What Is The Page Count Of The Uncut Version Of The IT Novel?
2026-07-24 19:10:13
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MicahLong
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It's fascinating how the page count has become part of the book's identity. People don't just say 'I read IT,' they say 'I read the uncut IT,' with a hint of pride at the effort. The 1,138 number is a badge.
That pride is earned. The book wrestles with huge themes—trauma, friendship, the loss of innocence, the cyclical nature of evil. You need that many pages to do justice to such ambitious ideas. A shorter book would feel like a summary.
2026-07-25 06:49:54
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JackOak
Book Clue Finder
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I see a lot of 1,138 references, but my older 'Complete and Uncut' paperback from the 90s has 1,094 numbered pages, then an afterword. I think the pagination changed slightly over the years with different font sizes and margins. The core text is essentially the same across all uncut editions.
If you're a collector, the specific printing matters for the exact number. If you're just a reader, any edition labeled 'Complete and Uncut' will give you the full, sprawling, terrifying experience. The difference of 20-30 pages is negligible in a story this massive.
2026-07-26 00:26:24
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JackKit
Ending Guesser
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The page count is the least of your worries. The content in some of those uncut chapters is what will haunt you. That being said, the standard is 1,138 pages of narrative. The book feels less like reading and more like archaeology, digging through layers of Derry's history.
Each section, each interlude, adds another piece to the puzzle. You couldn't achieve the same overwhelming sense of a town rotting from the inside out with a shorter book. The page count is a feature, not a bug.
2026-07-26 12:30:27
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RobRice
Book Guide
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I just checked three different ISBNs online. The 1990 Viking hardcover says 1,138 pages. The 2017 Scribner movie-tie-in paperback says 1,152. A 2011 Hodder paperback lists 1,166. The variation comes from added introductions, afterwords, publisher notes, and slightly different layouts.
For the pure, uncut novel text, the consensus is 1,138. If you're buying it, just make sure the cover explicitly says 'Complete and Uncut' or 'Uncut Edition.' That's the version with all the restored material, regardless of whether the final page number is 1138, 1152, or 1166.
2026-07-28 19:47:41
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LunaRyan
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The most commonly accepted answer is 1,138 pages for the core novel in the 1990 uncut edition. But let's be practical: if you're buying it new today, you'll most likely get the 2017 Scribner paperback with 1,152 pages total. It's the same text, just with a modern layout and a movie-tie-in cover.
Don't get hung up on the minor differences. Just make sure the cover or description says 'Complete and Uncut' or 'Uncut Edition.' That's your guarantee you're getting King's full, terrifying vision, regardless of whether the final page is 1138 or 1152.
2026-07-29 09:10:57
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Elliot Carter never loses.
Not to his father.
Not to anyone.
And definitely not to the infuriating 'golden' boy who suddenly moves into his house.
When Elliot’s father marries Asher Brooks’ mother, his already broken world cracks even more. Asher is everything he despises—calm, disciplined, admired by everyone at university. The kind of guy who smiles like he has nothing to prove.
From the moment they meet, it’s war.
Elliot thrives on pushing buttons. Asher refuses to be provoked. Their fights are sharp, personal, and relentless, until one night, anger turns physical… and something far more dangerous ignites between them.
A line is crossed that neither of them can uncross.
Asher refuses to feel guilty.
Elliot refuses to admit he wanted it.
Now they’re trapped under the same roof, and the more they try to hate each other, the more dangerous the attraction becomes.
Because this isn’t just rivalry.
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And when control becomes the weapon of choice, someone is bound to break.
The only question is... Who will break first?
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⚠️🔞Not for readers under the age of 18.
My father has chosen me to succeed him in the family business.
But if I want the job, it comes with stipulations. And one of those stipulations is to never mix business with pleasure. AKA, don't sleep with anyone on the job. My father leads by example, and not once have I ever seen him get involved with anyone, not even his beautiful assistant. That was an easy rule to follow...until Axel.
Axel is an expert distributor, someone who knows how to get our product past the ruthless regulations mandated by the government. My father has never had a partner, but he makes an exception for Axel because he's good at what he does.
But the second our eyes meet...there's fire. He's by far the most handsome man I've ever seen, and his I couldn't care less attitude makes me weak. But I put up boundaries and reject his advances.
But this man doesn't stop until he gets what he wants.
One night together becomes the precursor to the most passionate affair of my life. If my father discovers our secret, it'll cost me my career...and it'll cost Axel his life. To make matters worse, I'm falling for this man...and I think he's falling for me too.
Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.
"I am a monster, Miss Hart. You wouldn't want nor wish to see me..." He is mysterious and brilliant, wealthy and prominent, but no single soul has seen him in person. Well, no one should see him—that's one of his many rules. No one can touch him either; that's another rule. Except for me because I have broken every rule. Now I'm extremely drawn to him. His peculiarity is out of this world, and his beauty is beyond physical. But the Master has demons of his own and is being chased by his brutal past. Suddenly, we've become the reflection of each other's nightmares. I realize that the Master and I are not so different. Is this newly found bond just another uncertain fate that could deepen our wounds, or is it finally going to be our redemption?
Power. Possession. No mercy.
An arrogant billionaire CEO blackmails his reluctant secretary into late-night “overtime,” bending him over the desk and ruthlessly breeding his tight hole until he’s shaking and dripping with cum.
Two rival athletes turn hate into raw, aggressive shower sex, slamming into each other until one submits and gets claimed against the tiles.
A dangerous mafia don kidnaps his enemy’s son and becomes obsessed with breaking him, knotting him deep and filling him night after night.
A strict professor punishes his top student with “extra credit”, spanking, deep-throating, and pounding him senseless across the lecture hall.
Best friends cross the ultimate line when one begs for “practice,” only to end up getting railed bareback again and again, stretched wide and addicted to his roommate’s thick cock.
Every story explodes with filthy heat: possessive alphas, power imbalance, taboo cravings, enemies-to-lovers, first-time awakenings, breeding, overstimulation, and rough claiming that leaves bodies wrecked and holes leaking.
35 scorching M/M tales. Zero limits. Total surrender.
Lock your door, because once you dive in, your hand won’t stop moving.
Pretty sure it's 1138. I found the book's pacing interesting—it's not a straight line. It's more like a spiral, circling back to key events and themes from different angles. The length allows for that non-linear, textured storytelling. You get the same event from a child's perspective and an adult's hazy memory. It makes the horror feel deeper and more complex. So the page count isn't just linear progression; it's layers of narrative being peeled back. It's a big book because it's a deep book.
The paperback has enough pages to be a decent melee weapon. I'm just saying. If Pennywise ever pops out of a storm drain, you're holding a 2.5-pound brick of concentrated horror knowledge. Swing for the fences.
All practicality aside, it's a lot of story. It's the kind of book you don't just read; you reference. 'What was the name of that hotel?' 'What exactly happened at the Ironworks?' You'll flip back through those thousand pages looking for clues and connections. It's a book that rewards revisiting.
1,156 pages is the standard figure you'll find. It's a book that requires planning. You don't take it on a short flight; you take it on a vacation. The immersion is total. The length allows the fear to become ambient, a constant background hum even in the sunny, nostalgic scenes. That's a special kind of horror that shorter books can't achieve. The page count is the price of admission to that unique feeling.
Let me check my bookshelf... yep, the spine is too worn to read the number. But the heft doesn't lie. It's a beast of a book. The page count is academic when you can just feel the effort in your arms.
If you're looking at the hardcover from Viking, the one with the creepy boat drain on the cover, it's a monster of a book. My copy clocks in at 1,138 pages. I remember picking it up as a teen and my wrist actually aching from holding it for too long. The mass market paperback versions tend to be split into two volumes, so the page count per book is lower, but the total is roughly the same. It's not just the length, it's the density; King packs so much Derry history and character backstory into those pages.
Some folks argue the middle section with the interstitial histories drags, which adds to the page count, but I think that's what makes the town feel so real and haunted. You need all those pages to build the dread. My advice is to get a book stand or a pillow if you're planning a marathon read.