Sleeping With Sirens definitely played a role in the emo revival, but I wouldn't say they single-handedly started it. Their early albums, like 'With Ears to See and Eyes to Hear,' had that raw, emotional energy that resonated with fans of the scene. But the revival was more of a collective movement—bands like Pierce the Veil, Bring Me the Horizon, and even older acts like My Chemical Romance coming back into the spotlight all contributed.
What made Sleeping With Sirens stand out was Kellin Quinn's distinctive vocals and their blend of post-hardcore and pop-punk. They brought a fresh take to the genre, especially for younger listeners who might not have been around for the early 2000s emo wave. Still, crediting them alone feels unfair to the dozens of bands and fans who kept the spirit alive during the late 2000s and early 2010s. If anything, they were part of a perfect storm that brought emo back into mainstream conversation.
From a music historian's perspective, the emo revival was a cultural reset rather than one band's doing. Sleeping With Sirens emerged at the right time—social media was exploding, and their emotionally charged music fit perfectly with the Tumblr-era aesthetic. They weren't the first, but they became one of the faces of the movement. Comparing them to earlier emo bands is tricky because their sound leans more toward pop sensibility than raw punk energy. Still, their impact on bringing emo aesthetics to a wider audience is hard to ignore, even if they didn't 'start' it.
while Sleeping With Sirens was huge for the emo revival, they weren't the pioneers. Bands like The Used and Taking Back Sunday laid the groundwork years earlier. What SWS did was repackage that sound for a new generation—catchy hooks, dramatic lyrics, and that signature high-pitched vocal style. Their influence is undeniable, especially on the more melodic side of post-hardcore, but the revival was already brewing before they hit their stride.
Sleeping With Sirens? More like sleeping through the emo revival's actual origins. Don't get me wrong—I love their music, but the revival was already in full swing by the time they dropped their first album. Bands like Title Fight and Tigers Jaw were doing the DIY thing years before, keeping the spirit alive in basements and small venues. SWS just happened to be the ones who broke through to mainstream audiences. They're a product of the revival, not the cause.
2026-04-19 10:02:52
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Sleeping With A Demon
Emelradine
10
12.7K
He needed sex, I was there. He needed a shoulder to cry on, I was there. He needed someone to yell at, I was available. But when I needed him the most, he neglected me. He left me to die and rot in prison.
Despite the fact that Tyler Bresfort was a beast, Despite the fact that he left Aurbrey Chandler to rot and die in prison, without a care in the world. Aubrey still finds herself aching to meet his needs, Aubrey should hate him, but she just couldn't. She was involved with a Demon and no matter how hard she tries to hate him, she still finds herself, waking up in bed, sleeping next to her Demon, sleeping next to Tyler Bresfort.
Eliot Hale had it all: grades, charm, and an enviable future. The whole campus admired his girlfriend. His life was picturesque...Until an anonymous message snatched it all away.
One party.
One betrayal.
One moment that saw the shattering of his glass-laden golden world.
Eliot, now the joke of the university, has been stripped of any last semblance of support, in whispers mocking him, asking his name, and wondering in his moment of awe, "Who do I trust when those I loved the most were the first to destroy me?"
And just as Eliot spirals into isolated boredom, a stranger people would wish they had in their lives, begins texting him. What starts off as cautious curiosity soon evolves into an intimate, heartfelt bond- the anonymous presence sees into him, all the pain he hides beneath the surface; making him feel something for the very first time in his life.
But upon finding out who actually was behind the screen… everything was changed forever.
The boy who ruined him might be the only one who really understands him.
The one he was raised to hate might be the one to really love him.
And that forbidden love?
That just might be the one thing that could save them both.
His songs were better when he had a broken heart.
That sentence would change my life after my dream job was dished to me on a shiny, silver platter.
All I had to do?
Hurt Nash Pierce enough to get him writing good music again.
The pop icon’s songs were no longer the phenomena they used to be. His team needed another breakthrough album—like the first he’d penned, using his heartbreak as fuel.
The plan was simple: I’d go on tour with him as a backup dancer…and make him fall in love with me. I was hired to inspire—to become embedded into every lyric he wrote. Then, I was to set fire to it all—to destroy every feeling we hoped he’d develop for me.
It seemed simple enough. Easy, even.
I didn’t expect to be consumed myself—to see so much in the man displayed in the tabloids. I didn’t foresee falling for him. It didn’t occur to me that, while attempting to break his heart, I might just shatter my own.
Most of all, I never thought I’d fight so hard to hold on to a relationship that had always been founded on goodbye.
The day after Sean Ford proposed to Nikki Sanders, he dumped her.
“Vivian is pregnant,” he had told her flatly. “I have to take responsibility.”
Nikki slit her wrists, filling the entire bathtub with blood.
When told the news, he sounded like he couldn’t care less.
“If she wants to die, let her.”
Four years later, they met again.
She was an ER doctor who had buried herself in work.
He was the youngest captain in Air Costina’s history.
But when it came to Nikki, every bit of his pride was gone.
Every time she tried to start over, Sean found his way back into her life.
He was falling apart over the woman he had once let go.
Meanwhile, Nikki wanted nothing more than to kick him out of her life for good.
“Get lost. You’ve got a wife and kid, so stop pretending you still care about me.”
The usually calm and collected Sean finally snapped.
“We never got married. We never even got a marriage license. Just look at the paternity test.”
Piece by piece, the truth about what happened back then came to light.
“So what?” Nikki said coldly. “To me, an ex is as good as dead.”
“Then let me start over. Let me win you back.”
“Get in line.”
I jumped in front of a dagger for a man who didn’t love me.
I know how that sounds. I knew how it sounded then too, somewhere in the back of my mind, but my body was already moving and the wolfbane was already spreading through my blood before I could talk myself out of anything.
He held me while I was dying. Said my name like it mattered. And I lay there on that cold floor thinking maybe. Maybe this is the moment he finally sees me.
Then Vanessa knelt beside him and they started talking and I realized they thought I was already gone.
I almost was. But not yet.
I heard every word.
I died on that floor knowing the truth about what I was to him. Not a love. Not even a choice. Just a girl who stayed close and never complained and made herself easy to keep around.
Then I woke up at eighteen and everything was exactly the same same room, same pack, same people except me.
I remember everything. And I’m not the same girl anymore.
When I Gave Up Music, My Girlfriend and Her Lover Panicked
Berilli
10
8.1K
After I announced my exit from the music industry, the public response was overwhelmingly positive. The only person who voiced his objection was my girlfriend's rumored lover, the up-and-coming songwriter Lucas Zacker.
He put on a show of sincerity in front of a crowd of reporters.
"It's all a misunderstanding. Matthew is an irreplaceable talent in the music industry. I sincerely hope he returns to the stage."
I shut off my phone and turned a blind eye to his public plea. In my past life, one of my songs had been identical to his supposedly original single. As such, netizens accused me of plagiarism, cursing me and wishing death upon my family.
Frustrated, I posted the entire creation process online, but it couldn't stand up to the timeline. His new song had been released ten minutes ahead of mine.
Just because of the ten-minute difference, netizens sent me photoshopped mourning portraits of myself and even went so far as to come to my house and vandalize it with paint.
The relentless cyberbullying went on for years, and it drove me into a deep depression. My parents exhausted their life savings trying to clear my name, only for crazed fans to set our house on fire, causing my parents to burn to death.
In the end, when his song won an award, I jumped off a building.
But who would have guessed that when I opened my eyes again, I was reborn on the very day the new song was set to release.
Back in my high school days, I stumbled upon Sleeping With Sirens while scrolling through music recommendations, and their sound immediately struck a chord with me. The term 'emo' gets thrown around a lot, especially for bands with emotional lyrics and a blend of post-hardcore and pop-punk vibes. SWS fits that mold perfectly—Kellin Quinn's piercing vocals and the raw, heartfelt lyrics about love, loss, and inner turmoil resonate deeply with listeners who crave that emotional catharsis.
What really cements their 'emo' label, though, is the fanbase. The scene kids, the dyed hair, the tight jeans—it’s all part of the aesthetic that dominated the late 2000s and early 2010s. Bands like Pierce the Veil and Bring Me the Horizon were also lumped into this category, but SWS stood out with their melodic hooks and Quinn’s unmistakable voice. It’s less about a strict genre definition and more about the emotional intensity and the community that forms around it.
Sleeping With Sirens has this uncanny ability to hit right in the feels with their emo tracks. One that absolutely wrecks me every time is 'If You Can’t Hang.' The way Kellin Quinn’s vocals soar over those angsty lyrics—it’s like a punch to the gut in the best way possible. Then there’s 'Do It Now Remember It Later,' which blends raw emotion with this infectious energy that makes you want to scream along.
And let’s not forget 'Scene Two: Roger Rabbit.' The desperation in the lyrics paired with the chaotic instrumentals captures that classic emo vibe perfectly. It’s the kind of song you play when you’re driving alone at 2 AM, feeling all the things. Honestly, their whole 'Feel' album is a masterclass in emotional catharsis—just put it on shuffle and let the tears flow.
Sleeping With Sirens carved out this unique space in emo music where raw emotion meets polished production. Their early albums, like 'With Ears to See and Eyes to Hear,' blended piercing vocals with post-hardcore instrumentation, creating a sound that felt both vulnerable and explosive. Kellin Quinn's falsetto became a signature—something you either loved or hated, but it undeniably stood out. They pushed the genre beyond the typical raspy screams and angsty lyrics, infusing it with a theatrical flair that resonated with fans craving something melodramatic yet refined.
What really set them apart was their ability to balance heaviness with pop sensibility. Tracks like 'If You Can’t Hang' had catchy hooks but still crushed with emotional weight. They weren’t just rehashing the same old emo tropes; they were redefining what the genre could sound like. Younger bands started borrowing that blend of clean singing and chaotic instrumentals, proving their influence stretched further than just their own discography. Even now, you can hear echoes of their style in newer artists who aren’t afraid to mix prettiness with pain.
Back in my high school days, I used to blast Sleeping With Sirens on my iPod while doodling in my notebook. Their early stuff, like 'With Ears to See and Eyes to Hear,' had that raw, emotional edge—Kellin Quinn's piercing vocals over post-hardcore instrumentals totally fit the emo vibe. But over time, their sound shifted toward more polished pop-punk and even electronic elements.
Honestly, labeling them strictly 'emo' feels reductive now. They’ve always had emo influences, especially in their lyrics about heartache and identity, but they’re more of a hybrid. Bands like My Chemical Romance or Sunny Day Real Estate defined emo’s core sound, while SWS cherry-picked from multiple genres. Still, if you’re craving that mid-2010s scene kid nostalgia, their early albums hit different.