It’s wild how pretentiousness can turn a book into homework. I’ve seen friends give up on reading because they felt stupid for not 'getting' certain novels. That’s tragic! Good writing should challenge, not condescend. Take 'Infinite Jest'—it’s dense, yeah, but Wallace’s humor and humanity keep you hooked. Compare that to some contemporary lit where the prose is so self-consciously 'lyrical' it reads like parody. Critics call it ambitious; I call it a missed connection. Literature’s magic is in its accessibility, its ability to make you feel less alone. Pretension builds walls instead of bridges.
From my perspective as someone who devours books for fun, pretentiousness feels like a betrayal. Literature should be an invitation, not a locked door with a smug 'you wouldn’t understand' sign. I remember picking up this acclaimed novel last year—every sentence was a labyrinth, and not in a fun 'House of Leaves' way. It was like the author was writing for critics, not people. That’s the core issue: when style overshadows substance, it alienates readers. And in an era where attention spans are shredded by TikTok, that’s a death sentence. Even classics like 'Ulysses' get flak for being 'difficult,' but at least they’re trying to innovate. Modern pretentiousness often just rehashes old tricks without the heart.
You know, I've been thinking about this a lot lately—especially after slogging through some 'literary' novels that felt like the author was just flexing their vocabulary at me. Pretentiousness in literature often feels like a barrier between the story and the reader. It’s like the writer is more concerned with sounding profound than actually connecting. Take some of the newer experimental works that drown in abstract metaphors; they’re so busy being 'deep' that they forget to be meaningful.
And then there’s the irony: the books that resonate the most, like 'The Road' or 'Normal People,' are often the ones that strip away the fluff. They trust the reader to find depth in simplicity. Pretentiousness can come off as insecurity—like the author doesn’t believe their ideas are strong enough to stand on their own, so they bury them in jargon. It’s exhausting, and honestly, it’s why I’ve started gravitating toward genre fiction that isn’t afraid to just tell a good story.
I think modern readers are just tired of being talked down to. There’s a difference between challenging prose and pretentious word salad. One expands your mind; the other just makes you roll your eyes. Like, I adore 'Blood Meridian,' but I’d never call it pretentious—McCarthy’s brutality has purpose. Meanwhile, some Booker Prize nominees read like they’re trying to win a 'Most Sentences That Sound Profound But Mean Nothing' contest. Maybe it’s a backlash against literary gatekeeping, or maybe we’re all just craving stories that feel alive, not like museum pieces.
Here’s the thing: pretentiousness isn’t just about complexity—it’s about intent. When a story feels like it’s performing rather than communicating, that’s when I tap out. I recently read a novel where every paragraph was stuffed with obscure references, like the author was playing a game of 'catch me if you can.' It didn’t enrich the story; it just made it tedious. Contrast that with something like 'Station Eleven,' where the prose is elegant but never showy. The best modern literature trusts its audience to find nuance without being hit over the head with 'Look How Smart This Is.' Pretentiousness, at its core, is insecurity in fancy clothes.
2026-04-15 09:43:38
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BOOK 2: The Gentleman Series
*Can be read as a standalone*
~~~
I think I had a one night stand with the Beast my sister was supposed to marry, now I’m marrying him.
Angelica Hearst’s beauty is the bane of her existence. All she is and all she knows are tied to her beauty that everyone covets, but deep down she wants better for herself. She longs for escape from the man who has sworn to make her life a living hell and because of that she made a list of things she wants to do for herself and she’s determined to get through them somehow, but how would she with the Beast lurking?
An illegitimate child, abused and forced to marry a wicked, bruised and pensive Don in place of her sister. It’s the last thing she wants, but maybe it’s a chance at the freedom she desires.
~~~
TRIGGER WARNING!!!
This book contains themes that are not suitable for all readers, including; death, graphic violence, scenes of intimacy, strong language, physical and verbal abuse, manipulation, substance abuse, family trauma, and mental health issues.
Proceed with caution and read at your own risk.
Enjoy. x
After returning home from abroad, I took a job as a driver to broaden my horizons.
However, I got hired to drive a car with my dad’s car plate, and the location I was sent to was the city’s largest nightclub.
I was suspicious about the location where I would pick up the car and the client. When I arrived, I found a bunch of people buttering up the poor student my family used to sponsor. “Have you had fun today, Mr. Morgan?” they asked.
“If you’re unhappy with the ladies tonight, we’ll make sure there are better ones tomorrow night!”
It was only when he called me that I realized he was my client.
I went and questioned him about why he was driving my dad’s car, but he kicked me to the ground. “How dare a mere driver try to scam me? Get down on your knees and kiss my feet!”
Then, he ordered his bodyguards to hold me down. They made me do as he asked. He went so far as to press cigarettes into my face, burning me.
I withstood the pain and sent a photo of my dad’s car to my family’s group chat.
[Dad, why are you going to Dreamscape behind Mom’s back and hiring girls for a night out?]
Her name was Cathedra. Leave her last name blank, if you will.
Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things.
Three words: Lies, lies, lies.
A picture that moves.
And a plea: Please tell them the truth.
All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know.
No one believed her. No one ever did.
She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless.
As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone.
Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind.
Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.
"Honey, the soles of my shoes are made of sheepskin. I can't get them wet, so come pick me up right away."
Just as I send a WhatsApp message to my wife, Cora Harden, a barrage of floating comments explodes in front of me in the downpour.
"I really can't stand a high-maintenance second male lead like Allen Brandt. Cora, the female lead, is a billionaire CEO, and yet she lets him boss her around like a lapdog."
"The male lead has already joined the company. Once Cora sees how sweet and thoughtful he is, she's dumping that loser Allen for good."
"This is hilarious. After the divorce, Allen can't do anything, so he'll end up as some cheap thirst-trap live streamer."
Staring at the screen of venomous insults, I clench my fists in anger.
Just then, Cora arrives with an umbrella, half of her bespoke dress soaked from the rain.
Noticing my whitened knuckles, she pauses for a moment, then timidly tugs at my sleeve.
"Sorry, darling. If I had driven any faster, I would have been speeding."
I’ve always taken people literally.
When Dad told me to empty the basin, I asked where he wanted me to pour the water.
“On my head,” he snapped.
So I did.
When Mom told me to do the laundry, I asked whether I should add detergent.
She gave a cold laugh.
“Sure. Add caramel sauce.”
So I poured an entire bottle of caramel sauce into the washing machine.
Everyone said I was stupid.
But this “stupid” guy took first place in a nationwide academic competition.
I earned my school’s only direct-admission spot at one of the country’s top universities.
The day the results were announced, Lucas Hale, the school bully, ripped my application apart in front of the entire class.
“You can’t even understand sarcasm. Why should someone like you get direct admission?
“Last night, I saw you get out of a luxury SUV. Who knows what kind of deal you made with the woman inside?”
The whole classroom went quiet.
Then everyone started looking at me differently.
Lucas stood there with a self-righteous expression.
“I’m just speaking up for the rest of the class. Why should we work ourselves to death only to lose out to someone who got in through connections?”
I thought about it seriously.
Then I took out my phone and called my older sister.
“Claire, they said I got my admission spot by sleeping with someone. Is that true?”
A few seconds later, I held the phone out to Lucas, whose face had gone pale.
“My sister wants to know something.”
“What’s your name?”
“And your student ID number?”
On her first day at work, a new colleague uploaded a 500-million-dollar property purchase agreement to the company group chat. The message was accompanied by the caption: “Thanks for the gift for my first day at work, Dad!”
She quickly deleted it, following up with, “Sorry, wrong chat!”
I frowned, recognizing the contract immediately. It was the same property my father gifted me for my birthday a month ago.
Some sharp-eyed colleagues noticed the contract number and chimed in.
“I have a relative in real estate. I remember this property. Our chairman bought it recently!”
“So, the heiress has joined us to experience life. Forgive your humble servant for not recognizing you!”
The chat was soon filled with flattering remarks.
Even my stingy and miserly husband joined in.
I felt a coldness in my heart and couldn’t help but respond in the group chat, “I recall the president always opposing ostentatious displays of wealth and advocating humility. This heiress seems to veer away from his usual philosophy.”
Instead of support, I faced attacks from my husband and others.
“Look at you being so poor and petty. How could you ever compare to Grace? Why did I ever marry someone so shortsighted?”
“As if you know the president that well! I think you’re just jealous that Grace was born with a silver spoon!”
I sneered coldly and, without hesitation, dialed the president’s number right in front of everyone.
“Dad, I heard we’re not that close, hmm?”
Classic novels often carry a whiff of pretentiousness, whether intentional or not. Take 'Ulysses' by James Joyce—don’t get me wrong, it’s a masterpiece, but the stream-of-consciousness style and layers of obscure references can feel like Joyce is flexing his literary muscles just to prove he can. It’s brilliant, sure, but also exhausting if you’re not armed with a stack of annotations.
Then there’s 'Moby-Dick.' Melville’s digressions into whale anatomy and philosophy are fascinating, but they’re also the kind of thing that makes you wonder if he was just trying to impress his 19th-century book club. Even 'The Great Gatsby' has moments where Fitzgerald’s lush prose borders on self-indulgent, like he’s daring you to question whether all that symbolism is profound or just pretty wrapping.