This one had me curious right away, because cover art often has its own behind-the-scenes life that people don't notice.
For the U.S. trade editions of 'Hidden Figures' the publisher behind the book is William Morrow, which is an imprint of HarperCollins — so in most practical terms the publisher that owns and controls the cover design is HarperCollins/William Morrow. Publishers normally commission designers, photographers, or agencies to create a jacket and then the publisher holds the rights to reproduce and license that particular cover image or layout. For the popular film tie-in or paperback reprints you might see slightly different covers, but those are still produced and owned by the publisher who issued that specific edition.
If you want to license, reuse, or modify that cover then the rights department at HarperCollins or the specific imprint (William Morrow) is the place to go. Occasionally an element on a cover — a photo, an illustration, or a type treatment — might be licensed from a photographer or design agency, in which case the underlying image may also have separate permissions. Still, the cover design as a packaged piece is typically owned by the publisher, and for 'Hidden Figures' the trail leads to William Morrow/HarperCollins. It always feels kind of neat to trace a book's visual DNA back to the publisher; covers are their little billboards, after all.
Legally speaking, the short version is that the publisher that printed the edition owns the cover design unless rights were specifically assigned elsewhere.
For 'Hidden Figures' most widely known U.S. editions were published by William Morrow (an imprint of HarperCollins), so they would generally own the cover artwork for those editions. That doesn't erase the possibility that a photographer, illustrator, or stock image agency provided a component — sometimes those contributors retain certain moral rights or usage restrictions — but the assembled jacket (the specific layout, typography, and overall design) is usually the publisher's property.
A practical way to confirm ownership without guessing: look inside the front matter on the copyright page of that physical edition. It will often list a designer credit or note licensing for any photos, and it names the publisher and imprint responsible for the edition. If you need formal permission, contact the publisher's permissions/rights department and mention the edition (ISBN is ideal). I like how book covers hide these small legal dramas; the next time I flip through a book I find myself scanning the colophon like it's a secret map of who made the cover.
If you want a straight, usable takeaway: the publisher of the specific edition of 'Hidden Figures' is the one who typically owns the cover design. For the main U.S. release that means William Morrow/HarperCollins. That imprint commissioned and released the book, so the cover jacket as a complete creative product belongs to them in most standard publishing contracts.
Do note a couple of caveats — individual components (a photograph or illustration) might be licensed from an artist or stock agency, and those underlying rights can matter if you plan to reuse or alter the image. To be 100% sure, check the copyright page of the exact edition for designer credits and licensing notes; if you're doing anything more than just looking, reach out to the publisher's permissions team. I always enjoy tracing these credit lines — it feels like detective work and makes me appreciate how many hands go into a single book cover.
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Flipping through my copy of 'Hidden Figures' got me curious about who actually made that striking jacket — and the short, practical truth is that the credit usually lives in the book itself. The 2016 U.S. hardcover was published by William Morrow, an imprint of HarperCollins, and for many trade books the publisher's art department or an in-house creative team handles the final layout and production. Often the photographer or illustrator and the jacket designer are credited on the verso (the copyright page) under headings like 'Jacket design' or 'Cover art.' Sometimes it's a named freelance designer, sometimes an agency, and sometimes the publisher lists only a department name rather than an individual.
Another wrinkle is that 'Hidden Figures' has had several editions — hardcover, paperback, and film tie-in releases — and each edition can carry different artwork and different credits. The movie tie-in cover that circulated when the film came out was produced as part of the studio's marketing push and thus has separate art/photography credits from the original trade edition. If you want the exact person or studio name, check the verso of the specific edition in hand; I always enjoy seeing how many invisible collaborators come together to give a book its face, and 'Hidden Figures' is a neat example of that collaborative craft.
After flipping through several copies of 'Hidden Figures' over the years, I learned one important thing: there isn't a single, one-name answer. Different editions and printings of 'Hidden Figures' have had different covers, and the design credit often shifts depending on whether it's the original trade hardcover, a paperback reprint, or a movie tie-in edition. The U.S. trade edition was published by William Morrow/HarperCollins in 2016, and that edition's art and jacket were handled through the publisher's design team; the specific credit tends to appear on the verso (the back of the title page) if you want the exact name on a particular printing.
What trips people up is that when the film adaptation came out, publishers released alternate covers that use stills or promotional images from the movie; those are credited differently (often to the studio’s publicity photographers or the marketing art director), so the cover designer name on those copies won’t match the original book-jacket designer. Overseas editions—UK, paperback, special illustrated versions—also hire different designers or agencies and can look entirely distinct.
If you just want a clean takeaway: the cover designer depends on the edition. For the authoritative credit, check the copyright/colophon page inside the specific copy of 'Hidden Figures' you’re looking at, or the publisher’s edition notes online. Personally, I love seeing how each designer interprets the story’s math, courage, and quiet heroism—every cover tells a slightly different story, which is part of the fun.