Edinburgh; those big rooms and staircases give the episode that authentic 18th‑century feel. For the Fraser family homes and Highland exteriors you’ll see the same familiar faces of Midhope Castle (Lallybroch), Doune Castle (Castle Leoch), and other scenic spots that the show has used across seasons — they sometimes combine multiple sites to make a single on‑screen location. The production also mixes in carefully dressed countryside and woodland around central Scotland to create the rural settings, then ties it together with studio interiors so the pacing and lighting match perfectly. One thing I like to point out is that while other seasons occasionally used international locations to double for the American colonies, season 2 stayed mostly local in Scotland for its European and Highland scenes, with the production team doing a lot of crafty set dressing and camera work. If you’re planning a pilgrimage, bring comfy shoes — parking lots may hide but the stonework and hedgerows do not — and keep an eye out for those small details the crew changes to make one place read as another on screen. I always leave a re‑watch feeling like I just walked through living history, and 'Blood of My Blood' is one of those episodes that showcases why the locations are such a character of their own.