As a diehard Bastille fan, I’ve dissected every lyric and interview. While ‘DoomDays’ stands alone, its themes bleed into later projects. The ‘Million Pieces’ single even got a remix epilogue. The band’s big on continuity—like how ‘Quarter Past Midnight’ from ‘DoomDays’ references ‘Send Them Off!’ from ‘Wild World.’ Maybe a sequel’s lurking in future albums? Their storytelling’s too layered for one-off concepts.
Oh! I scoured every Bastille fan forum last year for this exact question. No concrete sequel, BUT Dan Smith (their frontman) mentioned in a livestream that some unreleased tracks from the 'DoomDays' sessions might resurface eventually. Fingers crossed! The album’s concept—one night grappling with modern chaos—felt so timely, and I’d love a ‘next morning’ follow-up. Their B-sides often flesh out ideas, so maybe check out ‘Another Place’ for similar energy.
No Part 2 yet, but Bastille’s live shows keep ‘DoomDays’ alive with extended versions and mashups. Their 2022 tour blended it with ‘Future’ tracks, making it feel like a bigger narrative. If they ever revisit it, I bet it’ll be a surprise drop—they love keeping fans guessing!
Man, I've been waiting for news about a 'DoomDays' sequel forever! It's one of those albums that just sticks with you—Bastille really nailed the apocalyptic vibes. While there's no official 'DoomDays Part 2' yet, the band has dropped hints in interviews about expanding the universe. Their later work, like 'Give Me The Future,' kinda feels like a spiritual successor with its tech-dystopia theme. I low-key hope they circle back to it someday because that album was a mood.
Honestly, even if there isn't a direct sequel, Bastille's whole discography threads together these grand narratives. Like, 'DoomDays' was this chaotic night-out-gone-wrong, and 'Future' jumps into digital escapism—it’s all connected thematically. Maybe they’re building a bigger story arc? Either way, I’m here for it. Their music videos even have Easter eggs linking albums, so I’m keeping my eyes peeled.
No official sequel, but Bastille’s ‘DoomDays’ was part of a trilogy with ‘Wild World’ and ‘Give Me The Future’—all exploring societal meltdowns in different flavors. If you loved the gritty, party-during-the-apocalypse vibe, ‘Future’s’ synth-heavy take on virtual reality paranoia might scratch that itch. Dan’s lyrics always tie back to human struggles, just wrapped in new sounds.
2026-06-20 20:41:45
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An apocalypse driven by natural disasters.
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Typhoons, floods, deadly cold, scorching heat, earthquakes, tsunamis, insect plagues, acid rain…
After struggling through three years of the apocalypse, Nicole Floyd met a brutal death. Miraculously, she woke up and found herself three days before it all began.
Nicole seized the advantage to reclaim her storage space, flipping the switch on full-on stockpiling mode. She shopped until she ran out of money, and her storage was packed tight.
She also looked for the dog that had saved her life once before.
She sharpened her knives, stacked her supplies, and took care of unfinished business. She paid back every debt, whether owed in blood or in kindness.
And then, disaster struck.
Her right hand gripping a knife and her left stroking the dog, Nicole pressed on through the ruins of a world without order or morals.
Raymond, an average mechanic, would go any length to satisfy and make his girlfriend happy. He became devoted to granting her an unrealistic wish of a grand wedding.
Everything was fine until his girlfriend was zombified alongside in an elite school.
To prevent the whole city of Newland from being infected, the mayor authorized an airstrike on the school.
Raymond had to find a way to save his zombie girlfriend before the the wipe out
Instead of drifting into the afterlife, Tyre is caught up in a magical time loop just after his death, he subsists in a plane between void and life. He must team up with other Deviants like himself as they journey through time preventing the inevitable event called;The Doomsday.
On the day the zombie outbreak occurs, I tell my boyfriend, Valerio Petrucci, to come over and hide in my apartment, where my front door is already reinforced.
Soon, sounds of the door being knocked can be heard. I'm about to get up when transparent comment bubbles appear in front of my eyes.
"Don't open the door! Valerio isn't the only one out there—there are a bunch of loan sharks with him as well!"
"One of them is already infected with the zombie virus and is about to turn into a zombie!"
"You'll die if you let them in!"
Someone knocks on the door once again at that moment.
Tantalizing crimson eyes and jet black hair were all Lily could remember in the features of the enigmatic young man who saved her ten years ago when she was kidnapped.
One day, she accidentally saw him again after ten years in the middle of a busy street in an unexplainable situation.
Time froze for few seconds, people around her stopped moving, and in his snap of finger defreezes time, as the car in front of him lose control and crashed with the nearby truck.
She was left dazed by what had just happened in front of her. The scene shocked her and triggered her memory of him.
"The guy who saved me was no human," she murmured staring blankly, remembering their uncanny encounter a decade ago.
"Grim Reaper?" Confusion was written on her face.
He shook his head. "Non, I am Doom, and I bring death to people."
After the street incident, she couldn't forget his face and his lines kept replaying in her dreams like a broken tape which made her wonder if this was part of the after-effects of her trauma or if it was destiny that aligned their stars to collide.
For twins Ethel and Elise, the line between dream and nightmare was always thin—and on Paron Island, it has been completely erased.
Their idyllic gap year, a sun-soaked mosaic of beach bonfires and reckless abandon, is shattered in an instant. A "project," as the panicked news reports cryptically call it, has gone horrifically wrong, releasing a pathogen that reanimates the dead with a singular, gruesome purpose: to feed. The sisters' bond, once defined by shared secrets and sibling rivalry, is now their only anchor in a world drowning in blood.
Driven by a raw, primal instinct to protect each other, they join forces with a few other fortunate—or unfortunate—souls who survived the initial onslaught. Together, this makeshift family must navigate the ruins of their former paradise, where every shadow hides a potential threat and every human sound could be a lure. Ethel, the more cautious sister, finds a hidden strength in strategy, while Elise's impulsive nature becomes both a weapon and a liability.
But their fight against the decaying hordes is only the surface of the terror. Whispers of a coordinated presence, of supplies that go missing too conveniently, and of strangers who seem to know too much, point to a more insidious truth: the island's collapse was not a random tragedy. They are being hunted by something that thinks, that plans, that wears a human face. As their hope for rescue dwindles, Ethel and Elise are forced to confront the ultimate horror—that in the midst of an apocalypse, the most monstrous creatures of all are still human.
Man, I've been refreshing news sites like crazy waiting for updates about a 'Doomed' sequel! The first game was such a wild ride—brutal combat, that gnarly pixel art style, and a soundtrack that made my ears bleed (in the best way). I’ve seen some cryptic tweets from the devs hinting at 'big things brewing,' but no official announcement yet.
Honestly, I wouldn’t be surprised if they’re keeping it under wraps until they’ve got something polished to show. The indie horror scene’s been exploding lately, and 'Doomed' carved out this niche of retro-meets-modern that’s hard to replicate. If they do drop a sequel, I just hope they keep that same chaotic energy—maybe throw in some new weapons or deeper lore. Fingers crossed!