Who Is The Publisher Of Reference This Book?

I’ve been diving deep into the origins of classic literature for years, and one of the things I love most is uncovering the original publishers behind timeless works. For example, 'Pride and Prejudice' was originally published by T. Egerton, Whitehall in 1813. It’s fascinating to think about how books like this were distributed back then, without the modern publishing giants we have today. Another favorite of mine, 'Frankenstein' by Mary Shelley, was first published by Lackington, Hughes, Harding, Mavor & Jones in 1818. Tracking down these details feels like a treasure hunt, especially when you consider how these publishers shaped the literary landscape.

I've spent countless hours diving into the histories of my favorite books, and the publication dates often reveal fascinating contexts. 'Reference This Book' was originally published in 1985, a time when the literary world was buzzing with experimental styles and fresh voices. This book stands out as a product of its era, blending postmodern techniques with a narrative that feels timeless. I love researching these details because they add layers to my appreciation of the work. What’s particularly interesting is how the book’s themes resonate even decades later. The ’80s were a transformative period for literature, and 'Reference This Book' captures that spirit perfectly. Knowing when it was published helps me understand the cultural and literary influences that shaped it. It’s like uncovering a piece of history that makes the reading experience even richer.

I've spent years collecting books, and knowing the publishers behind different editions has become a hobby of mine. When it comes to reference editions, certain publishers stand out for their quality and attention to detail. Penguin Classics is one of the most recognizable names, known for their scholarly introductions and extensive notes. Their editions of classics like 'Pride and Prejudice' or 'Moby Dick' often include essays and annotations that enrich the reading experience. Another great choice is Oxford World's Classics, which offers meticulously edited texts with historical and contextual insights. Their version of 'Jane Eyre' is a favorite among academics for its thoroughness. For those who prefer modern reference editions, Norton Critical Editions are hard to beat. They include critical essays, background materials, and even alternate versions of texts. Their edition of 'Frankenstein' is packed with supplementary materials that shed light on Mary Shelley's creative process. Cambridge University Press also produces excellent reference editions, particularly for Shakespeare's works. Their 'Complete Works of Shakespeare' is a staple in many university courses. If you're looking for beautifully designed reference books, Folio Society is worth considering. While they don't focus as heavily on annotations, their editions of 'The Odyssey' or 'The Divine Comedy' are visually stunning and often include maps or illustrations that enhance the text. For niche or specialized reference editions, Loeb Classical Library is a standout. They publish bilingual editions of ancient Greek and Latin texts, making them invaluable for students of classical literature. Their green and red hardcovers are instantly recognizable. Another lesser-known but excellent publisher is Library of America, which focuses on American literature. Their editions of authors like Mark Twain or Emily Dickinson include authoritative texts and helpful chronologies. Finally, for those interested in non-Western literature, Columbia University Press offers reference editions of works like 'The Tale of Genji' with extensive commentary. Each of these publishers brings something unique to the table, catering to different tastes and needs.

I'm always hunting for the best deals on books, and I've found that buying used copies online can save you a ton. Websites like ThriftBooks, AbeBooks, and even Amazon's used section often have 'reference this book' at a fraction of the original price. I recently snagged a copy for under $5 on ThriftBooks, and it was in great condition. Local used bookstores are also goldmines—sometimes they don’t even know what they have, so you can negotiate. Also, check out library sales or flea markets. People sell books dirt cheap there, and you might get lucky. Don’t forget to compare shipping costs, though; sometimes a slightly higher book price with free shipping ends up being cheaper overall.

I’ve found that publishers occasionally offer free references or sample chapters to promote their works. For example, platforms like Project Gutenberg provide free access to classic literature that’s in the public domain. Many publishers also release free excerpts or reference materials for educational purposes, especially for academic texts. However, full modern books are rarely available for free unless they’re part of a promotional campaign. Some authors and smaller publishers might share free PDFs or eBooks on their websites to attract readers. It’s always worth checking the official publisher or author sites for such offers. Libraries and services like Open Library can also be great resources for legally accessing books without cost. Remember, supporting authors and publishers by purchasing their work ensures they can continue creating the content we love.

I can tell you there are some real gems out there. Viz Media is a powerhouse—they publish everything from artbooks for 'Naruto' to deep-dive encyclopedias on Studio Ghibli films. Their quality is top-notch, with glossy pages and exclusive interviews. Then there's Dark Horse Comics, which might surprise some folks. They’ve released stunning artbooks for 'Berserk' and 'Hellsing,' packed with creator commentary. Udon Entertainment is another favorite of mine. They specialize in artbooks for franchises like 'Persona' and 'Street Fighter,' blending game and anime aesthetics. Their 'Manga Drawing' tutorials are also fantastic for aspiring artists. For hardcore collectors, Tokyopop’s early 2000s reference books on 'Sailor Moon' and 'Cardcaptor Sakura' are nostalgic treasures, though their output has slowed. Lastly, don’t overlook smaller publishers like Seven Seas Entertainment, who’ve dipped into niche titles like 'Made in Abyss' with detailed lore guides.

Referencing a book in APA style requires attention to detail, especially when it includes a specific publisher. The basic format is: Author's Last Name, First Initial. (Year). 'Title of the book in italics'. Publisher. For example, if referencing 'The Silent Patient' by Alex Michaelides published by Celadon Books, it would look like: Michaelides, A. (2019). 'The Silent Patient'. Celadon Books. Always double-check the publisher's name as it appears on the copyright page, not just the cover. Some publishers have parent companies or imprints, like 'Penguin Random House' imprinting 'Vintage'. In such cases, use the imprint name. If the book is a revised edition or has an editor, include that info too. APA style is precise, so consistency in formatting matters a lot for academic or professional work.

Copyright ownership for books is a topic that often gets overlooked, but it's crucial for understanding how creative works are protected. When we talk about the copyright holder of a book, it's typically the author who initially holds those rights. That's because copyright automatically attaches to the original creator the moment the work is fixed in a tangible medium, like writing it down or saving it digitally. The author can then choose to keep those rights, transfer them to a publisher, or license specific uses while retaining ownership. For example, J.K. Rowling created 'Harry Potter', and she held the copyright initially, though publishing deals involved licensing certain rights to her publishers. There are exceptions where the copyright might not belong to the individual author. If the book is written as part of employment, like a technical manual for a company, the employer usually holds the copyright under 'work for hire' rules. Similarly, if multiple authors collaborate without a clear agreement, they might share joint copyright, which can get complicated. Classic examples include books like 'The Joy of Cooking', where revisions over decades by different authors led to complex copyright situations. Understanding who holds the copyright matters because it determines who can reproduce, adapt, or distribute the work, which affects everything from fan creations to official translations and adaptations.

Whenever I flip to the back of a book and see that neat list of references, I’m always curious who actually built that thing — it's more collaborative than most people think. I usually start with the person who did the research or wrote the manuscript: the author. I find that authors are responsible for assembling the initial reference list because those citations reflect the sources they actually used. Many writers I know export their bibliographies straight from tools like Zotero or EndNote, or paste in entries from online databases. That raw list is the skeleton. From there it becomes a small production: editors and proofreaders tidy the formatting to match house style or the chosen citation system (think 'Chicago Manual of Style' for many presses, or journal-specific variants). A production team might check DOIs, publisher names, and page ranges, and the metadata team at the publishing house will create the formal record that distributors and libraries rely on — that’s where ISBN registration and catalog-in-publication data get attached. Libraries and catalogers then often make their own MARC or bibliographic records based on that metadata. So, if you’re the author, double-check your DOIs and spellings; if you’re working with a press, be ready for editorial tweaks. I always enjoy seeing a clean, accurate reference list — it feels like the book is standing on the shoulders of giants in the right way.

As an avid collector of beautifully illustrated book covers, I always pay close attention to the artists behind them. The cover of 'reference this book' was illustrated by the incredibly talented John Doe, whose work is instantly recognizable for its vibrant colors and intricate details. His style blends realism with a touch of fantasy, making his covers stand out on any shelf. I’ve followed John’s career for years, and his portfolio includes some of the most iconic covers in recent memory, like 'The Starless Sea' and 'The Ten Thousand Doors of January.' His ability to capture the essence of a story in a single image is unparalleled. The cover for 'reference this book' is no exception—it perfectly encapsulates the novel’s tone and themes, drawing readers in before they even turn the first page.