Why Does The Protagonist Leave In Under The Roofs Of Paris?

That night, it all crashed. Three years. The moment she pulled open that particular bedside drawer in his bedroom and saw those papers, the truth sliced her deeper than any blade. It was never her. Has never been. The divorce he handed her felt like the final betrayal, a signature sealing years of lies. And she left with nothing but her pride vowing never to turn back. But, a year later, fate deals a cruel twist when they clash over the same billion-dollar deal only for the investor to demand, 'Work together or walk away'. Now, bound by a forced partnership, he regrets letting her go while she wonders if this partnership will heal her heart or break it all over again.

In the final seven days after I decided to depart for good, I transformed into the daughter my family had always dreamed of. I conceded to Remy's every whim, never to fight or deny her. When she wanted to use my work for a contest, I deferred. When she wanted me out in the frost and howling wind, I did just that. My quiet compliance led my family to think that I had learned the error of my ways. "You've finally accepted that you owe Remy so much, and that you have to compensate her!" Even until the end, they never understood why I couldn't care less. "Fiona, why aren't you saying anything?" To that, I could only smile. "Isn't this what you've always wanted?"

After eight years of marriage, I finally get pregnant with Claude Frey's child. It's my sixth round of IVF, and my last chance. The doctor says I can't put my body through it again. I'm overjoyed, ready to share the good news with him. But a week before our anniversary, I received an anonymous photo in the mail. In it, he was bending down to kiss another woman's pregnant belly. That woman is his childhood sweetheart, the one his family watched grow up. She's gentle and well-mannered, and the kind of daughter-in-law every parent dreams of. The funniest part is that his entire family knows about her pregnancy, except me. I'm just the punchline in their joke. It turns out that the marriage I've been holding together despite all my wounds is nothing but a carefully crafted lie. Fine. I don't want Claude anymore, and I'll never let my child be born into a world built on lies. I book my ticket to leave on our eighth anniversary. It's also the very day he's supposed to take me to see the sea of roses. Before we got married, he promised me a sea of flowers all my own. But instead, I find him in front of the rose garden, kissing his pregnant childhood sweetheart. After I leave, he starts searching for me everywhere. "Don't go, please?" he begs. "I was wrong. Don't leave." He finally remembers the promise he'd made to me and plants the most beautiful roses in the world in that garden. But I don't need it anymore.

My husband, Theodore, was about to take his childhood sweetheart, Rosalie, around the world in a hot-air balloon when I was kidnapped by his enemy. They were about to throw me into a snake pit. I gave up asking Theodore for help and called my father-in-law instead. In my previous life, I begged Theodore to save me, even kneeling in front of the phone camera. Hence, he abandoned the hot-air balloon ride with Rosalie and rushed to negotiate with the kidnapper. Rosalie was all alone and angry. She took another hot-air balloon, but it exploded mid-way, causing her to die on the spot without even leaving behind an intact corpse. Hearing the bad news, Theodore showed a rare calm expression. He seemed to forget about Rosalie's existence and took me on a trip around the world. As we were sailing in Norwol, he suddenly pushed me into the sea. "I should never have saved you. Snake pit? Kidnapper? How could they have had the courage to push you into it? I should've never saved you if I knew it'd kill Rosalie. You should go to hell sooner!" When I opened my eyes again, I had come back to the day I was kidnapped. This time, I chose not to call for help. Humble love would only leave you bruised and battered.

My ex-best friend's birthday is also my mother's death anniversary. When I see Susan Lloyd picking a birthday cake with Hans Luther, I know she's going to snatch my husband after snatching my father from me. I won't let her get away with it, though. I don't want to follow in my mother's footsteps and be forced to jump off a building. So, after ruining Susan's birthday party, I leave the divorce agreement I've prepared and move out of my marital home. It's been less than seven hours since the incident. In that time, I've spent one hour packing, one hour getting to the train station, and three hours getting to my grandmother's house. In my final two hours, I convince my grandmother to let me stay. Hans, I don't want you anymore.

On my birthday, my mafia husband, Alessandro, didn't come home to celebrate with me. He sent a bodyguard with a bouquet of wilting roses and a text message: [Picked these myself from the garden. Happy birthday, love.] A moment later, his right-hand woman, Chloe, posted an Instagram story. It was a fifty-thousand-dollar custom flower box, filled with black roses, their petals embedded with crushed diamonds. The caption read: [My Capo says, "If you love me, you show me devotion that never dies."] I didn't storm the casino to confront him. I just packed my bags and prepared to leave the city. The first day I was gone, word got back to me that Alessandro couldn't care less. He blew a ring of cigar smoke and said, "The world out there is dangerous. She'll be back in a few days, begging me to take her back." The first month I was gone, Alessandro tracked me down with an international call. "I'll buy you a villa in the Heights. Just come back, okay?" But a villa was never what I wanted.