Why Did The Protagonist Leave In 'La Verità Che Non Gli Piaci Abbastanza'?

The second day after I was transferred back to Los Angeles, I ran into someone I used to know on a street corner. She stepped right in front of me, eyes going wide. “Mia? Mia Rossi? Why would you come back now? Dante's marrying Camille at the cathedral in a week.” Dante was my first love, and also the youngest heir to a mafia dynasty on this side of the Atlantic. He'd made me a promise once: that he'd make the entire Moretti family kneel and welcome me in. We had a deal: the day he officially took over as Don would be the day he married me. But his family had other plans. They arranged a match for him: Camille, a princess from one of Sicily's five great families. Pure bloodline, the genuine article. At first, Dante swore up and down she meant nothing to him. Less than nothing. Then I started noticing how he looked at her. Softer every time. Like he was falling. One night, riding home after a shift at the bar, Camille's car came out of nowhere and took me down. The gas tank caught, and half the block reeked of burning rubber and scorched metal. I was pinned under the wreckage, blood seeping from the back of my skull down my neck, warm at first, then cold. Dante was the first one there. He beat the ambulance. The first thing he did was walk past me. He crouched down, lifted Camille out of the passenger seat, and didn't look at me once, just dropped a few words over his shoulder: “I already called an ambulance. Hang tight. Camille's had too much to drink. I need to get her home.” That was the moment I was done with him. Completely, finally done. While he was gone, I discharged myself. I bought the farthest plane ticket I could find that same night and left without looking back. Five years passed. “Mia, you have no idea.” The woman grabbed my wrist, dropping her voice. “Dante spent years turning half of Europe upside down looking for you. You came back at the right time. He still keeps a seat for you every month on his birthday. Camille's too proud for a lot of things,

After losing a game of truth or dare, my fiancé went to City Hall and married another woman. I had called him forty-seven times. In the end, the only answer I got was Seraphina’s Instagram story. In the photo, she and Vincenzo were holding a brand-new marriage certificate. She was smiling like she had won, and he was wearing the white shirt I had ironed for him that morning, his fingers casually pinching her cheek. One minute later, he called me. “Elena, don’t make this bigger than it is. It was just a game. Give me thirty days. I’ll divorce her, and then we’ll get married like we planned.” He thought I would forgive him the way I always had for the past three years. But this time, I didn’t cry. I didn’t make a scene. I simply liked Seraphina’s post and commented, Congratulations. Then I took off my engagement ring and left New York. He thought I was just throwing a fit. Only when his calls stopped going through, and his men searched the entire city without finding me, did he finally panic. But he had no idea. The Elena who loved him had died the moment he married someone else.

Three months after Pete took his foster sister as his mistress, I terminated my marriage, chose to die on paper, and vanished from his life entirely. One quiet morning, I handed my child over to the nannies arranged by the family and walked out of the Rizzuto estate alone. Pete didn’t chase after me that day. He believed I would come back. Once I had calmed down, I would lower my head. The following spring, I was diagnosed with cancer. Standing in the hospital corridor, I suddenly remembered years ago— Pete had taken my hand and said, “You’ll be the finest Donna this Rizzuto family has ever had.” What pulled me back was not Pete. It was a letter from Sicily. Thin paper. Cold, rigid handwriting—the kind favored by old families who had ruled too long to bother with sentiment. “The heir has begun showing signs of emotional instability.” “Recent violent behavior has caused internal concern.” “There is disagreement within the family regarding the current Don’s judgment.” In the mafia world, there is only one reason the elders would bypass a man and reach out to a wife officially presumed dead— When the family itself begins to lose balance. So I returned. To the place I had once fled with everything I had. This time, there were no illusions. I no longer placed any hope in emotion. I was there only to fulfill the obligations of the family. I knew exactly how much time I had left. And I knew exactly what needed to be done. I became a proper Donna.

Before our wedding, my fiancé, Carlo Vitale—the youngest Don on the East Coast—held a church ceremony with my stepsister. He said, "According to Mafia rules, only the woman who completes the wedding ceremony with me and receives the blessing of all the family is my true wife. "So even if your sister Elena is carrying my child, she's nothing more than a mistress." After the priest's blessing, they exchanged rings. I stood outside the church, watching through a curtain of rain as he kissed another woman. My face was white. I had loved Carlo for twelve years, from the ages of sixteen to twenty-eight. However, he had only ever had my stepsister, Sophia, not me, in his heart. I chose to let him go. Later, I left for Europe. All I left Carlo was a notice of our broken engagement and a parting gift. For some reason, the man who had always treated me with indifference seemed to have aged ten years overnight.

At our wedding, Don Marco DeLuca, my fiance, answers a phone call. That's when his expression changes drastically. He then looks at me, his eyes filled with pain and conflict, two of the emotions that I've never seen plaguing him before. "Lina, Fiora will be flying this afternoon. She will leave Novaris permanently. This will be our last time seeing each other. I… I need to send her off." As I rub my thumb against the diamond ring which has just gotten slotted onto my ring finger, I just gaze at Marco quietly. "Are you sure you want to go see her off?" Marco's voice is trembling at this rate. He dares not even look me in the eye. "Lina, I swear that you'll be the only woman for me from now on. We'll get married, and we'll have children together. Life will be perfect for us." After that, he turns on his heel and walks away without looking back. He doesn't see the way I've crumpled onto the floor, where a puddle of blood has formed beneath me. My papa kisses me on the forehead. "My darling principessa, are you sure you want to break up with Marco?" I close my eyes and nod in response. I don't want Marco nor this farce of a marriage contract anymore.

My birthday present this year is a written contract titled 'Behavioral Reform Contract'. My fiance, who was the mafia head Matteo Giovanni, and my parents have already signed their names at the bottom. Together, they had me sent to the Behavioral Correction Center. … The windows are always shut, and the sunlight is filtered through the metal window bars. They drug, reprimand, and ostracize me to make me shove my feelings of aggrievement down. Even while I am being humiliated and punished, they teach me to force a smile and maintain a steady breath. It was all done in the name of "treating" me. A year passes, and I go from being a so-called "troublemaker" to their ideal version of me—quiet, elegant, and utterly perfect. Matteo beams at me and says, "You've finally become my perfect wife. We can finally marry." I match his smile, a gesture that they think means obedience from my part. However, it is not true. It is just me bidding my farewell before I leave for good. There's something I don't understand, however. They constantly found me lacking, so now that I am gone from their lives, why are they falling apart?