Style D'écriture Poétique : Exemples Célèbres?

BOOK 2: The Gentleman Series *Can be read as a standalone* ~~~ I think I had a one night stand with the Beast my sister was supposed to marry, now I’m marrying him. Angelica Hearst’s beauty is the bane of her existence. All she is and all she knows are tied to her beauty that everyone covets, but deep down she wants better for herself. She longs for escape from the man who has sworn to make her life a living hell and because of that she made a list of things she wants to do for herself and she’s determined to get through them somehow, but how would she with the Beast lurking? An illegitimate child, abused and forced to marry a wicked, bruised and pensive Don in place of her sister. It’s the last thing she wants, but maybe it’s a chance at the freedom she desires. ~~~ TRIGGER WARNING!!! This book contains themes that are not suitable for all readers, including; death, graphic violence, scenes of intimacy, strong language, physical and verbal abuse, manipulation, substance abuse, family trauma, and mental health issues. Proceed with caution and read at your own risk. Enjoy. x

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

"Please teach me to become a better writer!" "Oh?" Joaquin got his glass sipped his whiskey as he looked at me in a condescending manner. "I need something in return," he teased as he put his glass down on the table, making me nod excitingly. "Yes, yes! I would do anything you ask for!" Hearing her feedback, he stood up from his chair then walked towards me, chuckling. "Erm..." I stepped away from him, now bumping my back on the wall behind me. Surprised, I gasped as he did a breathtakingly hot "kabe-don". He then spoke near my ear, sending shivers down my spine. "What if I ask... for a collaboration?" --- Haven Thorne, a young woman who is eager to become a great writer, secretly attended a party that was hosted by a popular and rich top author, Joaquin Greyson. Wanting to learn from the great writer, Haven gathered her courage and visited his home for consecutive days even after the constant rejections. Irritated, Joaquin entertained the persistent woman to stop her. Seeing her determination however, piqued his interest and had agreed to her request—even asking for a collaboration! Will the top author really be willing to teach the newbie, or will he lose his patience? Will she able to meet the demands of her experienced mentor, or will she disappoint him? With that in mind, what will their pen and passion teach them? Love, hate… or something more?

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*

-Je ne veux pas d'une relation en ce moment. -Qui t'a parlé de relation?minaude Elyn au creux de son oreille qu'elle mordille au passage. Laisse-moi m'occuper de toi. -C'est vraiment ce que tu veux? lui demande Hendrick. À une seule condition. ajoute-t-il sans attendre de réponse. -Laquelle? demande Elyn intriguée. -Ce sera juste charnel entre nous. Pas de place pour les sentiments, encore moins pour l'amour. Elle déglutit devant autant de froideur dans sa voix. -Marché conclut. ***** Planté devant l'autel le jour de son mariage, Hendrick atterit dans un bar pour faire passer sa frustration et sa colère, où il va faire la connaissance d'Elyn. Après des nuits passées ensembles, ils continuent à se voir chacun dans un but précis. Elyn; pour de l'argent parce qu'il est juste un client, et Hendrick pour le plaisir. Mais est-ce vraiment juste du sexe entre eux ou l'amour s'en est mêlé? Une seule règle, pas de place pour les sentiments, encore moins pour l'amour...

Would you love something that is broken or admire something that had fell into pieces? Would you hold it close to your heart and accept it, even if it means you'll get cuts? She was broken yet bravely collected herself together. She started a new life and decided to forget everything in the past by creating a fabricated image of herself. Would you dare look beyond the facade she made to get to know her more?" But getting closer means hurting her; digging for more from her past would destroy her. Would you gamble all the chance of helping her fix everything up, even though you’d break her more and make her feel worse? Or would you only admire her from afar and maintain your distance, to keep everything in place that she had built. Would you fight for her even if it means fighting against her?