Will The Producers Renew 'This Is Going To Hurt' For Season Two?

If you're outside the UK and wondering where to watch 'this is going to hurt', I've dug through the usual corners and here's what worked for me. The show originally premiered on BBC One and is available on BBC iPlayer in the UK (which, frustratingly, is geo-restricted to UK IPs). For viewers in the United States, the primary legal spot to stream the series has been AMC+ — that was the main distribution channel when it left its initial UK window. AMC+ often bundles up British dramas in neat batches, so it’s become my go-to for this sort of thing. For everyone else across Europe, Australia, Canada and beyond, availability tends to vary by territory and changes over time. Some countries license BBC dramas to local platforms or broadcasters, so you might find 'this is going to hurt' on regional streaming services or on the streaming portals attached to national TV networks. If you prefer buying rather than subscribing, episodes or the full season sometimes pop up for purchase on platforms like Apple TV/iTunes, Amazon Prime Video (storefront), Google Play Movies, or YouTube — those storefronts are usually region-specific but are a handy fallback if streaming rights are messy where you live. A practical tip from my own hunts: use a reliable streaming-availability aggregator (I use sites like JustWatch or Reelgood) to check current legal platforms in your country. If you only see UK-only listings and you’re determined to watch, folks sometimes use VPNs to access BBC iPlayer, but be mindful of terms of service and local laws. Libraries of BBC shows also get physical releases, so a DVD/Blu-ray release or a digital purchase window might appear later if streaming rights are fragmented. Personally, I loved watching the series through AMC+ when it was available here — the writing and performances stuck with me long after the credits rolled, so it’s worth tracking down legally however you can.

Totally excited to chat about this — the short version is: yes, the show 'Severance' was officially renewed for a second season, so there’s definitely more of the world and its characters coming back. I get why you’re asking specifically about Devon: the show’s structure and the way it treats memory, identity, and workplace secrecy make character returns and surprises feel totally possible. Even if a character seemed gone or sidelined at the end of season one, this series almost begs for creative routes back in — flashbacks, unreliability of narration, or different branches of the severed world. Apple’s renewal was a clear vote of confidence from the network after the critical buzz and fan devotion the first season built, and that momentum means writers have room to expand on secondary players as well as main arcs. Personally, I think the writers will take advantage of every narrative trick in the book to reintroduce people we care about. The show thrives on reveals and company secrets, so someone like Devon — whether that’s a smaller but memorable presence or a character whose fate feels ambiguous — could pop up in a few different ways. Maybe we’ll get more of their pre-severance life in a flashback episode, or maybe their likeness or memories become a hinge for another character’s arc. The beauty of 'Severance' is its flexibility: because the internal and external lives are split and the truth is constantly being reframed, the stakes aren’t just about who’s alive or dead, they’re about who remembers what and when. That ambiguity makes it a playground for returning characters. On a production level, there were delays and pauses after the renewal thanks to industry strikes and scheduling, so timing and casting could be a little wonky — but the core creative team has said enough to convince me they intend to follow through on deepening the ensemble. From a fan-perspective, the best-case scenario is that Devon gets a meaningful arc rather than a cameo: a chance to illuminate a corner of the world we didn’t fully see before, or to catalyze changes in a main lead’s trajectory. If the writers are clever (and they were in season one), they’ll use smaller characters strategically to expand the mythology without cheapening the mystery. All that said, whether Devon gets major screentime depends on narrative priorities and what the creators want to reveal next. I’m optimistic — I’d love to see more of anyone who adds texture and emotional weight to the severed/unenrolled contrast. I’m already buzzing to see how season two untangles more of the company’s secrets, and if Devon comes back it’ll probably be in a way that surprises and satisfies. Can’t wait to see what they do next — this show keeps me on the edge of my seat.

The way the book hit me made it feel inevitable that the author would want to bring 'This Is Going to Hurt' to television. Reading those diary-like entries, I kept picturing scenes: the fluorescent-lit wards, the exhausted banter between doctors, the small human moments that felt cinematic the moment I read them. For anyone who's laughed and then felt gut-punched by Adam Kay's writing, adapting the memoir to TV isn't just about getting more eyes on the story — it's about translating a very particular voice into motion so the humour and heartbreak land in a new, immediate way. From my point of view, there are solid storytelling reasons for an author to take the reins on adaptation. The book's tone—sharp, self-aware, gallows humour mixed with real grief—can easily go flat if mishandled. By adapting it himself, the writer can retain those tonal flips and ensure scenes that were quick jabs on the page become fully realized set-pieces on-screen. TV also offers an episodic rhythm that mirrors the diary entries: you can spend an episode on a long shift, then the next on the fallout of a single decision, which gives space to expand side characters and deepen the emotional stakes in ways a book's footnotes can't. There’s also a bigger, almost activist impulse in the decision. The memoir was already doing work—humanizing the NHS workforce and exposing systemic pressures—but television amplifies that work exponentially. Seeing characters breathe, make mistakes, and suffer consequences in living colour helps build empathy in a wider audience. Financial incentives and legacy-building probably factor in too, but what strikes me most is the desire to honor colleagues and make their stories unforgettable. Watching the adaptation, I felt that same mix of gratitude and grief I had reading the book, and honestly, that’s worth everything; it makes the material feel alive again, not just preserved on the page.

Can't stop smiling thinking about 'My Return, My Ex's Regret' and whether it'll get a season two — I’ve been following the whispers and the numbers like a detective with a soft spot for rom-com comebacks. From what I've pieced together, renewals usually hinge on a few predictable things: streaming viewership in week one and week two, how many episodes leave room for another arc, merchandise and soundtrack sales, and whether the original author has enough story left. If the adaptation kept fans buzzing on social media and left a cliffhanger that fuels conversation, that practically buys it extra time. The cast’s availability also matters; if the leads are suddenly busier or have moved onto other projects, that can slow things down. Personally, I’m optimistic — the show hit the right emotional beats and the core fanbase is loud and loyal, which counts for a lot. I’ll be rewatching favourite scenes and supporting the OST until there’s word, because that’s how these things sometimes tip in our favour. Feels like a waiting game, but I’m rooting for a green light.

I’ve been following the whole 'Outlander' family of shows pretty closely, and the short version is: not yet — the prequel hasn’t been officially renewed for a second season as of mid-2024. The prequel (titled 'Blood of My Blood' in most press briefs) was picked up and got a lot of attention when it launched, but networks these days usually wait to see streaming numbers, consolidated ratings, and how it performs internationally before handing down a renewal. That said, renewals aren’t purely about eyeballs. There are scheduling and budget realities: period pieces like this cost more to make, and cast availability or creative team intentions can slow a decision. If the show hits streaming milestones or Starz feels it expands the franchise’s audience, a season two is very possible. For now, though, I’m keeping an eye on the trade outlets and the network’s announcements — hopeful, but realistic about the wait. I’m excited either way, because the world-building in 'Outlander' spin-offs usually rewards patience.

I got so hooked on 'Does It Hurt?' that I immediately scoured the internet for any whispers of a sequel. From what I gathered, there isn’t an official follow-up yet, but the author’s style leaves room for so much more! The way they crafted those eerie vibes and unresolved tensions makes me think a continuation could dive deeper into the psychological twists. I’ve seen fans speculating about potential directions—maybe exploring the fallout of the protagonist’s choices or even a prequel revealing hidden backstories. Until then, I’m filling the void with similar dark thrillers like 'Tender Is the Flesh' or 'The Silent Patient' to keep that unsettling mood alive. Honestly, part of me hopes the author takes their time—rushed sequels can ruin the magic. But if they ever announce one, you’ll find me first in line, ready to devour every page.

Every time I rewatch 'This Is Going to Hurt' I end up zeroing in on particular episodes because they don't just show hospital chaos — they dig into what that kind of life does to a person's head. The mental-health thread is woven throughout the whole series, but if you want the episodes that put the emotional toll front and center, pay special attention to the middle and final ones. Early episodes plant the seeds: you see sleep deprivation, numbness, and that slow erosion of empathy. By the mid-season episodes the cracks get bigger, and the finale really deals with aftermath and the choice to step away. Those are the chapters that focus most explicitly on anxiety, guilt, burnout, and moral injury. Specifically, the episodes around the midpoint are where grief and cumulative stress start to feel like characters in their own right — scenes that show sleepless nights, intrusive thoughts, and the ways colleagues try (or fail) to support one another. Then the last two episodes take a hard look at what happens when pressure meets a devastating outcome: the guilt, the replaying of events, and the painful decision whether it’s possible to continue in a job that repeatedly asks so much of you. The portrayal of mental strain is subtle at times — a tired joke that doesn't land, a private breakdown in a corridor — and explicit at others, with conversations about quitting and the difficulty of admitting you're not okay. I also want to point out how the series treats mental health not as a single dramatic event but as an accumulation: tiny compromises, repeated moral dilemmas, and the loneliness that comes from feeling you have to be the resilient one. If you're watching for those themes, watch closely from the middle episodes through the finale and be ready for moments that hit hard; snack breaks and company are good ideas. On a more personal note, those episodes always make me want to call an old colleague and check in — they land long after the credits roll.

I’ve been lurking around fan circles for this one, and as of the last official updates I saw, there hasn’t been a clear public announcement either renewing or canceling 'Sound Fury' for a second season. I know that’s not the satisfying yes-or-no you wanted, but it’s pretty common with shows that aren’t huge global hits: studios sometimes go quiet while they sort funding, scheduling, or international licensing deals. If you’re itching for certainty, here’s what I do: follow the show's official social channels, the production studio’s account, and the streaming platform that premiered it. I also check industry outlets like Variety or Deadline, plus the voice actors’ social feeds—those often drop subtle hints about recording schedules. I actually set a small Google alert for 'Sound Fury season 2' and skim the subreddit and Twitter/X threads every few days. If there were a straight cancellation, the studio or streamer usually posts something within a month of deciding; if it’s in limbo, you’ll see silence or occasional tease posts from the team. While waiting, I poke around fan petitions and community translations (if applicable) just to gauge interest; a loud, sustained fan campaign can sometimes nudge a platform. Honestly, I’m holding out hope—the world loves surprises, and sometimes these quiet shows get revived after a licensing shuffle. I’ll keep checking my feeds and would swap links if you want to follow the same sources.

I’ve been following 'I Married a CEO In A Flash' pretty closely, and it’s been a wild ride watching how fans and the industry have reacted. Season one pulled in a lot of chatter — fanart, reaction clips, and community discussions kept bubbling up on social feeds, which is always a good sign. The story’s source material already had a decent following, so the adaptation landed with an audience that wanted more right away. Critically it wasn’t perfect, but its highs (charisma between the leads, a few standout episodes, and a cliffhanger or two) made a lot of viewers invested enough to hope for a second run. From what I’ve seen, renewals tend to hinge on a few key things: streaming numbers and audience retention, the cost-to-return math for producers, and whether there’s enough source material to adapt without stretching things thin. If the platform that carried season one is seeing steady completion rates and good new subscriber signals tied to the show, that massively increases the odds. Another practical factor is the cast and crew — if the main actors and the director are available and on board for more episodes, studios are far more likely to move forward. Production companies also look at international licensing, merchandise, and even TikTok/YouTube metrics now; all of those revenue streams can tip the balance toward a renewal. Given the way season one built a fanbase and left threads open, I’d say the show checked several boxes that studios care about. So, will it get season two? I’d lean toward cautiously optimistic. If the show’s streaming platform and producers saw decent performance post-premiere and the social momentum stayed strong for a few weeks after the finale, a second season is probable within the year. If performance was middling or the adaptation used up most of the most compelling source-material beats, then it might be a tougher sell — sometimes shows get a second season only if fans push hard and numbers improve in reruns or international windows. Practical timeline: expect announcements anywhere from a few months up to half a year after the finale if renewal was on the table. For fans hoping to help the cause, supporting official streams, buying licensed merchandise, and keeping the conversation alive online all hurt nothing. I’m personally excited for the possibility — the vibes and the chemistry were strong enough that a season two could be even better if given the chance, so I’m keeping my fingers crossed.