Why Does The Protagonist In Aret Make That Choice?

My brother and I get into a car accident. My heart is ruptured—I need emergency surgery. But my mother, the hospital director, calls every available doctor… to my brother's room. He only has a few scrapes, yet she orders a full-body scan for him while I lie there bleeding out. I beg her to help me, but she snaps, visibly annoyed, "Can't you stop fighting for attention for once? Your brother almost injured a bone!" In the end, I die on the operating table. But after the news of my death breaks, my mother, who has always hated me, completely loses her mind.

When I opened my eyes, my sister Serena Shaw was kneeling in front of me, sobbing with a fruit knife pressed near her wrist. “Nora, I swear I didn’t mean it. I had too much to drink. I don’t even know how Lucas and I…” I almost laughed. Because I had seen this scene before. In my last life, Serena cried like a victim after sleeping with my fiancé, Lucas Arden. Everyone comforted her. Lucas married her to save her reputation. And I was pushed into a marriage with Graham West, Serena’s abandoned fiancé. Before the wedding, Lucas showed me my name tattooed on his wrist and promised he would only love me. I believed him. I wasted five years beside a husband who wanted my sister, waiting for a man who had married her. Then Serena died. I thought Lucas would finally come back to me. Instead, I found him at the funeral home, holding her photograph like he had lost the love of his life. “She was my wife,” he told me. “Let it go, Nora.” At my birthday party, Lucas and Graham fought over Serena on the rooftop. One had married her. One had never stopped wanting her. While they fought over her, I was shoved into traffic and died under the headlights. When I opened my eyes again, I was back at the beginning. This time, I thought I was the only one who remembered. I was wrong. Lucas remembered. Graham remembered. And even with a second chance, both of them still chose Serena. This time, I would not be traded, chosen, or discarded. This time, I would build something none of them could take from me.

On Mount Olympus, one law is ironclad: a god must never fall in love with a mortal. But Aresios, the God of War and heir to the King of the Gods, bound his very soul to mine. For me, he endured ninety-nine bolts of divine lightning and knelt before the Olympian altar for three days and three nights. Ichor soaked his armor, yet he smiled and kissed my lips. "Elara, don't be afraid. I want only you." The gods finally relented, on one condition: he had to leave behind a pure-blooded divine heir. After that, the words I heard most from Aresios were, "Just wait a little longer." The first time, it was to wait while he bedded another goddess. He and Cassia, the Goddess of Fate, lay together for thirty nights, until his golden ichor quickened in her womb. The second time, he told me to wait. Their first child was a girl, unable to inherit his divine mantle. The gods demanded a son. So he lay with Cassia for another ninety-nine nights, until she once again conceived a divine child. Just when I thought the ordeal was over, their newborn daughter was struck by Hydra's venom. The entire divine realm was convinced I had done it. As I was thrown into a cold bronze cage by the river Cocytus, Aresios stood outside the door, his eyes crimson. "You know what Hydra's venom does to an infant god. Why would you harm our daughter?" That one word. Our daughter. I was too numb to feel the pain. When the bronze cage door opened again, I unclenched my blood-drenched fists. This time, I would not wait.

My best friend, Aria Sinclair, develops amnesia after killing my parents in a drunk-driving accident. Somehow, everyone forgives her. My own brother signs a letter of forgiveness on her behalf. The son I nearly died bringing into this world affectionately calls her "Ari". Even my lawyer husband of eight years stands in front of her and defends her. Because I insist on taking her to court, they join forces and have me committed to a psychiatric facility for an entire year. On the day I'm released, Grant Berton comes to pick me up. He says, "Aria has lost her memory. She's changed and turned over a new leaf. Do you really have to demand a life for a life? Can't we forget the past and move on together?" Voices rise around me from every direction, all urging me to let go and forcing me to forgive. I look at the people who are supposedly the closest and dearest to me. Then, I calmly utter one word. "No." This time, I don't scream and rage about sending her to prison. Even when I catch Grant and her together in the bedroom, I don't pick up a knife and drive them out. Instead, I silently speak to the system in my mind. "I give up on the mission." I don't want the wreckage of the past, and I have no interest whatsoever in a future without light.

This story is about a girl who lives in New York City and is moving to a town called Bluemoon because of her father's job. Follow her to the journey of finding love and discovering new things and a newmeaning to life. And finding that everything she has ever know is a lie. A story of a teenage girl whose life turns upside.

My sister and I are twins, and we both have kidney failure. After a long wait, we finally find two matching kidneys. The doctor is prepared to transplant one for me and one for her. However, she breaks down in tears in my fiancé's arms—she wants both kidneys for herself. When I object, my fiancé locks me up at home. He has my sister undergo surgery to have both kidneys transplanted. "You haven't been sick for as long as your sister has. She just wants to live like a normal person—how can you be so selfish? Can't you wait for the next matching kidney?" He doesn't know that I can't wait any longer, though. I'm going to die soon.