Why Does The Protagonist In 'Hot Springs Drive' Leave Town?

A blizzard had buried the mountain, turning every road into a death trap. Locals called it Deadman's Pass—seventy-two icy switchbacks with zero room for error. As the only person who had ever made it through without a scratch, I'd just gotten a million-dollar rescue call from beyond the final curve. Ten years ago, I went there once. My seventeen-year-old daughter, Maya, was skydiving with her classmates when a violent air current forced an emergency landing. The rescue came too late. She died there. Later, I learned my husband, Jayden Boone, had ignored Maya's safety. He poured hundreds of thousands of dollars into the rescue effort and redirected every team to save his ex's daughter instead. The girl had only sprained her ankle on a hiking trip. The day Maya died, I walked away from my career as a professor and stayed here, living as a broke driver. I risked my life running Deadman's Pass again and again until I knew every turn by heart. In the ten years since, no one else had died on that road. Today, a friend shoved a million-dollar rescue job in front of me and told me to leave right away. I looked at the face in the photo—the one I could never forget. Then I smiled and tossed my keys onto the table. "I can't take this job."

After I resign from my job as a forensic pathologist and return to my rural hometown to enjoy a laidback, leisurely life, I feel totally at peace. In contrast, my boyfriend's childhood sweetheart, Jessica Lester, starts panicking for real. She keeps begging me to stay. "Dr. Gardner, even though you're not that talented, I still hope you can stand beside me and speak up for those who have died unjustly!" I roll my eyes coolly and leave without looking back. In my previous life, Jessica is an intern put under my care. But every time we conduct an autopsy, she watches from the side but somehow manages to describe the victim's experiences before death ahead of me. She even uses wording that is identical to what I am thinking. I cannot make sense of it. In later autopsies, I give everything and go all out to prove myself, but even when she is not present, she can still iterate my findings at length. From then on, everyone idolizes her. Meanwhile, I become a laughingstock even if I am the most authoritative forensic expert in the state. Later on, the enraged family members of victims come to my doorstep every day. They lambast me and say that I am unworthy of being a forensic pathologist. They eventually set my house on fire, and I die miserably in the flames. When I open my eyes again, I return to the day I take Jessica to her first autopsy.

It is the third year of the apocalypse. All water sources have been thoroughly polluted, making even a single bottle of clean water extremely rare. Every base has to send out search teams to find new water sources for all. My husband, Jasper Curran, is a geologist, and so, he is able to locate water sources that are still pure and unpolluted. However, when someone holds a knife to my throat for the last bottle of water—thinking that he will do anything to stop them—he hands the only bottle of clean water to Avery Grayson, the person who claimed she was my parents' real daughter instead of me. "Ave is thirsty. She's been suffering since she was little and she even had her parents taken by you, Arianne Grayson," Jasper says. "Just let her have the water." Jasper's expression is too calm and collected, as if my life is not on the line because of him. "They're just trying to scare you. You've enjoyed so many years of being spoiled with a luxurious lifestyle anyway. So what if you get bullied a little?" The people then kick me to the ground in a fit of rage as I watch Jasper huddle Avery into his arms and disappear into the desert. I get beaten up so hard that my chapped lips crack and start bleeding once again. I look at the menacing faces around me and quickly exclaim, "Wait, wait! I can help you find clean water too!"

When the heatwave apocalypse hits the Earth, the ozone layer has completely dissipated, forcing mankind to move into the underground city. My husband, Rhett Calloway, and I get to stay on Level Two, seeing as we've funded the construction of the underground city. On day in the third year of the heatwave apocalypse, Rhett brings back a sickly young woman from the slums located on Level Three out of the blue. "Nora, the living conditions on Level Three are very difficult. Anna is in poor health. I can't just sit by and watch her suffer." After that, Rhett carries Anna Archer into our home. I keep my gaze lowered as I remind him, "Don't forget that there's a strict population count on Level Two. The available slots in every family are fixed." "I know that. That's why you need to head down to the slums on Level Three to replace Anna for the time being. Once she recovers from her illness, I'll bring you home." The moment I hear Rhett's response, I remain rooted to the spot for a long time. After walking out the front door, I do my best to suppress the quiver in my tone as I call a number that belongs to Level One. "I've already thought it through. I've decided to join the project to end the apocalypse on Level One."

Cyril is a sophomore student who is just like any other teenager. Just recently before their freshmen year ended, he had admitted a secret to his clubmates, thus making him the bullies' target. This resulted in him losing his friends and be left with one true friend, Hera. Everything seemed chaotic already until they became classmates with a supposed to be senior student named, Kode. The older guy, on the other, is a loner. He has repeated the year level for 2 years already because he doesn't want to attend school anymore, but his parents force him to. However, after a long drive home from the prom party at the end of the school year all of their lives completely changed, though, they were unsure if the change was for better or worse.

Three months after Pete took his foster sister as his mistress, I terminated my marriage, chose to die on paper, and vanished from his life entirely. One quiet morning, I handed my child over to the nannies arranged by the family and walked out of the Rizzuto estate alone. Pete didn’t chase after me that day. He believed I would come back. Once I had calmed down, I would lower my head. The following spring, I was diagnosed with cancer. Standing in the hospital corridor, I suddenly remembered years ago— Pete had taken my hand and said, “You’ll be the finest Donna this Rizzuto family has ever had.” What pulled me back was not Pete. It was a letter from Sicily. Thin paper. Cold, rigid handwriting—the kind favored by old families who had ruled too long to bother with sentiment. “The heir has begun showing signs of emotional instability.” “Recent violent behavior has caused internal concern.” “There is disagreement within the family regarding the current Don’s judgment.” In the mafia world, there is only one reason the elders would bypass a man and reach out to a wife officially presumed dead— When the family itself begins to lose balance. So I returned. To the place I had once fled with everything I had. This time, there were no illusions. I no longer placed any hope in emotion. I was there only to fulfill the obligations of the family. I knew exactly how much time I had left. And I knew exactly what needed to be done. I became a proper Donna.